Alexandre Guilmant

He was appointed as Professor of Organ in the Conservatoire de Paris in 1896.

Training under Jacques-Nicolas Lemmens is recorded. Joseph Bonnet, Marcel Dupré and Déodat de Séverac are recorded as having studied under Alexandre Guilmant. The recorded working language is French. Subjects and genres recorded for the work are symphony. Employment is recorded with Conservatoire de Paris. Work by Alexandre Guilmant is recorded in the collections of Procuratoria di San Marco musical archive. Distinctions recorded are Knight of the Legion of Honour.

Guilmant was born in Boulogne-sur-Mer. A student first of his father Jean-Baptiste and later of the Belgian master Jacques-Nicolas Lemmens, he became an organist and teacher in his place of birth. In 1871 he was appointed to play the organ regularly at la Trinité church in Paris, and this position, organiste titulaire, was one he held for 30 years. Guilmant was known for his improvisations, both in the concert and church setting. His inspiration came from Gregorian chants, and he was greatly noted amongst his colleagues for his mastery of the melodies. From then on, Guilmant followed a career as a virtuoso; he gave concerts in the United States (the first major French organist to tour that country), and in Canada, as well as in Europe, making especially frequent visits to England. His American achievements included a 1904 series of no fewer than 40 recitals on the largest organ in the world, the St. Louis Exposition Organ, now preserved as the nucleus of Philadelphia's Wanamaker Organ. With his younger colleague André Pirro, Guilmant published a collection of scores, Archives des Maîtres de l'Orgue (Archives of the Masters of the Organ), a compilation of the compositions of numerous pre-1750 French composers. The collection was printed in ten volumes, the first in 1898 and the last (which Guilmant did not live to finalize) in 1914. Guilmant provided a rather similar survey of organ pieces by foreign composers, publishing l'École classique de l'Orgue (Classical School of the Organ). These anthologies, despite all the musicological developments which have taken place since Guilmant's own time, remain very valuable sources of early music. In 1894 Guilmant founded the Schola Cantorum with Charles Bordes and Vincent d'Indy. He taught there up until his death at his home in Meudon, near Paris, in 1911. In addition, he taught at the Conservatoire de Paris where he succeeded Charles-Marie Widor as organ teacher in 1896. As a teacher, Guilmant was noted for his kindness and attention to detail. His students' recollections feature accounts of a particular focus on all facets of a note: attack, release, character. Marcel Dupré was the most celebrated of his many students. Others included Augustin Barié, Joseph-Arthur Bernier, Joseph Bonnet, Alexandre Eugène Cellier, Abel Decaux, Gabriel Dupont, Charles Henry Galloway, Philip Hale, Edgar Henrichsen, Édouard Mignan, and Émile Poillot. See: List of music students by teacher: G to J#Alexandre Guilmant. Guilmant's interest in Marcel Dupré began when the latter was a child. Albert Dupré, father of the celebrated Marcel, studied organ with Guilmant for seven years prior to his son's birth. In Dupré's memoirs, he includes an anecdote where Guilmant visits his mother upon his birth and declares that the child will grow up to be an organist. After frequent visits throughout his childhood, Marcel Dupré began studying with Guilmant formally at age 11. From this time until his death, Guilmant championed the young virtuoso and did much to advance his career. Guilmant's house was later purchased then demolished by Dupré and rebuilt. His home organ was also sold to Dupré.