Wild Woody

Woody includes 3D-rendered cutscenes featuring motion capture animation for Woody. The game was poorly received by critics for its controls and visuals, and it failed to make a commercial impact.

• Title — Wild Woody • Developer — Sega Multimedia Studio • Publisher — Sega • Platforms — Sega CD • Released — September 1995 • Genre — Platform • Modes — Single-player • Director — Gordon Haberfelde Chris Shen • Producer — Gordon Haberfelde • Designer — Chris Shen Bruce Krueger Doug Lanford • Programmer — Dan Hitchens David Marshall • Artist — John Broenen Mimi Doggett • Composer — Ron "Bumblefoot" Thal

• Illustration — An example of gameplay in Wild Woody Wild Woody is a side-scrolling platform game in which the player controls the titular character Woody, an anthropomorphic pencil. Woody was brought to life by the bottom segment of a miniature totem pole, and is tasked with retrieving the five scattered segments of the totem pole from the worlds they have created for themselves. Woody can erase enemy characters by jumping onto them, and can erase certain walls and floors that impede his progress. Woody can also create living beings from collectible sketches to destroy enemies or improve navigation through the levels. The sketches Woody collects will be added to his personal sketchbook, which is available in the game's pause screen and allows the player to select a particular sketch for use. Woody is capable of drawing from three consecutive sketches before he becomes too short to draw again. Woody's length can be restored by collecting pencils. The game consists of five levels, each divided into two acts and a boss encounter. The first act of each level includes eight scattered puzzle pieces. If all eight pieces are collected and the first act is completed, a bonus level will initiate before the beginning of the second act. In these levels, Woody must navigate through a maze, collect sketches and extra lives, and reach the end within a limited time. The game is complete when all levels have been cleared and all totem pole pieces have been recovered.

Dusty, an adventurer, returns to his office with a miniature totem pole consisting of six heads, and is immediately called to a rescue mission in Sumatra. As a result, he misses a message from an anthropologist on his answering machine explaining that "on the third Wednesday of July under a full moon during a snowfall", the totem pole's power would be released; its segments scatter and create parallel universes for themselves, which threatens to destroy the world. The bottom segment, Low Man, brings one of Dusty's pencils to life as a means to recover the scattered totem pieces. The pencil, who is able to create living sketches, christens himself "Wild Woody" and eagerly undertakes the task of saving the world. Under Low Man's instruction, Woody recovers Squid Lips from a pirate book, Brimstone from a painting of Mount Olympus, Lugnuts from a mechanism blueprint, Orbit from a science fiction comic book, and Tombstone from a discarded flyer. Upon the totem pole's completion, Low Man grants Woody his wish for a paintbrush girlfriend and promises to see him again the next time the world needs saving, which Woody doubts.

• Illustration — Wild Woody was regarded by Sega Multimedia Studio as the swan song for the Sega CD accessory. Following the completion of Sega Multimedia Studio's Jurassic Park for the Sega CD, the studio was divided into two teams. While one team was tasked with researching games for the upcoming Sega Saturn, the other began developing the game Wild Woody, which was regarded by the team as the Sega CD's swan song. Doug Lanford, while credited as a designer, was paid as a junior programmer and created much of the game's engine. The character animation during gameplay was created by scanning hand-drawn frames that were then colored and cleaned digitally, while the animation for Woody during the cutscenes was created via motion capture performed by Donald Hom. The characters Woody and the totem pole segment Low Man are respectively voiced by Joe Kerska and Jeff Farber. Other voices were provided by Bruce Robertson and Debbie Rogers. Lanford hid an easter egg within the second act of the game's first level that would render a mermaid – one of many beings created from the sketch mechanic – topless if four hidden items are collected in a certain order. While Lanford did not create the animation, he was amused enough to allow its incorporation. Spencer Nilsen, head of Sega of America's music department and the game's executive music producer, recruited Ron "Bumblefoot" Thal to compose and produce the game's soundtrack. Thal speculatively attributed his hiring by Sega to the close proximity between Sega of America's headquarters and the record label Shrapnel Records, which would have increased the chance of Sega's management being exposed to his debut album The Adventures of Bumblefoot. Thal was given a 28-day deadline to create a score consisting of a title theme, 16 game level themes, and tracks for six story cutscenes and five game over sequences. His central strategy for composing the score was to begin silly and light-hearted and evolve in intensity toward the game's climax; he applied the same strategy within each of the game's five levels from the first to third acts. The soundtrack includes a lyrical vocal song titled "Yo Ho!", a diss track toward the player by the boss of the pirate-themed level. The song was stylistically influenced by Rage Against the Machine, Red Hot Chili Peppers, Faith No More, and 24-7 Spyz. Thal performed the bass, guitar, vocals and keyboard himself, while the drums were performed by Brad Kaiser. The soundtrack was recorded and mixed in February 1995. By the time of Wild Woodys release by September 1995, the Sega CD was near the end of its life cycle, and Sega Multimedia Studio had dissolved. As predicted by the development team, distribution of Wild Woody was quickly relegated to bargain bins.