Adèle Kindt
Adèle Kindt (16 December 1804 – 8 May 1893) was a Belgian painter; known primarily for portraits and genre scenes.
Also recorded as Marie Adélaïde Kindt · Adele Kindt · Marie Adelaïde Kindt · Marie Adelaide Kindt
Adèle Kindt

Adèle Kindt · Public domain
- Name
- Marie-Adélaïde Kindt
- Born
- 16 December 1804
- Birthplace
- Brussels, France (now in Belgium)
- Died
- 8 May 1893
- Place of death
- Brussels, Belgium
- Field
- Painting
- Movement
- Romanticism
- Nationality
- Belgium and United Kingdom of the Netherlands.
- Occupation
- painter.
- Fields
- painting.
- Teachers
- Sophie Fremiet, François-Joseph Navez and Jacques-Louis David.
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Documentary summary
Adèle Kindt (16 December 1804 – 8 May 1893) was a Belgian painter; known primarily for portraits and genre scenes.
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Authority files
wikidata · Q2825435 · wikipedia · Adèle Kindt
In this article
Biography
Biography
Training under Sophie Fremiet, François-Joseph Navez and Jacques-Louis David is recorded. The field of work recorded is painting. Places of work recorded in the authority are Brussels and Paris. Work by Adèle Kindt is recorded in the collections of Royal Museum of Fine Arts Antwerp, Museum of Fine Arts Ghent (MSK), Museum of Fine Arts Boston and Royal Museums of Fine Arts of Belgium.

De waarzegster - Adèle Kindt - Koninklijk Museum voor Schone Kunsten Antwerpen
Adèle Kindt
Key facts
Key facts
• Name — Marie-Adélaïde Kindt • Born — 16 December 1804 • Birthplace — Brussels, France (now in Belgium) • Died — 8 May 1893 • Place of death — Brussels, Belgium • Field — Painting • Movement — Romanticism • Illustration — Part of Kindt's Épisode des journées de septembre 1830.
Biography
Biography
Born in Brussels into a family that produced many female artists, Marie-Adélaïde Kindt was trained in drawing by engraver Antoine Cardon. She studied painting under Sophie Rude and François-Joseph Navez and was encouraged by Jacques-Louis David. Although trained as a neoclassicist, Kindt produced work informed by Romanticism. Her early works included many historical scenes. Her Épisode des journées de septembre 1830, portraying a scene from the Belgian Revolution of 1830, is considered her masterpiece and is on display in the Brussels city museum on the Grand-Place. After the 1840s, Kindt painted much less ambitious works, largely portraiture and genre scenes. Although she adapted her style to suit the changing tastes of the public, she never recaptured the success of her early career. She died in Brussels. Her date of death is usually said to have been in 1884, but this has also been described as a "stubborn error" that should be corrected to 8 May 1893. Her death was reported in the newspaper Le Patriote on 12 May 1893, in coverage of registrations of births, deaths and marriages in the city of Brussels. Her younger sisters Clara and Laurence were landscape painters, as was her sister-in-law Isabelle Kindt-Van Assche.
Gallery
Gallery
• Illustration — A portrait of a young girl and her dog, 1877 • Illustration — The Fortune Teller, 1828 • Illustration — A young girl in a white dress with a pink veil and flowers in her hair, holding a bird's nest with two eggs, 1853 • Illustration — Faith, Hope and Charity, 1840 • Illustration — Paul and Virginie, 1840
Life and career
Dated record
Life and career
The full dated record · 2 entries
1804
Adèle Kindt was born on 16 December 1804.
1884
Adèle Kindt died on 1 January 1884.
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q2825435: Adèle Kindt
General reference · Wikidata
reference work
- “Adèle Kindt”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.État civil: Bruxelles – Déclarations des 7 et 8 mai. Le Patriote. 3. 12 May 1893.
- 2.Paul De Zuttere, "Quelques remarques à propos de l'exposition '1770–1830: Autour du Néo-Classicisme en Belgique' et notes additionnelles au catalogue", Etudes sur le XVIIIe siècle, 13 (1986), p. 132.
- 3.Oxford University Press. Kindt, Marie Adélaïde. 1. 2011-10-31. 10.1093/benz/9780199773787.article.b00098713.
- 4.Creusen, Alexia, "Kindt, Marie-Adélaïde, dite Adèle" in E. Gubin, C. Jacques, V. Piette & J. Puissant (eds), Dictionnaire des femmes belges: XIX e et XX e siècles. Bruxelles: Éditions Racine, 2006.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
The authorities additionally record the headings Marie Adélaïde Kindt, Adele Kindt, Marie Adelaïde Kindt, Marie Adelaide Kindt and Kindt. Other recorded relations include Isabelle Catherine van Assche.
Identity and origins
Recognition and collections
Work by Adèle Kindt is
Royal Museum of Fine Arts Antwerp, Museum of Fine Arts Ghent (MSK), Museum of Fine Arts Boston and Royal Museums of Fine Arts of Belgium
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Paintings
19,183 published records in this field, each with its sources named.
- Adélaïde-Victorine HallArtist
- Adelardo CovarsíArtist
- Adèle FerrandArtist
- Adele Goodman ClarkArtist
- Adèle KoekkoekArtist
- Adele MoralesArtist
- Adèle RichéArtist
- Adele RöderArtist
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