William Selby
William Selby (1738–1798) was an English organist, harpsichordist, choirmaster and composer who emigrated to America.
William Selby
- Name
- William Selby
- Born
- 1738
- Birthplace
- London, England
- Died
- 1798 (aged 59)
- Place of death
- Boston, Massachusetts, U.S.
- Occupation
- church musician, composer
- Nationality
- United States
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Key facts
Key facts
• Name — William Selby • Born — 1738 • Birthplace — London, England • Died — 1798 (aged 59) • Place of death — Boston, Massachusetts, U.S. • Occupation — church musician, composer • Instrument — organ • Years Active — 1755–1798
Early life
Early life
Born in England and baptised in London on 1 January 1739, Selby was the third known son of Joseph and Mary Selby. Beginning at the age of 17, he held several positions in London as organist including at St Sepulchre-without-Newgate (1760–1770) and also at the now demolished All Hallows, Bread Street (1756–73). He was also organist to the Magdalen Hospital (1766–9). Selby published both sacred and secular music between 1665 and 1670, most notably the nine psalm and hymn settings included in A Second Collection of Psalms and Hymns Used at the Magdalen Chapel (c 1770), which also included works by Thomas Arne. His hunting song The Chace of the Hare was often reprinted.
American career
American career
Selby emigrated to Boston, Massachusetts in October 1773 at the age of 35. (He was following in the footsteps of his brother John, also an organist, who emigrated in 1771). In 1774, Selby became the organist at Trinity Church in Newport, Rhode Island. Three years later, Selby became organist at King's Chapel in Boston where he organized the first colonial music festival. Selby's surviving works include two voluntaries and one Fugue for the organ, a lesson in C for the harpsichord, and an anthem for Thanksgiving Day. His Boston compositions included a Jubilate and three anthems, including Behold, he is my salvation, composed for the rededication of Old South Church, Boston. The patriotic choral ode To Columbia’s Favourite Son, was performed at the Stone Chapel in 1786, in the presence of President Washington. Over his career he published nine psalms and hymns for solo voice, eight choral works (both religious and secular), six songs, nine solo pieces for guitar and three for keyboard. In addition to his musical endeavors, he managed a grocery and liquor shop.
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Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article William Selby, revision 1370652393 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Voisey, Robert. American Composer Timeline. Vox Novus.
- 2.Flood, W. H. Grattan. New Light on Late Tudor Composers: I.—William Selby. The Musical Times. Musical Times Publications Ltd. 65. 978. 703–704. August 1, 1924. 0027-4666.
- 3.McKay, D. William Selby, Musical Emigre in Colonial Boston. The Musical Quarterly. LVII. 4. 609–627. 1971. 10.1093/mq/LVII.4.609.
- 4.Temperley, Nicholas. Bound for America: Three British Composers. University of Illinois Press. 2003. 0-252-02847-3.
- 5.Sounds of the Square Mile: Music from the Churches of the City of London, a film and concert by Thomas Allery, 2023
- 6.Donavan Dawe. Organists of the City of London, 1666–1850 (Padstow, 1983)
- 7.Temperley, Nicholas. 'Selby, William (ii)' in Grove Music Online (2001)
- 8.Biggs. A Treasury of Shorter Organ Classics. Merrymount Music Press. 1. 1955.
- 9.Nicolas Slonimsky. Baker's Biographical Dictionary of Musicians, 7th. ed. (1984)
- 10.Lindstrom, Carl E. William Billings and His Times. The Musical Quarterly. 25. 4. 479–497. 1939. 0027-4631.
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