Wali Mohammed Wali
Wali Muhammad Wali (1667–1707), also known as Wali Dakhani, Wali Gujarati, and Wali Aurangabadi, was a classical Urdu poet from the Indian subcontinent. He is considered by many scholars to be the father of Urdu poetry, being the first established poet to have composed ghazals in the Urdu language and compiled a divan (a collection of ghazals where the entire alphabet is used at least once as the last letter to define the rhyme pattern). Before Wali, Indian Ghazals were composed in Persian, almost being replicated in thought and style from the original Persian masters like Saa'di, Jami and Khaqani.
Also recorded as Vali Gujarati · Wali Deccani · Wali Aurangabadi · Wali Gujarati
Wali Mohammed Wali
- Born
- 1667 · Aurangabad.
- Died
- 1707 · Ahmedabad.
- Occupation
- poet · writer
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Wali Muhammad Wali (1667–1707), also known as Wali Dakhani, Wali Gujarati, and Wali Aurangabadi, was a classical Urdu poet from the Indian subcontinent. He is considered by many scholars to be the father of Urdu poetry, being the first established poet to have composed ghazals in the Urdu language and compiled a divan (a collection of ghazals where the entire alphabet is used at least once as the last letter to define the rhyme pattern). Before Wali, Indian Ghazals were composed in Persian, almost being replicated in thought and style from the original Persian masters like Saa'di, Jami and Khaqani.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Wali Mohammed Wali (1667–1707) was a poet and writer. The poet was born in Aurangabad and died in Ahmedabad.
Composed from admitted, traceable facts · 26 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Wali Mohammed Wali. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Evidence Panel
original value insufficient · checked 25 September 2026
- Identity
- resolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
Authority files
wikidata · Q905327 · wikipedia · Wali Mohammed Wali
In this article
Early life
Early life
Wali began, using not only an Indian language, but Indian themes, idioms and imagery in his ghazals. It is said that his visit to Delhi in 1700, along with his divan of Urdu ghazals created a ripple in the literary circles of the north, inspiring them to produce stalwarts like Zauq, Sauda and Mir.
He was born in 1667 at Aurangabad, an important city in present-day Maharashtra which was then part of the Mughal Empire. He loved travelling, which he regarded as a means of education. He visited Delhi, Surat, Burhanpur and also undertook the pilgrimage to Mecca and Medina.
Career
Career
Wali Mohammed Wali's visit to Delhi in 1700 is considered to be of great significance for Urdu Ghazals. It was believed that he introduced deccani mushaira to Delhi. His simple, sensuous and melodious poems in Urdu, awakened the Persian loving poets of Delhi to the beauty and capability of "Rekhta" (the old name for Urdu) as a medium of poetic expression. Wali Mohammed Wali's visit thus stimulated the growth and development of Urdu Ghazal in Delhi. He died in Ahmedabad in 1707 in what is now Gujarat state, and was buried in the same city.
Genre
Genre
Although Wali tried his hand at a variety of verse forms including the masnavi, qasida, mukhammas, and the rubai., the ghazal is his speciality. He wrote 473 ghazals containing 3,225 couplets (Ashaar). His poems were simple, sensuous & melodious. He was a trend setter in classical poetry who helped establish Urdu ghazal in Delhi by inspiring different poets to write in Urdu It is believed that Wali started to have established the tradition of writing ghazals in Urdu and also influencing the other writers when he visited Delhi. Before that, the preferred language for ghazals was Persian. Some of his famous couplets are: • Jisay Ishq Ka Teer Kaari Lagay • Use Zindagi Jag Mein Bhaari Lagay • Naa Chode Mohabbat Daame Marg Tak • Jisay Yaar Jaanisoon Yaari Lagay • Naa Howe Use Jag Mein Hargiz Qaraar • Jise Ishq Ki Beqaraari Lagay • Har Ek Waqt Mujhe Aashiq Zaar Koon • Pyaare Teri Baat pyaari Lagay • "Wali" Koon Kahe Tu Agar Yak Bachan Raqeebon Dil Mein Kataari Lagay
Themes
Themes
His favorite theme was love – both mystical and earthy – and his characteristic tone was one of cheerful affirmation and acceptance, rather than of melancholy grumbling. He was the first Urdu poet to express love from the man's point of view, against the prevailing convention of impersonating a woman. Wali used his native language richly, and also incorporated Persian diction and imagery into his verse. He was considered an architect of the modern poetic language, which is a blend of Aam Boli and Persian vocabulary. His diction was unique, for example in this ghazal:
Life and career
Dated record
Life and career
The full dated record · 2 entries
1667
Wali Mohammed Wali born at Aurangabad.
1707
Wali Mohammed Wali died at Ahmedabad.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Aurangabad.
Birth place
Ahmedabad.
Death place
Memorials
His memorial tomb in Shahibaug, Ahmedabad was attacked by the Hindu mob during riots in 2002 and replaced with makeshift Hanuman temple by Hindu Administration. It was completely razed and the road was constructed overnight. After protests from citizens and literary class of city, the Public Interest Litigation was filed in the Gujarat High Court. In 2010, a widely acclaimed short film on Wali's life was made by a film-maker Gopal K. Annam.
References ==== External links
References ==== External links
• Wali Mohammed Wali's Poetry • Wali's Biography • Wali Mohammed Wali at Kavita Kosh • Frontline Volume 19 – Issue 10, May 11–24, 2002 • Wali Mohammed Wali Ghazals
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Jalal, Ayesha. Modernity and Culture : From the Mediterranean to the Indian Ocean. Columbia University Press. 233. 2002. 978-0-231-50477-5.
- 2.Kanda, K.C. Masterpieces of Urdu Ghazal from the 17th to the 20th Century. Sterling Publishers Pvt. Ltd. 18. 1992. 9788120711952.
- 3.Wali Dakni Shaa'iri. syaahi.com.
- 4.Wali Gujarati's tomb may be rebuilt following HC directions. The Times of India. February 2012.
- 5.Mehta, Harit. Vali Gujarati's tomb is still levelled road. The Times of India. 2 March 2004.
- 6.Siddharth Varadarajan. Gujarat, the Making of a Tragedy. Penguin Books India. 111. 2002. 978-0-14-302901-4.
- 7.Wali Gujarati rediscovered. The Times of India. 18 December 2010.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Books
38,661 published records in this field, each with its sources named.
- Waldo VieiraAuthor
- Waldo WilliamsAuthor
- Walek DzedzejAuthor
- Wali DewaneAuthor
- Walid QassabAuthor
- Wallace IrwinAuthor
- Wallace ShawnAuthor
- Wallace StegnerAuthor
Best supported in this field
For owners
Own a work by Wali Mohammed Wali?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.