Weimar Saxon-Grand Ducal Art School
Illustration — The Art School Building, now the main building of the Bauhaus-University Weimar. The Grand-Ducal Saxon Art School, Weimar (German: Großherzoglich-Sächsische Kunstschule Weimar) was founded on 1 October 1860, in Weimar, Germany, by a decree of Charles Alexander, Grand Duke of Saxe-Weimar-Eisenach. It existed until 1910, when it merged with several other art schools to become the Großherzoglich Sächsische Hochschule für Bildende Kunst ("Grand-Ducal Saxon School for Fine Arts").
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Educated At · incoming
Carl Arp
Artist
Bonhams, The Gallery Collection of Chomé Fine Art Bath, 21 Nov 2005, lot 289

Educated At · incoming
Carl Gehrts
Illustrator
Scan from the original work

Educated At · incoming
Emil Zschimmer
Artist
ebay

Educated At · incoming
Karl Gussow
Artist
Scan from the original work

Educated At · incoming
Otto Kameke
Artist
Grosse Berliner Kunstausstellung — Berlin, 1895
In this article
History
History
It should not be confused with the Weimar Princely Free Drawing School, which existed from 1776 to 1930 and, after 1860, served as a preparatory school.
From 1870 to 1900, the students and teachers of the school turned away from the academic tradition of idealized compositions. Inspired by the Barbizon School, they went directly to nature for their inspiration, in genre as well as landscape painting. This approach set the school apart and attracted attention throughout Europe.
Building
Building
• Illustration — Foyer, with Rodin's "Eve". The Art Nouveau art school building, designed by Henry van de Velde, was built between 1904 and 1911. Of particular note in the building's interior are the Oberlichtsaal (skylight hall), the elliptical staircase and the statue of Eve by Auguste Rodin. From 1919 to 1925 this building, and the neighbouring former Grand-Ducal Saxon School of Arts and Crafts building (built 1905–1906), also designed by van de Velde, were used by the Bauhaus art school, which was founded by Walter Gropius. In 1996 both van de Velde buildings on the site, which are now used by the Bauhaus University Weimar, were included as part of the Bauhaus and its Sites in Weimar, Dessau and Bernau World Heritage site.
Alumni
Alumni
• Carl Arp • Hans Arp • Paul Baum • Max Beckmann • Ella Bergmann-Michel, • Ferdinand Brütt • Karl Buchholz • Julius Victor Carstens • Paul Eduard Crodel • Hans Delbrück • Mathilde Freiin von Freytag-Loringhoven • Ludwig von Gleichen-Rußwurm • Karl Gussow • August Haake • Wilhelm Hasemann • Rudolf Höckner • Otto Illies • Leopold Graf von Kalckreuth • Otto von Kameke • Max Liebermann • Carl Malchin • Carlo Mense • Alexander Olbricht • Otto Piltz • Leon Pohle • Harriet von Rathlef-Keilmann • Adolf Rettelbusch • Carl Rodeck • Christian Rohlfs • Hans Starcke • Irma Stern • Paul Thumann • Minna Beckmann-Tube • Eduard Weichberger • Adolf Ziegler
Grand-Ducal Saxon School for Fine Arts, Weimar
Grand-Ducal Saxon School for Fine Arts, Weimar
In 1910, William Ernest, Grand Duke of Saxe-Weimar-Eisenach, in cooperation with Hans Olde (Director of the Art School), Adolf Brütt (Director of the Sculpture School) and Henry van de Velde (Director of the School of Arts & Crafts), joined the three schools to create the Großherzoglich Sächsische Hochschule für Bildende Kunst ("Grand-Ducal Saxon School for Fine Arts"), headed by Fritz Mackensen.
Directors and lecturers
Directors and lecturers
By date of appointment. • Name — Life — Class — Teacher (dates) — Director (dates) — Pupils — Notes • Stanislaus von Kalckreuth — 1820–1894 — 1860–1876 • Alexander Michelis — 1823–1888 — 1863–1868 • Arnold Böcklin — 1827–1901 — 1860–1862 • Arthur von Ramberg — 1819–1875 — 1860–1866 • Carl Hummel — 1821-1907 — Landscape painting — 1860-? • Franz von Lenbach — 1836–1904 — 1860-? • Johann Wilhelm Cordes — 1824–1869 — 1860–1869 • Reinhold Begas — 1831–1911 — 1861-(1863?) • Ferdinand Pauwels — 1830–1904 — History painting — 1862–1872 • Bernhard Plockhorst — 1825–1907 — History and portrait painting, Drawing — 1866–1869 • Paul Thumann — 1834–1908 — Genre painting — 1866-? — A former pupil of F. Pauwels • Max Schmidt — 1818–1901 — 1868–1872 • Charles Verlat — 1824–1890 — Animal painting — 1869-? • Karl Gussow — 1843–1907 — 1870 • Theodor Hagen — 1841–1919 — Landscape painting — 1871 — 1877–1881 — Also taught from 1881 • Albert Baur — 1835–1906 — 1872-(1876?) • Ferdinand Schauss — 1832–1916 — Portrait and genre painting — 1873–1876 • Franz Gustav Arndt — 1842-1905 — Landscape painting — 1876-? — Former pupil, ab 1879 Secretary of the School of Arts • Willem Linnig the Younger — 1842-1890 — Genre and history painting — 1876-? — Former pupil • Alexander Struys — 1852-1941 — History painting — 1878-1882 • Albert Heinrich Brendel — 1827–1895 — Animal painting —? — 1882–1885 • Max Thedy — 1858–1924 — 1883 • Leopold von Kalckreuth — 1855–1928 — 1885–1890 — Former pupil, son of Stanislaus Kalckreuth • Edgar Meyer — 1853-1925 — 1886-? • Hans Olde — 1855–1917 — 1902?