William Manuel Johnson
William Manuel "Bill" Johnson (died December 3, 1972) was an American jazz musician who played banjo and double bass; he is considered the father of the "slap" style of double bass playing. In New Orleans, he played at Lulu White's legendary house of prostitution, with the Eagle Band, and with the Excelsior Brass Band. Johnson claimed to have started "slapping" the strings of his bass (a more vigorous technique than the classical pizzicato) after he accidentally broke his bow on the road with his band in northern Louisiana in the early 1910s.
Also recorded as William Johnson · Bill Johnson · Wm. Johnson
William Manuel Johnson
- Name
- Bill Johnson
- Birth Name
- William Manuel Johnson
- Birthplace
- Talladega, Alabama
- Born
- Disputed
- Place of death
- New Braunfels, Texas, U.S.
- Died
- December 3, 1972
- Occupation
- Musician
- Nationality
- United States
- Fields
- jazz
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wikidata · Q862216 · wikipedia · William Manuel Johnson
In this article
Biography
Biography
Other New Orleans string bass players picked up this style, and spread it across the country with the spread of New Orleans Jazz. Johnson was founder and manager of the first jazz band to leave New Orleans and tour widely in the 1910s, The Original Creole Orchestra. They participated in vaudeville skits centered around the "Uncle" character and the "boys," performing in the Midwest, Northwest, and Canada. He brought the Creole Band to Chicago in 1915. Johnson and his band played an instrumental role in establishing Royal Gardens (later known as Lincoln Gardens), as one of the great jazz clubs in Chicago; a location they were residence at beginning in 1918. In Chicago during the early 1920s he assembled King Oliver's Creole Jazz Band, considered perhaps the best of the early ensemble style jazz bands. He taught younger Chicago musicians (including Milt Hinton) his "slap" style of string bass playing. He made many recordings in Chicago in the late 1920s. He notably says "Oh play that thing" into the horn during the recording of "Dippermouth Blues" in 1923 with King Oliver's Creole Jazz Band. Johnson continued to play with various jazz bands and orchestras into the early 1950s, sometimes working under other names. He was also involved in the import/export business along the Mexico–United States border. Johnson's younger half-brother Ollie "Dink" Johnson was also a noted musician. Jelly Roll Morton's common law wife from 1917 to 1922, Anita Gonzales (Bessie Johnson), was Bill Johnson's half-sister.
Key facts
Key facts
• Name — Bill Johnson • Birth Name — William Manuel Johnson • Birthplace — Talladega, Alabama • Born — Disputed • Place of death — New Braunfels, Texas, U.S. • Died — December 3, 1972 • Occupation — Musician • Instrument — Double bass • Genre — Jazz, dixieland • Years Active — 1880s–1950s • Past Member Of — The Original Creole Orchestra, King Oliver's Creole Jazz Band, Bill Johnson's Louisiana Jug Band
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Talladega.
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New Braunfels.
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The biographical narrative on this page is based on the Wikipedia article William Manuel Johnson, revision 1288493048 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.[http://www.doctorjazz.co.uk/draftcards2.html "When he registered for the draft at Local Board No. 3 in Chicago on 12th September 1918, Bill [Johnson] gave his date of birth as 10th August 1874, which confirms the details for his birth year recorded in the 1880 U.S. Census in the entry for the Johnson family in Montgomery, Alabama. Other birth dates on U.S. Census records (1876, 1879 and 1882) and the date on his death certificate (1872) would appear to be incorrect."]
- 2.Brothers, Thomas. Louis Armstrong: Master of Modernism. W.W. Norton & Company. 18. 2014. 978-0-393-06582-4.
- 3.Singleton, Joan. Keep It Real: The Life Story of James "Jimmy" Palao "The King of Jazz". iUniverse. 1–. 2011. 978-1-4620-0721-9.
- 4.Brothers, Thomas. Louis Armstrong: Master of Modernism. W.W. Norton & Company. 20. 2014. 978-0-393-06582-4.
- 5.Gushee, Lawrence. Pioneers of Jazz: The Story of the Creole Band. Oxford University Press. 65–. April 29, 2010. 978-0-19-988979-2.
- 6.Memim Encyclopedia. William Manuel Johnson.
- 7.Brothers, Thomas. Louis Armstrong: Master of Modernism. W.W. Norton & Company. 26. 2014. 978-0-393-06582-4.
- 8.Oxford University Press. Nightclubs and other venues; Lincoln Gardens [Royal Gardens]. Grove Music Online. 2001. 10.1093/gmo/9781561592630.article.J330000.
- 9.Brothers, Thomas. Louis Armstrong: Master of Modernism. W.W. Norton & Company. 150. 2014. 978-0-393-06582-4.
- 10.Levin, Floyd. Classic Jazz: A Personal View of the Music and the Musicians. University of California Press. 114. 2000. 0520213602.
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1- New BraunfelsPlace
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
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