agitprop
Illustration — Agitprop poster by Vladimir Mayakovsky titled: "Want it? You want to overcome cold? You want to overcome hunger?
Also recorded as Agit-Prop · Soviet Agitation and Propaganda
agitprop

Vladimir Mayakovsky · Funet Russian Archive http: (Archive.org: https: nic.funet.fi/pub/culture/russian/index.html) (Also uploaded pr · Public domain
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- political organization
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- Russian Socialist Federative Soviet Republic · Soviet Union
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Illustration — Agitprop poster by Vladimir Mayakovsky titled: "Want it? You want to overcome cold? You want to overcome hunger?
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You want to eat? You want to drink? Hasten to join shock brigades of exemplary labor!" Agitprop (from agitprop, portmanteau of agitatsiya ('agitation') and) refers to an intentional, vigorous promulgation of ideas. The term originated in the Soviet Union where it referred to popular media, such as literature, plays, pamphlets, films, and other art forms, with an explicitly political message in favor of communism. The term originated in the Soviet Union as a shortened name for the Department for Agitation and Propaganda (otdel agitatsii i propagandy), which was part of the central and regional committees of the Communist Party of the Soviet Union. Within the party apparatus, both agitation and propaganda were the responsibility of the agitpropotdel, or APPO. Its head was a member of the MK secretariat, although they ranked second to the head of the orgraspredotdel. Typically, Russian agitprop explained the ideology and policies of the Communist Party and attempted to persuade the general public to support and join the party and share its ideals. After the October Revolution of 1917, an agitprop train toured the country, with artists and actors performing simple plays and broadcasting propaganda. It had a printing press on board the train to allow posters to be reproduced and thrown out of the windows as it passed through villages. The first head of the Propaganda and Agitation Department of the Central Committee of the Communist Party (b) was Evgeny Preobrazhensky. It gave rise to agitprop theatre, a highly politicized theatre that originated in 1920s Europe and spread to the United States; the plays of Bertolt Brecht are a notable example. Russian agitprop theater was noted for its cardboard characters of perfect virtue and complete evil, and its coarse ridicule. Gradually, the term agitprop came to describe any kind of highly politicized art.
During the Russian Civil War agitprop took various forms: • Illustration — Bolshevik Propaganda Train • Use of the press: Bolshevik strategy from the beginning was to gain access to the primary medium of dissemination of information in Russia: the press. The socialist newspaper Pravda resurfaced in 1917 after being shut down by the Tsarist censorship three years earlier. Prominent Bolsheviks like Kamenev, Stalin and Bukharin became editors of Pravda during and after the revolution, making it an organ for Bolshevik agitprop. With the decrease in popularity and power of Tsarist and Bourgeois press outlets, Pravda was able to become the dominant source of written information for the population in regions controlled by the Red Army. • Illustration — Top: Woman, learn to read and write! Bottom: Oh, Mommy! If you were literate, you could help me! A poster by Elizaveta Kruglikova advocating female literacy as part of Likbez dating from 1923 • Oral-agitation networks: The Bolshevik leadership understood that to build a lasting regime, they would need to win the support of the mass population of Russian peasants. To do this, Lenin organized a Communist party that attracted demobilized soldiers and others to become supporters of the Bolshevik ideology, dressed up in uniforms and sent to travel the countryside as agitators to the peasants. The oral-agitation networks established a presence in the isolated rural areas of Russia, expanding Communist power. • Agit-trains and ships: To expand the reach of the oral-agitation networks, the Bolsheviks pioneered using modern transportation to reach deeper into Russia. The trains and ships carried agitators armed with leaflets, posters, and various other forms of agitprop. Train cars included a garage of motorcycles and cars in order for propaganda materials to reach the rural towns not located near rail lines. The agitational trains expanded the reach of agitators into Eastern Europe and allowed for the establishment of agitprop stations, consisting of libraries of propaganda material. The trains were also equipped with radios, and their own printing press, so they could report to Moscow the political climate of the given region, and receive instruction on how to custom print propaganda on the spot to better take advantage of the situation. • Literacy campaign: The peasant society of Russia in 1917 was largely illiterate, making it difficult to reach them through printed agitprop. The People's Commissariat of Enlightenment was established to spearhead the war on illiteracy. Instructors were trained in 1919 and sent to the countryside to create more instructors and expand the operation into a network of literacy centers. New textbooks were created, explaining Bolshevik ideology to the newly literate members of Soviet society, and the literacy training in the army was expanded.
Course of the movement
Dated record
Course of the movement
The full dated record · 2 entries
1920
agitprop first recorded.
1991
agitprop recorded as ended.