-? — Established the Kunstschule as a Hochschule • Ludwig von Hofmann — 1861–1945 — 1903–1907 — Founder of the Neues Weimar movement • Gari Melchers — 1860–1932 — 1909–1914 — American (German father) • Albin Egger-Lienz — 1868–1926 — 1912–1913 • Theodor Schindler — 1870–1950 — 1913–1914 • Walther Klemm — 1883–1957 — Graphics — 1913–?
Knowledge graph
People and holdings
Those recorded as working within this institution, and the records it holds or is connected with.
Studied at
2- Carl ArpArtist
Established from a fact already recorded on a verified source.
- Karl GussowArtist
Established from a fact already recorded on a verified source.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Grand-Ducal Saxon Art School, Weimar, revision 1376221103 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Bauhaus-Universität Weimar. Main Building. Retrieved 17 January 2019
- 2.UNESCO. Bauhaus and its Sites in Weimar, Dessau and Bernau.
- 3.Bauhaus-Universität Weimar. History . Retrieved 17 February 2019
Bibliography printed in the source article · 20
- Walther Scheidig: Die Weimarer Malerschule. Seemann, Leipzig 1991, .
- Hendrik Ziegler: Die Kunst der Weimarer Malerschule. Von der Pleinairmalerei zum Impressionismus. Böhlau, Köln, Weimar, Wien 2001, .
- Gerda Wendemann et al.: Hinaus in die Natur: Barbizon, die Weimarer Malerschule und der Aufbruch zum Impressionismus. Christoph Kerber Verlag, Bielefeld 2010, .
- Jutta Hülsewig-Johnen, Thomas Kellein: Der Deutsche Impressionismus. DuMont-Buchverlag, Köln 2009, .
- Renate Müller-Krumbach, Karl Schawelka, Norbert Korrek, Gerwin Zohlen: Die Belebung des Stoffes durch die Form. Van de Veldes Hochschulbau in Weimar. Verlag der Bauhaus-Universität Weimar, Weimar 2002, .
- Silke Opitz (Hrsg.): Van de Veldes Kunstschulbauten in Weimar. Architektur und Ausstattung. Verlag der Bauhaus-Universität Weimar, Weimar 2004, .
- Michael Eckhardt (Hrsg.): Bauhaus-Spaziergang. In Weimar unterwegs auf den Spuren des frühen Bauhauses. Verlag der Bauhaus-Universität Weimar, Weimar 2009, .
- Frank Simon-Ritz, Klaus-Jürgen Winkler, Gerd Zimmermann (Hrsg.): Aber wir sind! Wir wollen! Und wir schaffen! Von der Großherzoglichen Kunstschule zur Bauhaus-Universität. Verlag der Bauhaus-Universität Weimar, Weimar 2010, .
- Schlenker, Sabine (2007): Mit dem Talent der Augen. Der Kunstkritiker Emil Heilbut (1861-1921) Ein Streiter für die moderne Kunst im Deutschen Kaiserreich, VDG-Verlag Weimar, .
- Müllerschön, Bernd und Maier, Thomas (2002): Die Maler der Schule von Barbizon – Wegbereiter des Impressionismus, Ed. Thombe, .
- Stapf, Peter (2014): Der Maler Max Thedy 1858–1924, Böhlau Verlag Köln∙Weimar∙Wien, .
- Fuß, Rowena (2013): Christian Rohlfs in Weimar: Das Frühwerk: 1870-1901 (Vorreiter ohne Vorbild), VDG-Verlag Weimar, .
- Plaul, Jens M. (2009): Max Oehler: Auf den Spuren eines Landschaftsmalers in Nachfolge der Weimarer Malerschule, 2. Auflage, Arbeitskreis Stadtgeschichte Blankenhain,
- Merseburger, Peter (2013): Mythos Weimar: Zwischen Geist und Macht, Pantheon Verlag München, .
- Häder, Ulf (1999): Der Jungbrunnen für die Malerei, Holland und die deutsche Kunst 1850–1900, page 168–171 and 286. Jena.
- Mai, Ekkehard (2010): Die Deutschen Kunstakademien im 19. Jahrhundert, Künstlerausbildung zwischen Tradition und Avantgarde, Böhlau Verlag Köln Weimar Wien, .
- Whitford, Frank (1984): Bauhaus (World of Art), Thames and Hudson Ltd., London,
- Seemann, E.A. (2000): Karl Buchholz, 1849-1889: Ein Künstler der Weimarer Malerschule, Seemann-Verlag, .
- Dauer, Horst (1983): Die Weimarer Malerschule, Leipzig, Seemann-Verlag, ASIN B0026OK8UA.
- Deshmukh, Marion F. (2015): Max Liebermann Modern Art and Modern Germany, Ashgate Farnham, .
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 26 September 2026.
Elsewhere in General
22,760 published records in this field, each with its sources named.
- Weiler bei BingenPlace
- Weilheim an der TeckPlace
- Weimar Princely Free ZeichenschuleOrganisation
- Weimar RepublicPlace
- WeinfeldenPlace
- WeingartenPlace
- Weingarten AbbeyPlace
- WeinheimPlace
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