Alex Seton

In 2015, Seton was awarded a Grand Jury prize at the Fondation François Schneider ‘Contemporary Talents’ competition. He was the Inaugural Nancy Fairfax Artist in Residence, Margaret Olley Art Centre, Tweed River Art Gallery, Murwillumbah, in 2014; and in 2012 participated in the Omi International Arts Center residency program in New York. Seton lives and works in Newtown, an inner suburb of Sydney, Australia.

• Name — Alex Seton • Born — 1977 • Birthplace — Sydney, Australia • Education — College of Fine Arts, UNSW (B.A., 1998) • Known for — Sculpture, marble carving, photography, video, installation • Awards — Woollahra Small Sculpture Prize Fondation François Schneider Grand Jury prize (2015)

Seton was born in Sydney, Australia. He is one of four brothers, one of whom, Ben Seton, is an actor. He was raised in Sydney and attended the exclusive school St. Ignatius Riverview. His family's rural property is at Wombeyan Caves located in the Southern Highlands (New South Wales). This rural upbringing saw him raised near the Wombeyan Caves Marble Quarry, which operated continuously from 1915 – 1997 before being closed due to decreasing demand and environmental concerns. Seton has credited this early exposure to marble with his interest in the medium. His mother left Cairo in the 1960s after it had become a socialist republic under Gamal Abdel Nasser's government to settle in Australia. Growing up listening to stories of displacement fostered a strong interest in migration and his mother's relocation to Australia, something he continues to explore through his art works. Seton honed his craft through internships and residencies with Italian carving studios, an experience that continues to influence his work. He graduated in Art History and Theory from the College of Fine Arts, University of New South Wales, in 1998.

• Illustration — For Every Drop Shed in Anguish in the Australian War Memorial sculpture garden Seton is known for his use of marble and traditional carving techniques in contemporary ways, which has positioned him as one of Australia’s foremost living sculptors. He frequently works directly with contemporary political issues, such as Australia’s treatment of asylum seekers, and questions of conflict and nationhood. In 2017, his work Refuge was included in the Kochi-Muziris Biennale (India) following exhibition in Paris in 2016 as part of The Journey at Galerie Paris Beijing. 2017 also saw a survey exhibition of Seton’s works about asylum seekers at Newcastle Art Gallery, called The Island. In 2014 he participated in the Adelaide Biennial: Dark Heart, producing the large sculptural installation Someone died trying to have a life like mine, twenty-eight life inflatable jackets made in marble. The installation referenced an event of May 2013, in which 28 life jackets were found washed ashore the Cocos Islands, a known departure point for refugees attempting to reach Australia by boat. The work garnered critical and popular acclaim, and was acquired by the Art Gallery of South Australia. In 2011 the Australian War Memorial acquired and commissioned the ongoing work As of today (2011–14), which is composed of one folded marble flag for every Australian casualty in Operation Slipper in Afghanistan. This work reflects Seton’s interest in Australian politics, ideas of patriotism and nationalism and the symbols attributed to them. Seton has also regularly shown at art fairs both in Australia and internationally. He has exhibited in the last five Hong Kong and Art HK fairs, as well as participated in Sydney Contemporary, Art International Istanbul, Art Stage Singapore, Art Paris, and Art Stage Jakarta. In 2012 Seton showed his solo exhibition Elegy on Resistance at Art HK, featuring as its centerpiece Soloist (2012), a lone hooded figure sitting cross-legged.

Seton’s work is held in numerous collections including the National Gallery of Australia; Artbank; Art Gallery of South Australia; Australian War Memorial; Newcastle Art Gallery; Bendigo Art Gallery; the Danish Royal Art Collection, Copenhagen; HBO Collection, New York; University of Queensland Art Museum; Queensland University of Technology; Albury Regional Gallery; the Patrick Corrigan Collection, Sydney; and the Art Gallery of NSW Society; as well as numerous private collections nationally and internationally.