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Artist

Alexa Meade

Alexa Meade (born 1986) is an American installation artist best known for her portraits painted directly onto the human body and inanimate objects in a way that collapses depth and makes her models appear two-dimensional when photographed. Her work was described by American media organization NPR as "portraiture in triplicate: A photo of a painting of a person, and the real person hidden somewhere underneath." One of her notable projects was painting singer Ariana Grande’s body for her 2018 video “God is a Woman".

Alexa Meade

Portrait photograph of Alexa Meade in a self portrait.

Alexa Meade · http: alexameade.com · CC BY-SA 3.0

Name
Alexa Meade
Born
1986
Birthplace
Washington, D.C.
Field
Installation art, painting, photography
Training
Vassar College
Awards
TED Speaker, Tribeca Film Festival – "Disruptive Innovation Award", Perimeter Institute for Theoretical Physics – "Artist in Residence", Google - Artist in Residence, World Trade Center - “Artist in Residence”
Nationality
United States
Occupation
painter · installation artist
Fields
installation artwork
Languages
English

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Alexa Meade (born 1986) is an American installation artist best known for her portraits painted directly onto the human body and inanimate objects in a way that collapses depth and makes her models appear two-dimensional when photographed. Her work was described by American media organization NPR as "portraiture in triplicate: A photo of a painting of a person, and the real person hidden somewhere underneath." One of her notable projects was painting singer Ariana Grande’s body for her 2018 video “God is a Woman".

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Alexa Meade (born 1986) is an American installation artist and painter.

The installation artist studied at Vassar College. Alexa Meade is active in installation artwork. Languages used include English.

Composed from admitted, traceable facts · 01 October 2026

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wikidata · Q621627 · wikipedia · Alexa Meade

In this article

  1. 01Biography
  2. 02Archives and collections
  3. 03Honours and memberships
  4. 04Notes, references and evidence

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