Achero Mañas
Achero Mañas (born Achero Mañas Amyach, 5 September 1966) is a Spanish film director and former actor. He made three successful short films before winning recognition and several awards for his feature film debut El Bola.
Achero Mañas

Pedro J Pacheco · CC BY-SA 4.0
- Name
- Achero Mañas
- Birth Name
- Achero Mañas Amyach
- Born
- 5 September 1966
- Birthplace
- Madrid, Spain
- Occupation
- * Film director
- Nationality
- Spain
- Known for
- El Bola
- Honours
- European Film Award for European Discovery of the Year
- Languages
- Spanish
VALÉORINE Encyclopedia
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Documentary summary
Achero Mañas (born Achero Mañas Amyach, 5 September 1966) is a Spanish film director and former actor. He made three successful short films before winning recognition and several awards for his feature film debut El Bola.
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Note VALÉORINE
Achero Mañas (born 1966) is an actor, film actor and film director, among other activities, of Spanish nationality. The actor was born in Madrid.
Among the works is El Bola. Languages used include Spanish. Works are held at Harvard Film Archive.
Composed from admitted, traceable facts · 29 September 2026
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Authority files
wikidata · Q2823019 · wikipedia · Achero Mañas
In this article
Biography
Biography
The recorded working language is Spanish. Works named in the authority record are El Bola. Work by Achero Mañas is recorded in the collections of Harvard Film Archive. Distinctions recorded are European Film Award for European Discovery of the Year.

Achero Mañas en la sesión fotográfica en el Muelle Uno durante el Festival de Málaga 2020
Pedro J Pacheco
Key facts
Key facts
• Name — Achero Mañas • Birth Name — Achero Mañas Amyach • Born — 5 September 1966 • Birthplace — Madrid, Spain • Occupation — * Film director • actor • Notable Works — El Bola Achero Mañas (born Achero Mañas Amyach, 5 September 1966) is a Spanish film director and former actor. He made three successful short films before winning recognition and several awards for his feature film debut El Bola.
Biography
Biography
Mañas was born in Madrid to actress Paloma Lorena and playwright Alfredo Mañas. Growing up in the neighbourhoods of Carabanchel and Estrella, he was surrounded and influenced by theatre, literature, and art from an early age, and this guided his academic pursuits and eventual career. He studied painting for 3 years at the Escuela de Artes y Oficios. At the same time, he acted in stage productions and held sporadic roles in cinema. In 1984, thanks to a scholarship obtained by his mother, Mañas moved to live with his family in New York City and studied at the Actors Studio. After returning to Spain, he resumed his acting career. He worked with various prestigious directors, including Adolfo Aristarain, Carlos Saura, Ridley Scott, Manuel Gutiérrez Aragón, José Luis Cuerda, and Jorge Grau. When his daughter Laura was born, Mañas decided to quit acting and become a filmmaker. He wrote and directed his first short film, Metro, in 1995. The film won the Luis Buñuel Prize for cinematography and Best Short Film Prize at the Montecatini International Short Film Festival. In 1996, he wrote, directed, and produced his second short film, Cazadores (Hunters), which won several awards, among them the Goya for Best Fictional Short Film, the following year. In 1997, he wrote, directed, and produced his third and last short, Paraísos Artificiales (Artificial Paradises), which also won important national and international awards. El Bola (The Ball), his first feature film, premiered in 2001 and was well received by both critics and the public. The film went on to receive many national and international awards, among them four Goya awards for Best Original Screenplay, Best New Actor, Best New Director, and Best Film of the year. It also received several nominations from the European Film Academy and won the Fassbinder Award. In 2002, Mañas, together with his brother Federico, wrote his second feature film, Noviembre (November), which won several prestigious awards both nationally and internationally, among them the FIPRESCI Award at the Toronto International Film Festival, the Youth Award at the San Sebastián International Film Festival, and the Luis Buñuel Award for Cinematography. A year later, French television channel Canal Plus invited Mañas to direct a documentary on the peace process in Northern Ireland. There, he interviewed the principal parties to the conflict, among them Sinn Féin President Gerry Adams, the leader of the DUP (Democratic Unionist Party) Arlene Foster, and Nobel Peace Prize laureates John Hume and David Trimble. Mañas' third feature film, Todo lo que tú quieras (Anything You Want), was selected for World Premiere at the Toronto International Film Festival in 2010. His fourth directorial production, Un mundo normal (A Normal World), was released in 2019.
As actor
As actor
• 1492: Conquest of Paradise (1992) • ¡Dispara! (1993) • Así en el cielo como en la tierra (1995)
Identity
Identity
Achero Mañas is recorded as having received European Film Award for European Discovery of the Year.
Life and career
Dated record
Life and career
The full dated record · 1 entries
2017
Destruktion und Neukonstruktion des Familienbildes in den Filmen El Bola und Todo lo que tú quieras des spanischen Regisseurs Achero Mañas digitised by DataCite (:none).
As film director
Feature films • El Bola (2000) • Noviembre (2003) • Todo lo que tú quieras (2010) • Un mundo normal (2020) Documentaries • Blackwhite (2004) Short films • Metro (1994) • Cazadores (1997) • Paraísos artificiales (1998)
Recognition and collections
Where the work is held
Recognition and collections
Achero Mañas received European Film Award for European Discovery of the Year.
Documents and archives
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q2823019: Achero Mañas
Reputable secondary · Wikidata
- “Achero Mañas”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
Literature
Literature
Literature
Boyhood Friendship and the Politics of Masculinity in El Bola (“Pellet”) (Achero Mañas, 2000), The Politics of Age and Disability in Contemporary Spanish Film, 2012
Scholarly footprint
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
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References
Citations
References
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Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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