Alex Mendur

• Name — Alex Mendur • Born — 7 November 1907 • Birthplace — Kawangkoan, Minahasa, Dutch East Indies • Died — 30 December 1984 • Place of death — Bandung, Indonesia • Occupation — Photographer • Spouse — Emmy Agustina Wowor (m. 1929–1950)Ines Manaroinsong (m. 1950–1984) • Children — Meity Mendur (with Emmy)Lexi Rudolp Mendur (with Emmy)Mayon Mendur (with Ines)

Mendur was born in Kawangkoan on 7 November 1907. He was the first of eleven children of August Mendur and Ariance Mononimbar. He completed Volkschool (an elementary level school up to fifth grade), but afterwards did not continue his studies due to financial reasons. In 1922, Mendur moved to Batavia (now Jakarta) with Anton Nayoan, a family relative who had already settled in Batavia. Nayoan worked for a Dutch company that sold photographic supplies and taught Mendur how to use the camera. Mendur would eventually work for the same company and other photographic supply companies. In 1932, Mendur was hired as a journalistic photographer at Java-bode, a Dutch newspaper that was published in Batavia. In 1936, he started work at the Dutch shipping company KPM (Koninklijke Paketvaart-Maatschappij). During the Japanese occupation of Indonesia, Mendur was assigned to the local branch of the Japanese news agency Dōmei Tsushin, where Mendur became head of the photographic department.

In August 1945, through his contacts in Domei, Mendur found out about a ceremony where Indonesian leaders would proclaim the country's independence. He went with his brother, Frans Mendur, to Sukarno's residence where the ceremony was being held on 17 August 1945. They both took photographs the proclamation ceremony, but only Frans' photographs were processed and published as Alex's film was confiscated by the Japanese. After independence, Mendur worked briefly at the Indonesian newspaper Merdeka. Then on 2 October 1946, Mendur established the IPPHOS with Oscar Ganda, Alex Mamusung, Frans Mendur, Frans Umbas, and Justus Umbas. They recognized the need to provide photographs to local and foreign news agencies on the current events in Indonesia, which at that time was dominated by the country's struggle to maintain its independence. They saw their work as their contribution to the struggle. The photographers of IPPHOS were credited for many iconic photographs that documented the struggle and were seen as important "witnesses" to history.