Agnes Elisabeth Overbeck
Illustration — 1894 Image of A E OVERBECK Ella Overbeck, pseudonym Baroness Ella Overbeck or Overbach, also Agnes Elisabeth Overbeck, Elizabeth von Overbe(c)k, or Baroness Jo Overbeck (nicknamed Jimmy) (10 October 1870 – 12 November 1919) was an Anglo-Russian composer and pianist.
Also recorded as Ella Overbeck
Agnes Elisabeth Overbeck

Gerd Leibrock · CC BY-SA 3.0 de
- Born
- 1870. · Düsseldorf.
- Died
- 1919. · Stuttgart.
- Nationality
- Germany.
- Occupation
- composer, pianist and conductor.
- Education
- Royal College of Music.
- Languages
- German, Russian and English.
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Documentary summary
Illustration — 1894 Image of A E OVERBECK Ella Overbeck, pseudonym Baroness Ella Overbeck or Overbach, also Agnes Elisabeth Overbeck, Elizabeth von Overbe(c)k, or Baroness Jo Overbeck (nicknamed Jimmy) (10 October 1870 – 12 November 1919) was an Anglo-Russian composer and pianist.
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wikidata · Q394510 · wikipedia · Agnes Elisabeth Overbeck
In this article
Life and career
Life and career
Born in Russia, Overbeck was brought to England as a young child by her parents, both Russians. Following their deaths, she was adopted by an English woman, and educated at the Royal College of Music. She was piano accompanist to Clara Butt and students of Manuel Patricio Rodríguez García in London. In the 1890s she made friends with Edith Craig (1869-1947) and her brother Edward, son and daughter of leading British actress Ellen Terry, and wrote the stage music for Edward's adaptation of Alfred de Musset's On ne badine pas avec l'amour (as No Trifling with Love), which was performed in Uxbridge in 1894. Overbeck's music was praised by the Musical Times; other early works, such as a violin sonata and various songs, were also positively reviewed by the musical press. A survey of women composers active in 1896 described Overbeck, though a 'baby' song-writer by comparison with the older Cecile Chaminade and Guy d'Hardelot, as possessing "a unique talent", demonstrated through "a boldness, a carelessness, sometimes an almost Eastern flavouring running through her songs —melodies and harmonies—that seem to me to be quite unlike any other woman I know of." In 1898 Overbeck, visiting Taormina (a resort in Sicily, and at the time a popular gay tourist destination) was introduced to Zinaida Hippius. Hippius was married to a writer, Merezhkovsky, but was bisexual, and she and Overbeck began an affair. Overbeck later travelled to join Hippius in Saint Petersburg. In the winter of 1902-3 Merezhkovsky's translations of Euripides' Hippolytus and Sophocles' Antigone were performed with Overbeck's incidental music at the Alexandrinsky Theatre in Saint Petersburg. Overbeck later returned to Britain, basing herself in South West England. Her orchestral music became a regular feature of Frank Winterbottom's "Symphony Concerts" in Plymouth, including a performance of her Petersburg stage music in East Stonehouse at Plymouth on 21 February 1904, which Baroness Overbeck conducted herself. During the First World War she may have based herself in Bexhill-on-Sea, East Sussex. Overbeck died in Stuttgart at age 49.
Work
Work
• Eleanore. Song, words by E. Mackay. London: C. Woolhouse, [1893] • [Two Songs.] London: R. Cocks & Co, 1894. • I've wept in Dreams. Words by Heine. • A Slave Girl's Song. Words by C. Kingsley. • Parted. Song, words by T. Hood. London: C. Woolhouse, [1893] • Since my Love now loves me not. [Song.] Words by Heine, translated by F. Johnson. London: C. Woolhouse, [1893] • Toi. Old French poetry. [Song.] London: C. Woolhouse, [1893] • The Voice of the Beloved. [Song.] Poetry... from Marie Corelli's "Soul of Lilith". London: C. Woolhouse, [1893] • Four Lyrics. London: J. Williams 1903. • 1. Les Sanglots longs. With long-drawn Sobs. French words P. Verlaine, English words M. C. Gillington. • 2. Peu de Chose. Life's a Bubble. French words L. de Montenaeken, English words M. C. Gillington. • 3. Butterflies, from J. Davidson's adaptation of F. Coppée's "Pour la Couronne". • 4. Chanson d'Aspiration. Song of Aspiration. French words by E. Overbeck... English words by M. C. Gillington. • Sonate pour piano et violon. London: Charles Woolhouse [o. J.] • A Russian Love Song. Premiered at the BBC Proms in 1911.
Identity and origins
Identity and origins
He also worked under the names Eugen Borisowitsch Onégin, Eugen Borissowitsch Lhwoff-Onegin and Eugen Borisowitsch Baron Onégin. The authorities additionally record the heading Ella Overbeck. His recorded languages were German, Russian and English. He was the child of Gustav Overbeck and Louise Thelen. He married Sigrid Onégin.

"Photograph of young lady, Miss Ella Overbeck (full faced)". Copyright owner of work: S B Bolas Co, 11 Ludgate Hill, London. Copyright author of work: Carl Heinrich Reiner Dahlen, 60 Stafford Place, Buckingham Gate, London. Form Completed 19 March 1894. Registration stamp: 19 March 1894.
Carl Heinrich Reiner Dahlen · National Archives, UK
Life and career
Dated record
Life and career
The full dated record · 1 entries
1919
Agnes Elisabeth Overbeck died at Stuttgart.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Düsseldorf.
