Alexander László
Alexander (Sándor) László (November 22, 1895 Budapest (Hungary) - November 17, 1970 Los Angeles, California) was a Hungarian-American pianist, musical composer, arranger and inventor. He was born Sándor ("San") Totis, but used the professional name of Alexander László as a composer and music publisher. After training at the Franz Liszt Academy of Music, László studied piano with Szendy and composition with Herzfeld and started as a pianist at the Blüthner Orchestra in Berlin in 1915.
Also recorded as Sándor László · Alexander Laszlo
Alexander László
- Name
- Alexander László
- Birth Name
- Sándor ("Sán") Totis
- Born
- 22 November 1895
- Died
- 17 November 1970
- Occupation
- Composer
- Nationality
- United States
- Fields
- music · piano piece · arrangement · film score
- Education
- Franz Liszt Academy of Music
- Languages
- English · Hungarian
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wikidata · Q4719358 · wikipedia · Alexander László
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The documentary record
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Institutions cited
Bibliothèque nationale de France · Deutsche Nationalbibliothek
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Biography
Biography
He gave piano recitals in Germany and Europe in the 1920s, and was a music director and professor of film music in Berlin. According to the studies of the psychologist Georg Anschütz, the mentor of the synaesthesia research of this time, László developed an apparatus for the combination of colored light, slides, moving amorphous and geometrical forms. The first demonstration of it took place under the name "Sonchromatoskop" in 1924. Although this sonicism was developed by music, it should neither serve the intensification of the musical life, nor should individual keys be illustrated by clearly related colors. Rather, it was a new art genre in which abstract images and sound do not behave supplementarily, but enter into an original and inviolable unity. László built a professional Sonchromatoskop and it was controlled by the pianist. In 1925 Laszló wrote a text called Color-Light-Music, and toured Europe with a color organ. Smith & Howe refer to him constructing a 'Farblichtklavier' (Color pianoforte) and publishing a book in 1925, 'Farblichtmusik', which describes the genre. He also participated in many Jewish lead charities. In 1938 he came to the United States, starting in Chicago as music professor at the IIT Institute of Design. In the 1940s he was music director at NBC Radio. In Hollywood from about 1944, he wrote the music for several films such as One Body Too Many (1944), Charlie Chan and the Chinese Cat (1944), Scared Stiff (1945) and Yankee Kafir (1947). Also, The Great Flamarion (1945), The Amazing Mr. X (1949), Tarzan's Magic Fountain (1948), Night of the Blood Beast (1958), Attack of the Giant Leeches (1959), Beast from Haunted Cave (1959) and The Atomic Submarine (1959), and television series including Rocky Jones, Space Ranger and My Little Margie. He established a publishing company to collect ASCAP royalties under the name "Alexander Publications."
Documentary record
Alexander László died in Los Angeles, California, United States, according to the Deutsche Nationalbibliothek and the Bibliothèque nationale de France.
Key facts
Key facts
• Name — Alexander László • Birth Name — Sándor ("Sán") Totis • Born — 22 November 1895 • Origin — Budapest, Hungary • Died — 17 November 1970 • Genre — Film score • Occupation — Composer
Documentary record
Alexander László (22 November 1895 – 17 November 1970) is described as a composer, pianist and conductor in the authority records of the Bibliothèque nationale de France and the Deutsche Nationalbibliothek. Alexander László was born on 22 November 1895 and died on 17 November 1970. Alexander László was born in Budapest, Hungary, according to the Deutsche Nationalbibliothek and the Bibliothèque nationale de France.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1895
Alexander László born at Budapest.
1970
Alexander László died at Los Angeles.
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Budapest.
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Los Angeles.
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Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Alexander László, revision 1316025337 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Malte Hagener (2007). Moving forward, looking back: the European avant-garde and the invention of film culture, 1919-1939. Amsterdam University Press, p.155.
- 2.Smith & Howe: The Welte Mignon: Its Music & Musicians, (1994), p.408.
- 3.John Gage (1999). Color and culture: practice and meaning from antiquity to abstraction. University of California Press. p.245.
- 4.Alexander Lászlò.
- 5.One Body Too Many (1944) Full Cast & Crew - Composer. IMDb.
- 6.Alexander Laszlo papers, 1939-1966.
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The authorities additionally record the headings Sándor László and Alexander Laszlo. His recorded languages were English and Hungarian. László worked in music, piano piece, arrangement, film score and piano music. He was employed by Illinois Institute of Technology. He belonged to IIT Institute of Design. Recorded as composer, university teacher, pianist, conductor and musician.
Identity and origins
Career and activity
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 26 August 2026.
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