Primary material
Documents and archives
reference work
- “Agitprop”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
- Wikidata, structured authority record Q374278: agitprop
Reputable secondary · Wikidata
authority file
- Gemeinsame Normdatei 4141622-3, Agitprop.
Unverified · Deutsche Nationalbibliothek
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.W.I. Lenin: Was tun?
- 2.Klaus Waschik, Nina Baburina: Werben für die Utopie. Russische Plakatkunst des 20. Jahrhunderts. edition tertium, Bietigheim-Bissingen 2003.
- 3.Alex Ward: Power to the people. Early soviet propaganda posters in the Israel museum, Jerusalem. Aldershot 2007.
- 4.Stephen White: The Bolshevik poster. Yale university press, New Haven 1988.
- 5.Georg Piltz: Russland wird rot. Satirische Plakate 1918–1922. Eulenspiegel Verlag, Berlin 1977.
- 6.Maria Lafont: Soviet posters. The Sergo Grigorian collection. Prestel Verlag, München und Berlin 2007.
- 7.Katalin Bakos: Kunst und Revolution. Russische und sowjetische Kunst 1910–1932. Ausstellung im österreichischen Museum für angewandte Kunst, Wien, 11. März – 15. Mai 1988. Wien 1988.
- 8.Vladimir Tolstoj: Street art of the revolution. Festivals and celebrations in Russia 1918–1933. Thames and Hudson, London 1990.
- 9.Julia Reinecke: Street-Art. Eine Subkultur zwischen Kunst und Kommerz. transcript Verlag, Bielefeld 2007.
- 10.Friedrich Wolf: Kunst ist Waffe! Eine Feststellung. Verlag Arbeitertheaterbund Deutschlands e. V., Berlin 1928.
- 11.Erwin Piscator: Zeittheater „Das Politische Theater“ und weitere Schriften von 1915 bis 1966. Hamburg 1986, S. 43.
- 12.Michael Kienzle, Dirk Mende: Friedrich Wolf. Die Jahre in Stuttgart 1927–1933. Ein Beispiel (= Stuttgart im Dritten Reich, Ausstellungsreihe des Projekts Zeitgeschichte. Band 3). Stuttgart 1983.
- 13.Karin Hartewig: Zurückgekehrt: die Geschichte der jüdischen Kommunisten in der DDR. S. 396.
- 14.Monika Gibas: Propaganda in der DDR. Erfurt 2000.
- 15.Gerald Diesener, Rainer Gries (Hrsg.): Propaganda in Deutschland. Zur Geschichte der politischen Massenbeeinflussung im 20. Jahrhundert. Darmstadt 1996.
- 16.Günther Heydemann: Geschichtsbild und Geschichtspropaganda in der Ära Honecker. In: Ute Daniel, Wolfram Siemann (Hrsg.): Propaganda. Meinungskampf, Verführung und politische Sinnstiftung 1789–1989. Frankfurt am Main 1994, S. 161–171.
- 17.Brigitte Klump: Das Rote Kloster. Als Zöglinge in der Kaderschmiede der Stasi. Ullstein Verlag, Frankfurt/M. 1993, ISBN 3-548-34990-0.
- 18.Ingo Grabowsky: Agitprop in der Sowjetunion. Die Abteilung für Agitation und Propaganda 1920–1928. Bochum/Freiburg 2004, ISBN 3-89733-101-2.
- 19.Peter Kenez: The birth of the propaganda state: Soviet methods of mass mobilization, 1917–1929. Cambridge 1985.
- 20.Toby Clark: Kunst und Propaganda. Das politische Bild im 20. Jahrhundert. Köln 1997.
- 21.John E. Bowlt: Stalin as Isis and Ra. Socialist realism and the art of design. In: The journal of decorative and propaganda arts, Vol. 24, Design, Culture, Identity (2002)
- 22.Peter Kort Zegers (Hrsg.): Windows on the war. Soviet TASS posters at home and abroad 1941–1945. Chicago 2011.
- 23.Hans Schimanski: Leitgedanken und Methoden der kommunistischen Indoktrination. Parteischulung. Agitation und Propaganda in der sowjetischen Besatzungszone Deutschlands. Bonn 1965.
- 24.David King (Hrsg.): Russian revolutionary posters. From civil war to socialist realism, from Bolshevism to the end of Stalin. London 2012.
- 25.Frank Kämpfer: Propaganda. Politische Bilder im 20. Jahrhundert, bildkundliche Essays. Hamburg 1997.
- 26.Victoria E. Bonnell: Iconography of power. Soviet political posters under Lenin and Stalin. Berkeley 1997.
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reference work
Partially resolvedauthority file
Gemeinsame Normdatei 4141622-3, Agitprop.Deutsche Nationalbibliothek
Partially resolvedreference work
Partially resolved
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