Birth place
Stuttgart.
Death place
Primary material
Documents and archives
reference work
- “Agnes Elisabeth Overbeck”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q394510: Agnes Elisabeth Overbeck
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Pantheon Verlag. Wie Mozart in die Kugel kam: Kurioses und Überraschendes aus der Welt der klassischen Musik. 23 April 2018. 9783641236366.
- 2.Savage, Roger. Masques, Mayings and Music-dramas: Vaughan Williams and the Early Twentieth-century Stage. Boydell & Brewer. 2014. 9781843839194.
- 3.Fuller, Sophie, Queer Episodes in Music and Modern Identity: "Pachmuss transliterates Overbeck as Overbach...Her title "baroness" is widely acknowledged." https://books.google.com/books?id=rbd_11y-mXQC&dq=edy+craig+overbeck&pg=PA98
- 4.Matich, Olga, Erotic Utopia: the Decadent Imagination in Russia's Fin de Siecle: https://books.google.com/books?id=2O3cEU3-7pIC&dq=elizabeth+von+overbeck+gippius&pg=PA306
- 5.Fuller, Sophie, Queer Episodes in Music and Modern Identity: "Nina Auerbach, a biographer of the Craigs' mother, Ellen Terry, refers to Overbeck as 'Edy's cross-dressing friend, the Baroness 'Jimmy' Overbeck.'" https://books.google.com/books?id=rbd_11y-mXQC&dq=ella+Overbeck&pg=PA87
- 6.Fuller, Sophie, Queer Episodes in Music and Modern Identity
- 7.Fuller, Sophie, Queer Episodes in Music and Modern Identity: "[Temira Pachmuss, translating the memoirs of Zinaida Hippius] mistakenly claims [Overbeck] was of German descent, although it is clear from Hippius's own writings as well as from later British reviews of Overbeck's music that she was Russian. Her title "baroness" is widely acknowledged." https://books.google.com/books?id=rbd_11y-mXQC&dq=edy+craig+overbeck&pg=PA98
- 8.Matich, Olga, Erotic Utopia: the Decadent Imagination in Russia's Fin de Siecle: "As to Elizabeth von Overbek (sic), Hippius wrote to V.D. Komarova in 1898 that although Overbek had grown up and lived in England, where her parents had taken her at a young age, she was Russian. Her parents died shortly after their arrival there. A 'proper' Englishwoman, she graduated from the London conservatory, published many of her compositions, and conducted an orchestra." https://books.google.com/books?id=2O3cEU3-7pIC&dq=elizabeth+von+overbeck+gippius&pg=PA306
- 9.However, Esther Palliser, in a survey of women composers active in 1896, describes Overbeck as Norwegian. https://archive.org/stream/gop-1896/GOP-1896_djvu.txt
- 10.Ebendort
- 11.Savage, Roger. Masques, Mayings and Music-dramas: Vaughan Williams and the Early Twentieth-century Stage. Boydell & Brewer. 2014. 9781843839194.
- 12.Palliser, Esther, Modern Women Song Writers (The Girl's Own Paper): "Of the babies among my song-writers, I must mention Ella Overbeck and Sybil Palliser. The former is a curiously-interesting little Norwegian girl, who has a unique talent, and makes use of it in unique fashion. There is a boldness, a carelessness, sometimes an almost Eastern flavouring running through her songs —melodies and harmonies—that seem to me to be quite unlike any other woman I know of. Certainly she is novel, her setting of Kingsley’s “ Slave Girl’s Song ” proves that." https://archive.org/stream/gop-1896/GOP-1896_djvu.txt
- 13.Routledge. Who's Who in Gay and Lesbian History: From Antiquity to the Mid-Twentieth Century. 7 October 2020. 9781000158885.
- 14.Fuller, Sophie, Queer Episodes in Music and Modern Identity
- 15.Fuller, Sophie, Queer Episodes in Music and Modern Identity
- 16.Fuller, Sophie, Queer Episodes in Music and Modern Identity
- 17.See The Strad 16 (1904), , also discussed in Musical Times. There was a real Baroness Overbeck at that time: Romaine von Overbeck, née Goddard, the wife of Gustav Freiherr von Overbeck (1830-1894) and temporary lover of Hans von Bülow.
- 18.Addition to Cooden Cottage, Cooden Sea Road / Baroness Overbeck / Tubbs, Messer & Poulter.
- 19.Prom 04.
- 20.Queer episodes in music and modern identity on WorldCat
- 21.Die Familie des Malers Friedrich Overbeck (1789–1869) in genealogischen Übersichten on WorldCat
Bibliography printed in the source article · 3
- Sophie Fuller: "'Devoted Attention': Looking for Lesbian Musicians in Fin-de-Siècle Britain", in: Sophie Fuller and Lloyd Whitesell (edit.): Queer Episodes in Music and Modern Identity, Queer episodes in music and modern identity on WorldCat Urbana und Chicago 2002,
- Isabel Sellheim: Die Familie des Malers Friedrich Overbeck (1789–1869) in genealogischen Übersichten. Die Familie des Malers Friedrich Overbeck (1789–1869) in genealogischen Übersichten on WorldCat Neustadt an der Aisch 1989, Deutsches Familienarchiv, volume 104, , GW
- Bogomolov, Nikolai A. Заветный вензель: к биографии Е. Овербек. Литературный факт. Gorky Institute. 1–2. 311–331. 2016.
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