Yoshirō Edamasa
22 September 1888 – 8 September 1944 was a Japanese film director best known for Sakamoto Ryoma (1928) and The Great Buddha Arrival (1934). The latter film is one of the earliest tokusatsu movies, which is exemplified by kaiju movies. He was an early pioneer of Japanese cinema who trained many outstanding directors and cinematographers including Eiji Tsuburaya.
Also recorded as Yoshiro Edamasa
Yoshirō Edamasa

Public domain
- Name
- Yoshirō Edamasa
- Born
- 22 September 1888
- Birthplace
- Hiroshima, Empire of Japan
- Died
- 8 September 1944 (aged 55)
- Occupation
- Film director
- Nationality
- Japan
- Languages
- Japanese
Reference Check
Propose documentary evidence for Yoshirō Edamasa. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q42392964 · wikipedia · Yoshirō Edamasa
In this article
Key facts
Key facts
• Name — Yoshirō Edamasa • Born — 22 September 1888 • Birthplace — Hiroshima, Empire of Japan • Died — 8 September 1944 (aged 55) • Occupation — Film director • Years Active — 1914-1934
Life
Life
Edamasa was born in Kushima, Saeki, Hiroshima Prefecture (present-day Hatsukaichi, Hiroshima). In 1910, he began working in the film industry when he was hired by Yoshizawa Shōten. He later worked as an operator also for Fukuhōdō, Tōyō Shōkai and Tenkatsu Nippori. He made his debut as a director in 1919 on the film Ai no kyoku which was considered to be one of the most advanced films of that time. By the end of the 1930s, Edamasa had directed more than 20 films. Edamasa belonged to a group of directors who emphasized the realistic style of acting.
Selected filmography
Selected filmography
• Yoshitsune sembon zakura (1914) - Cinematographer • Ninjutsu kaiso Koga Saburou (1918) - Cinematographer • Momochi sandayu (1918) - Cinematographer • Ai no kyoku (1919) - Director and Cinematographer • Awaremi no kyoku (1919) - Director • Shima no tsuka (1920) - Director • Korokuden (1924) - Director • Fuyuki shinju (1924) - Director • Sakamoto Ryoma (1928) - Director • Tsukigata hanpeita (1929) - Director • Higo no komageta (1929) - Director • kōboro kakū no kyōjin (1932) - Director • The Great Buddha Arrival (1934) - Director (Last work)
Life and career
Dated record
Life and career
The full dated record · 2 entries
1888
Yoshirō Edamasa born at Hatsukaichi.
1944
Yoshirō Edamasa died.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Yoshirō Edamasa, revision 1338870712 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Film memorabilia
38,713 published records in this field, each with its sources named.
- Yoshinori OkadaPerson
- Yoshio HaradaPerson
- Yoshio InabaPerson
- Yoshio TsuchiyaPerson
- Yoshishige YoshidaPerson
- Yoshiyuki MomosePerson
- Yoshiyuki MorishitaPerson
- Yōsuke EguchiPerson
Best supported in this field
For owners
Own a work by Yoshirō Edamasa?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.