Albert Ammons
Albert Clifton Ammons (March 1, 1907 – December 2, 1949) was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s.
Albert Ammons

Nick Number · CC BY 4.0
- Name
- Albert Ammons
- Birth Name
- Albert Clifton Ammons
- Born
- 1 March 1907
- Birthplace
- Chicago, Illinois, U.S.
- Died
- 2 December 1949
- Occupation
- Musician
- Full name
- Albert Clifton Ammons.
- Nationality
- United States.
- Fields
- jazz and boogie-woogie.
- Languages
- English.
VALÉORINE Encyclopedia
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Documentary summary
Albert Clifton Ammons (March 1, 1907 – December 2, 1949) was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s.
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Note VALÉORINE
Albert Ammons (1907–1949) was a composer, jazz musician and musician, among other activities, of American nationality. The composer was born Albert Clifton Ammons in Chicago and died in Chicago.
The work spans boogie-woogie and jazz. Languages used include English.
Composed from admitted, traceable facts · 01 October 2026
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gnd · 16035214-9 · museum · 21565e67-707e-48ab-be5a-7c7061d4dc27 · wikidata · Q731178 · wikipedia · Albert Ammons
In this article
Key facts
Key facts
• Name — Albert Ammons • Birth Name — Albert Clifton Ammons • Born — 1 March 1907 • Birthplace — Chicago, Illinois, U.S. • Died — 2 December 1949 • Place of death — Chicago, Illinois, U.S. • Instrument — Piano • Genre — * Jazz • blues • boogie-woogie • Occupation — Musician • Years Active — 1920s–1949 • Label — * Blue Note • Delmark • Mercury • Vocalion • Solo Art • Victor • Decca • V-Disc • Commodore
Life and career
Life and career
Ammons was born in Chicago, Illinois. His parents were pianists, and he had learned to play by the age of ten. His interest in boogie-woogie is attributed to his close friendship with Meade Lux Lewis and also his father's interest in the style. Both Albert and Meade would practice together on the piano in the Ammons household. From the age of ten, Ammons learned about chords by marking the depressed keys on the family pianola (player piano) with a pencil and repeated the process until he had mastered it. He also played percussion in a drum and bugle corps as a teenager and was soon performing with bands in clubs in Chicago. After World War I he became interested in the blues, learning by listening to the Chicago pianists Hersal Thomas and the brothers Alonzo and Jimmy Yancey. In the early to mid-1920s Ammons worked as a cab driver for the Silver Taxicab Company. In 1924 he met up with his boyhood friend Meade Lux Lewis, who was also then a taxi driver. Soon the two players began working as a team, performing at club parties. Ammons started his own band at the Club DeLisa in 1934 and remained at the club for the next two years. During that time he played with a five-piece band that included Guy Kelly, Dalbert Bright, Jimmy Hoskins, and Israel Crosby. Ammons also recorded as Albert Ammons's Rhythm Kings for Decca Records in 1936. The Rhythm Kings' version of "Swanee River Boogie" sold a million copies, and their 1936 recording of "Boogie Woogie Stomp" has been described as "the first 12-bar piano based boogie-woogie, [which] was imitated by many jazz bands." Ammons moved from Chicago to New York City, where he teamed up with another pianist, Pete Johnson. The two performed regularly at the Café Society, occasionally joined by Lewis or by other jazz musicians, including Benny Goodman and Harry James. On December 23, 1938, Ammons appeared at Carnegie Hall with Johnson and Lewis in From Spirituals to Swing, a concert produced by John H. Hammond, which helped launch the boogie-woogie craze. Two weeks later, the record producer Alfred Lion, who had attended the concert, started Blue Note Records, recording nine Ammons solos, including "The Blues" and "Boogie Woogie Stomp", eight by Lewis and two duets in a one-day session in a rented recording studio. • Illustration — Ammons' grave at Lincoln Cemetery In 1941, Ammons's boogie-woogie music was accompanied by drawn-on-film animation in the short film Boogie-Doodle, by Norman McLaren. Ammons played himself in the movie Boogie-Woogie Dream (1944), with Lena Horne and Johnson. As a sideman with Sippie Wallace in the 1940s Ammons recorded a session with his son, the tenor saxophonist Gene Ammons. Although the boogie-woogie fad began to die down in 1945, Ammons had no difficulty securing work. He continued to tour as a solo artist, and between 1946 and 1949 recorded his last sides, for Mercury Records, with the bassist Israel Crosby, and took on the position of staff pianist with the Lionel Hampton Orchestra. In 1949 he played at the inauguration of President Harry S. Truman. During his last years, Ammons played mainly at the Beehive Club and the Tailspin Club in Chicago. Four days before he died, he had been at the Yancey apartment listening to Don Ewell and Jimmy Yancey play. Ammons could play only one song, having just regained the use of his hands after a temporary paralysis. Ammons died of natural causes on December 2, 1949, in Chicago, at the age of 42. He was interred at the Lincoln Cemetery, at Kedzie Avenue in Blue Island, Illinois.
