Agnès Armengol
Illustration — Agnès Armengol i Altayó (1879) • Illustration — signature • Illustration — Agnès Armengol de Badia (1908) • Illustration — Armengol's portrait by Lluïsa Vidal (1914) Agnès Armengol i Altayó (also known as Agnès Armengol de Badia; pseudonym, Graziella; Sabadell, August 1852 - Sabadell, 30 January 1934) was a Spanish writer, pianist, composer, promoter of women's participation in the Catalanist movement.
Also recorded as Agnès Armengol de Bedia · Agnès Armengol i Altayó
Agnès Armengol

Unknown, maybe Felip Cusachs · http: mdc2.cbuc.cat/cdm/printview/collection/llumNY/id/102/type/compoundobject/show/101 · Public domain
- Full name
- Agnès Armengol i Altayó.
- Born
- 1852. · Sabadell.
- Died
- 1934. · Sabadell.
- Nationality
- Spain.
- Occupation
- writer, pianist, cultural activist and composer.
- Education
- Escolàpies de Sabadell.
- Languages
- Catalan and Spanish.
VALÉORINE Encyclopedia
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Documentary summary
Illustration — Agnès Armengol i Altayó (1879) • Illustration — signature • Illustration — Agnès Armengol de Badia (1908) • Illustration — Armengol's portrait by Lluïsa Vidal (1914) Agnès Armengol i Altayó (also known as Agnès Armengol de Badia; pseudonym, Graziella; Sabadell, August 1852 - Sabadell, 30 January 1934) was a Spanish writer, pianist, composer, promoter of women's participation in the Catalanist movement.
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Note VALÉORINE
Agnès Armengol (1852–1934) was a composer, cultural activist and pianist, among other activities, of Spanish nationality. The composer was born Agnès Armengol i Altayó in Sabadell and died in Sabadell. Agnès Armengol was also known as Agnès Armengol de Badia.
Agnès Armengol was educated at Escolàpies de Sabadell. The composer lived in Sabadell. Languages used include Catalan, Spanish and Valencia.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q11904302 · wikipedia · Agnès Armengol
In this article
Early life and education
Early life and education
The daughter of a family of textile manufacturers, her education began at Les Escolàpies in Sabadell before continuing her studies in Barcelona and at the Occitan boarding school Pension Catalane, in Castres. During these years, she trained in music education and began to show her talents as a writer, musician and composer.
Career
Career
She signed his first musical compositions with the pseudonym "Graziella", inspired by the name of one of her favorite works, the romantic novel Graziella (1849), by Alphonse de Lamartine. With this name, Armengol entered several music competitions, where she won some prizes. She is especially remembered for Suspirs, which won a prize in a musical competition in Chicago in 1893. Armengol published some poems in various magazines from Sabadell and Barcelona, such as Lo Catalanista, Revista de Sabadell, or La Llumanera de Nova York, and various writings in defense of the Catalan language, culture and traditions. In this spirit, she wrote the poetry collection Cant a la senyera for the Orfeó de Sabadell, the poem "Rosari antic" (Old Rosary) (a collection of the life, customs and traditions of Catalonia) and contributed to resurrecting the "Ball del Ciri" and the "Dance of Castellterçol".
Selected works
Selected works
• Lays • Ramell de Semprevives (poems) Agnès Armengol i Altayó, in Feminal, no. 122, 24 June 1917 • 1912. Redempció. Collecció Feminals. • 1925. Sabadellenques i altres poesies. Sabadell: Biblioteca Sabadellenca, 3. • 1925. Redempció. Sabadell: Biblioteca Sabadellenca, 4. • 1926. Els dies clars. Sabadell: Biblioteca Sabadellenca, 7. • 1926. Rosari antic. Tradicions i records. Sabadell: Biblioteca Sabadellenca, 10.
Poems presented at the Barcelona Floral Games
Poems presented at the Barcelona Floral Games
• 1893. Montanyana. • 1919. Al Montserrat. • 1919. Na Marió. • 1926. San Josep. • 1927. La bona masovera. • 1927. La nit i la diada de San Joan.
Musical compositions
• Le Jasmin (1873) • Le Noyer (1873) • L’heure du mystere (1873) • A toi, les sanges de bonheur (1873) • Chant du soir (1875). (Work for violin, cello, piano and harmonium quartet) • Ballet Impromptée (1876). (Work for piano, four hands) • Composicions (1876). (Works for voice and piano) • Impromptus (1877). (Works for piano.) • Suspirs (1877). (Work for voice and piano.) • A une marguerite des champs (1877). • Vora la mar (1877). (Barcarola for voice and piano) • Ah! qui podrà oblidar ton cel de festa. (1879). (Work for voice and piano) • Cantar. (Work for voice and piano) • Regret! (Work for piano) • Goigs a la Mare de Déu de la Salut (1882). (Work for soloist and chorus) • Cançons per a Infants (1928). (Works for voice and piano)
Death and legacy
She died in Sabadell at the age of 82 and her burial constituted a public mourning in Sabadell. The Agnès Armengol i Altayó Fund is at the Bosch i Cardellach Foundation in Sabadell. A city street and a school bear her name today.
Primary material
Documents and archives
reference work
- “Agnès Armengol”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q11904302: Agnès Armengol
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Agnès Armengol i Altayó". Gran Enciclopèdia Catalana. Barcelona: Grup Enciclopèdia Catalana.
- 2.Nomenclàtor. Carrer d'Agnès Armengol. Ajuntament de Sabadell.
- 3.Garrigosa Massana, Maria Teresa. Les compositores catalanes del segle XIX. tesisenred.net. Departament d’Art i Musicologia. Universitat Autònoma de Barcelona. 215-222. November 2019.
- 4.Berenguer Garrigós, Arnau. Agnès Armengol i Altayó. Història de Sabadell S.XIX-XX. 18 March 2019.
- 5.L'escriptora Da. Agnés Armengol de Badia. Feminal. 17. 30 August 1908.
- 6.Departament d'Educació de la Generalitat de Catalunya. Escola Agnès Armengol.
References
Citations
References
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reference work
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General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
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