Władysław Syrokomla

He was often called the village lyrebird (lirnik wioskowy) and was the author of ironic poems stylized as 18th-century pastoral idylls and folk songs.

• Name — Władysław Syrokomla • Pen Name — Władysław Syrokomla • Birth Name — Ludwik Władysław Franciszek Kondratowicz • Born — 29 September 1823 • Birthplace — Smolhava, Minsk Governorate, Russian Empire • Died — 15 September 1862 • Place of death — Vilnius, Russian Empire • Resting Place — Rasos Cemetery, Vilnius • Language — Polish and Belarusian • Genre — Romanticism • Illustration — Memorial of Władysław Syrokomla, in the Church of St. Johns, Vilnius, Lithuania

Syrokomla was born on 29 September 1823 in the village of Smolhava, in the Minsk Governorate of the Russian Empire (now Minsk Region, Belarus), to an impoverished noble family. His parents were Aleksander Kajetan Kondratowicz (d. 1858) and Wiktoria (née Złotkowska). His uncle was Hilary Kondratowicz (1790–1823), a maths teacher in Vilnius gymnasium, who published some articles in Wiadomości Brukowe. A year after his birth his parents moved to another village called Jaskavičy. In 1833 he entered the Dominican school in Nyasvizh. He had to give up his studies due to financial problems. In 1837, he began work in a Marchačoŭščyna folwark. Between 1841 and 1844, he worked as a clerk in the Radziwiłł family land manager's office. On 16 April 1844 in Nyasvizh he married Paulina Mitraszewska, with whom he had four children; three of them would die in the same year (1852). Later, Syrokomla had a widely criticised an affair with a married actress Helena Kirkorowa. In 1844, he published the first of his poems – Pocztylion – under the pen-name Władysław Syrokomla, coined after his family's coat of arms. The same year he also rented the small village of Załucze. In 1853, after the death of three of his children, he sold it or gave his manor to his parents, and settled in Vilnius itself. After a few months he rented the Bareikiškės village, near Vilnius. He became one of the editors (1861–1862) of the Kurier Wileński, the largest and most prestigious Polish-language daily newspaper published in the Vilnius region. In 1858, he visited Kraków, and some time later he visited Warsaw. For taking part in an anti-tsarist demonstration in 1861 in Warsaw he was arrested by the Okhrana and then sentenced to home arrest in his manor in Bareikiškės. He died on 15 September 1862 and was buried in the Rasos Cemetery in Vilnius. Throughout his life, Syrokomla would remain impoverished; Czesław Miłosz wrote that he was "forever struggling against his lack of education and his poverty". Despite that, Syrokomla had many influential and even wealthy friends; his manor was visited by count Eustachy Tyszkiewicz, Stanisław Moniuszko, Ignacy Chodźko, Mikołaj Malinowski, Antoni Pietkiewicz and others.

Syrkomla was influenced by Adam Mickiewicz. In his prose he supported peasant liberation and independence of the former Polish–Lithuanian Commonwealth from Russian Empire, which had annexed parts of it during its late 18th-century partitions. Among the most notable of Syrokomla's works are translations of various Russian, French, Ukrainian, German and Latin poets, including works by Goethe, Heine, Lermontov, Shevchenko, Nekrasov, Béranger and others. His translations are considered a "great service" for the Polish language. Syrokomla also produced a number of works about the rustic nature, people and customs of Lithuania and Belarus. • Illustration — Portrait by Wojciech Gerson The vast majority of his works were written in the Polish language; however, he also wrote several poems in Belarusian. Syrokomla is considered by some to have been one of the early influential writers in the modern Belarusian language, although many of his Belarusian poems are believed to be lost. Nevertheless, based on the knowledge of how the small nobility lived in Lithuania in the first half of the 19th century, it is assumed that Syrokomla was bilingual from childhood and was equally fluent in Belarusian and Polish. This is evidenced by the statements of the poet himself, which speak about the knowledge of the Belarusian language and how to master it in everyday contacts with the Belarusian people. He mentioned this in «Teka Wileńska»: "Karamzin, as a Russian, probably didn't know the old Belarusian dialect as we did, which we learned in everyday relations with the people". The poet was interested in the Belarusian language, introduced it into his works and mentioned it to the readers of the Gazeta Warszawska. He wrote about the Belarusian language and its meaning in the past: During his lifetime, his works were translated into several languages, including Lithuanian. The composer Tchaikovsky adapted one of his works expressing a sympathetic view of the then-unliberated peasants – The Coral Beads – into a song. He also wrote of the Tatar community in Lithuania and its mosques and of a Jewish bookseller in Vilnius. Some of his works are classified as gawęda (a story-like Polish epic literary genre). • Translations of Polish-Latin poets of Sigismund's age like Maciej Kazimierz Sarbiewski (Przekłady poetów polsko-łacińskich epoki zygmuntowskiej m.in. Macieja Kazimierza Sarbiewskiego) • Chats and rhymes elusive (Gawędy i rymy ulotne) (1853) • Born Jan Dęboróg (Urodzony Jan Dęboróg) • Poetries of the last hour (Poezje ostatniej godziny) • Liberation of peasants (Wyzwolenie włościan) • Margiris. A poem from Lithuania's history (Margier. Poemat z dziejów Litwy) (1855) • Good Thursday (Wielki Czwartek) (1856) • Janko the Cemetery-man (Janko Cmentarnik) (1857) • Kasper Kaliński (1858) • A house in the forest (Chatka w lesie) (1855–1856) • Hrabia na Wątorach (1856) • The magnates and the orphan (Możnowładcy i sierota) (1859) • Politicians from the countryside (Wiejscy politycy) (1858) • Wojnarowski • A journey of a familiar man through his familiar land (Podróż swojaka po swojszczyźnie) • The history of literature in Poland (Dzieje literatury w Polsce)