Abraham Binder

• Name — Abraham Wolf Binder • Born — January 1895 • Birthplace — New York City, U.S. • Died — October 1966 • Place of death — New York City, U.S. • Occupation — Composer, conductor, educator • Known for — Development of American Jewish liturgical music

Binder was born on the Lower East Side of New York City into a family of cantorial background. His father was a baal tefillah who had learned synagogue music from his own father, a cantor in Galicia (Eastern Europe). At age four Binder began singing in his father's synagogue choir, and from age seven to fourteen he sang as an alto soloist in the professional choir of Cantor Abraham Frachtenberg. Frachtenberg's emphasis on choral discipline and composition strongly influenced Binder's later approach to synagogue music. At fourteen Binder became choir director of the Kamenitzer Schul in Manhattan under Cantor Abraham Singer. He studied piano, organ, and harmony, attended Townsend Harris High School, and pursued further studies at Columbia University and the New York College of Music, receiving a Bachelor of Music degree in 1920.

In 1911 Binder became organist and choir director of Temple Beth-El in Greenpoint, Brooklyn, and in 1913 assumed the same role at Temple Adath Israel in the Bronx. In 1916 he founded the Hadassah Choral Union, one of the first American choral groups devoted to the music of Palestinian Jews’ Hebrew songs. He arranged and harmonized Zionist songs for concert performance, contributing to the spread of Hebrew song culture in the United States.

In 1917 Binder was invited to organize the music department of the 92nd Street YM-YWHA in New York. There he established a choral society and symphonic workshop and developed programming that integrated Jewish music into broader American concert life. He remained associated with the institution for nearly fifty years. At the same time he served as music director of the religious school at Temple Emanu-El of New York, where he began composing and arranging Reform liturgical music.

In 1921 Rabbi Stephen S. Wise met Binder after a concert at the 92Y and invited him to join the faculty of the newly organized Jewish Institute of Religion as instructor in Jewish music. In 1922 Binder became choirmaster of the Free Synagogue (later the Stephen Wise Free Synagogue), a position he held until his death in 1966. Binder was among the early Reform synagogue musicians to reintroduce traditional nusach (Jewish music) and cantillation into Reform worship during the 1920s. In 1931 he was appointed Professor of Jewish Liturgical Music at the Jewish Institute of Religion. Following the merger of JIR with Hebrew Union College in 1947, he continued as Professor of Jewish Liturgical Music and later taught at the School of Sacred Music.

In 1929 Binder was appointed chair of the music committee for the third edition of the Union Hymnal of the Central Conference of American Rabbis. The revised hymnal shaped Reform synagogue music for decades. He was a co-founder of the National Jewish Music Council in 1944 and played a central role in establishing the annual Jewish Music Festival. In 1963 he founded the Jewish Liturgical Music Society.

Binder composed extensively for synagogue liturgy, festival services, choral concert performance, chamber music, orchestral works, and educational use.

• Oneg Shabbat (1932) • Rinnath Shabbath (1934) • Tifereth Tefillah (1934) • Kabbalat Shabbat (1940) • Friday Evening Service • Menuhat Ahavah (1954) • Shabbat le-Yisrael (Sabbath for Israel) (1952)

Binder composed settings for the Days of Awe incorporating traditional cantillation and choral writing. • Seder Avodah • Kol Nidre settings • High Holy Day responses and congregational settings

• Settings for Passover liturgy • Festival Psalm settings • Purim-related compositions and choral materials • Settings drawn from the Book of Esther (Purim repertory)

Binder wrote numerous individual liturgical movements intended for incorporation into Reform services. • Adon Olam • Adoration • Hashkivenu • Ahavat Olam • V’shamru • Barekhu • Shema Yisrael • Va’anachnu • May the Words of My Mouth

Binder composed concert works for synagogue and secular Jewish performance contexts. • Israel Reborn (choral poem) • Requiem–Yizkor • Kindling the Sabbath Lights • Etz Hayyim Hi • Grant Us Peace • Three Responses (Set III)

In addition to liturgical works, Binder composed instrumental music reflecting Jewish thematic material and broader symphonic forms. • Two Hassidic Moods (string quartet) • Orchestral suites (various) • Symphonic workshop compositions for the 92nd Street Y

Binder was an early American arranger of Palestinian Hebrew and Yiddish folk songs. • Arrangements of Palestinian Hebrew songs (1916–1920s) • Zionist choral harmonizations for the Hadassah Choral Union • Arrangements of Yiddish folk songs