Notable songs
Notable songs
• "Boogie Woogie Stomp" • "Boogie Woogie Prayer" • "Shout for Joy" • "Woo-Woo" (1939) (Columbia 35958, C44-2)
Selected albums
Selected albums
• Year released — Title — Label — Notes • 1941 — Boogie Woogie — Columbia — Compilation • 1941 — 8 to the Bar — RCA Victor — With Pete Johnson • 1948 — King of Boogie Woogie (1939–1949) — Blues Classics • 1951 — Boogie Woogie Classics — Blue Note • 1975 — King of Blues and Boogie Woogie 1907–1949 — Oldie Blues • 1982 — King of Blues and Boogie Woogie 1907–1949 Vol. 2 — Oldie Blues • 1992 — The First Day — Blue Note • 2004 — The Boogie Woogie Trio, Vols. 1–2 — Storyville
Identity
Identity
Albert Ammons is recorded as pianist, composer and musician.

Grave of Albert Clifton Ammons (1907–1949) at Lincoln Cemetery, Blue Island, IL
Nick Number
Life and career
Dated record
Life and career
The full dated record · 1 entries
1949
Albert Ammons died at Chicago.
Legacy
Ammons has had a wide influence on countless pianists, such as Jerry Lee Lewis, Dave Alexander, Dr. John, Hadda Brooks, Johnnie Johnson, Ray Bryant, Erroll Garner, Katie Webster and Axel Zwingenberger.
Primary material
Documents and archives
scholarly publication
- Ammons, Albert (C.) (jazz), Oxford Music Online, 2003
Scholarly · Crossref registry · 2003
- Ammons, Albert C. (1907-1949), jazz pianist, American National Biography Online, 2000
Scholarly · Crossref registry · 2000
reference work
- Wikidata, structured authority record Q731178: Albert Ammons
Reputable secondary · Wikimedia Foundation
- “Albert Ammons”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Institutional database
- MusicBrainz artist record for Albert Ammons
Scholarly · MetaBrainz Foundation
Literature
Literature
Literature
Ammons, Albert (C.), Oxford Music Online, 2012
Ammons, Albert C, African American Studies Center, 2013
Ammons, Albert (C.) (jazz), Oxford Music Online, 2003
Ammons, Albert C
Scholarly footprint
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Eagle, Bob. Blues: A Regional Experience. Praeger. 64. 2013. 978-0313344237.
- 2.Cook, Richard. Richard Cook's Jazz Encyclopedia. Penguin Books. 12. 2005. 0141006463.
- 3.Colin Larkin. The Guinness Who's Who of Jazz. Guinness Publishing. 16. 1995. 0-85112-674-X.
- 4.Silvester, Peter. A Left Hand Like God: A Study of Boogie-Woogie. pp. 91–92
- 5.Santelli, Robert (2001). The Big Book of Blues. Penguin Books. p. 13.
- 6.Russell, Tony. The Blues: From Robert Johnson to Robert Cray. Carlton Books. 88. 1997. 185868255X.
- 7.Vladimir, Bogdanov (2003). All Music Guide to the Blues: The Definitive Guide to the Blues. Backbeat Books. p. 14. .
- 8.Kirchner, Bill. The Oxford Companion to Jazz. Oxford University Press. 771. 2005. 978-0195183597.
- 9.Elliott, Michael. Boogie-Woogie Dream (1944). IMDb. 12 June 2010.
- 10.Feather, Leonard G. (1960). Encyclopedia of Jazz. Horizon Press. p. 101.
- 11.Silvester, p. 186.
- 12.Olderen, Martin van (1975). Liner notes, Albert Ammons: King of Blues and Boogie Woogie 1907–1949. Oldie Blues OL 2807
- 13.Birnbaum, Larry. Before Elvis: The Prehistory of Rock 'n' Roll. Rowman & Littlefield. 113. 2012. 978-0810886384.
- 14.Discogs.com. Albert Ammons, King of Blues and Boogie Woogie 1907–1949 Vol. 2. 1982.
Bibliography printed in the source article · 1
- Page, Christopher I. (1997). Boogie Woogie Stomp: Albert Ammons & His Music. .
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Ammons, Albert (C.) (jazz), Oxford Music Online, 2003Crossref registry
Institutional witnessscholarly publication
Ammons, Albert C. (1907-1949), jazz pianist, American National Biography Online, 2000Crossref registry
Institutional witnessInstitutional database
MusicBrainz artist record for Albert AmmonsMetaBrainz Foundation
Institutional witnessreference work
Wikidata, structured authority record Q731178: Albert AmmonsWikimedia Foundation
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Those registers additionally record the forms Albert Ammons and His Rhythm Kings, Ammons and His Rhythm Kings and Ammons Rhythm Kings.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 August 2026.
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