Yevhen Malaniuk

• Name — Yevhen Malaniuk • Native Name — Євген Филимонович Маланюк • Born — 22 February 1897 • Birthplace — Novoarkhanhelsk, Kherson Governorate, Russian Empire (now Ukraine) • Died — 16 February 1968 • Place of death — New York City, United States • Occupation — poet, publicist, literary critic, political activist • Period — 1922-1968 • Movement — Classicism, Symbolism, Baroque, Romanticism • Language — Ukrainian • Education — Ukrainian Husbandry Academy, Poděbrady (1923)

Yevhen Fylymonovych Malaniuk was born on 20 January (2 February according to Gregorian calendar) 1897 in Novoarkhanhelsk, then a village in Olviopol County of Kherson Governorate, Russian Empire. His father was a peasant, but the family itself had Ukrainian Cossack origins. After finishing the gymnasium in Yelysavethrad in 1912, next year Malaniuk entered the St. Petersburg Polytechnic Institute, but his studies were interrupted by the outbreak of the First World War. Mobilized into the army, in 1917 Malaniuk graduated from an officers' school in Kyiv and soon thereafter joined the military of the newly proclaimed Ukrainian People's Republic. After the defeat of Ukrainian forces in 1920 he was interned in Kalisz, Poland. There Malaniuk started his literary activities by becoming a co-founder and contributor of Veselka, a Ukrainian literary magazine. In 1922 he moved to Czechoslovakia to study at the Ukrainian Husbandry Academy, graduating next year. In 1929 Malaniuk returned to Poland, where he worked as an engineer in Warsaw and continued his career as a poet and publicist. During that time he became close to Dmytro Dontsov and contributed to his journal Vistnyk. Towards the end of the Second World War he once again moved to Czechoslovakia, settling in Prague, but soon thereafter left for Regensburg in Germany, where he worked as a mathematics teacher at a Ukrainian gymnasium. In 1948 Malaniuk left Europe and emigrated to the United States, becoming an active participant of social and cultural life of Ukrainian emigration in that country. He died on 16 February 1968 in New York City.

The style and content of Malaniuk's poetry emerged as a reaction to the subjugation of Ukraine in the aftermath of its struggle for independence in 1917-1920. Main topics of his works are the fight for a national and social revival of Ukraine and its statehood, as well as frustration at the loss of political achievements of the revolutionary years as a result of Moscow's domination over the country. Ukraine in Malaniuk's works is romanticized through the image of "steppe Hellas". Malaniuk's poetry is characterized by dynamism, frequent use of words with shock value, pathos, prophecy and reflections on the past. He most frequently used regular strophes with classical meter and rhyme schemes and was inventive in the use of visual imagery. Malaniuk's anger visible in his poetry and publicism was directed not only against Ukraine's external enemies, but also at the internal weaknesses which he perceived to be present in his compatriots. He was especially critical of the so-called "Little Russian mentality", as well as anarchism, lack of discipline and organization, and anti-intellectualism.

Malaniuk dedicated many of his articles to the study of Ukrainian literature. His analysis covered the works of prominent Ukrainian authors including Taras Shevchenko, Ivan Franko, Lesia Ukrainka, Panteleimon Kulish, Mykola Bazhan, Mykola Khvylyovy, Oleksandr Oles, Dmytro Dontsov, Yurii Lypa, Oleh Olzhych and others. He also created articles on the topic of Russian literature, analyzing the writings of Nikolai Gogol, Ivan Bunin, Anna Akhmatova, Mikhail Zoshchenko and other authors. Malaniuk is also known for translating into Ukrainian several works of Josef Svatopluk Machar and Charles Baudelaire.

• Piata symfonia (1953)

Yevhen Malaniuk is recorded with the occupation cultural studies scholar. Recorded with the occupation literary critic. Classed in the genre opinion journalism. Recorded as poet, writer, cultural studies scholar, translator and critic.

• Stylet i stylos (1925) • Herbarii (1926) • Zemlia i zalizo (1930) • Zemna madonna (1934) • Persten' Polikrata (1939) • Vybrani poezii (1943) • Vlada (1951) • Poezii (1954) • Proshcha (1954) • Ostannia vesna (1959) • Serpen (1964) • Persten i posokh (1969) - published posthumously

• Narysy z istorii nashoi kultury (Essays on the History of Our Culture, 1954) • Do problemy bolshevyzmu (On the Problem of Bolshevism, 1956) • Knyha sposterezhen (A Book of Observations, 1962)