Violet Hamilton

Post-graduate studies in Los Angeles culminated in a curatorial role with the Wilson Centre for Photography - one of the largest private collections of photographs in the world, spanning the early nineteenth century to contemporary artists.

Violet was born in Singapore in 1949 to Judy Oakley (née Ivy Wain) and Graham Oakley. She had three siblings, Carol, Michael and Trish. All were born in Singapore.

Working as freelance photographer from 1973–78, Violet's work consists of a diverse collection of images from the rock and roll culture of the 1970s, surveying the subculture as a whole. As a rock and roll photographer working for Rolling Stone Australia, Violet documented the performances of up and coming Australian bands, such as Skyhooks, AC/DC, OL’55, New Finch, Hush, Dragon, Cold Chisel and Rose Tattoo. She also photographed the performances of famous international acts and those yet to be famous, playing in Australia for the first time. This included artists such as Debbie Harry of Blondie, Deep Purple, Lou Reed, Joe Cocker, the Who and many more. In 1978, Violet exhibited a collection of works in the show Rock and Roll Photography, held at The Gallery, Bondi Pavilion in Sydney.

From 1971-1978, Violet's role as a documentary photographer and artist enabled her to capture the climate of political and social transformation in Sydney. In particular, Violet documented the developing LGBT scene in Darlinghurst. Living in Darlinghurst gave Violet a passport into this cultural movement, and she was privy to drag shows as well as lucrative parties, becoming friends with the Sydney dominatrix Madame Lash (Gretel Pinniger). On the 24 June 1978, the Gay Rights march (Mardi Gras) was held on Oxford Street, Darlinghurst. This was the largest event of coming out for the LGBT community and a show of solidarity against the violence and brutality experienced by its members. This march was documented by Violet as it moved past Taylor Square in front of the Darlinghurst Courthouse. Not only has this event become an important part of the history of the LGBT community, it remains an integral part of Sydney's culture to the present day in the form of the annual Mardi Gras celebrations. Being a part of the early Underground scene in Darlinghurst, Violet captured many subversive and obscure local performers such as Raats Bander and Lindsay Kemp, who traversed the boundaries between avant-garde theatre, drag performance, music and art.

In 1980, Violet was given the opportunity to study overseas at the University of Southern California, Los Angeles. Throughout her study she was a teaching assistant at the University as well as a part-time teacher of photography at Mount Saint Antonio College, Southern California. She graduated from the University of Southern California with a Masters in Photography and in 1984 was offered and accepted a position as a consultant for the Wilson Centre of Photography in London.

During her career with the Wilson Centre, Violet undertook various research projects investigating and documenting the life and work of Julia Margaret Cameron. This included transcribing letters written by Margaret Cameron, eventually culminating in the exhibition and published catalogue Annals of My Glass House – Photographs by Julia Margaret Cameron in 1997. This exhibition toured globally and Violet continued to work with this collection throughout her life. Her research has greatly contributed to the widespread study of Julia Margaret Cameron. In 2008, Violet curated a major survey of Julia Margaret Cameron's work, Julia Margaret Cameron, at the Wilson Centre for Photography before retiring in late 2009.

From 1984 to 2009, during her role as the Senior Photography Curator at the Wilson Centre for Photography, Violet continued to lecturer on Photography, guest speaking at many conferences and symposia, including at the Royal Photographic Society, Bath; Museum of Fine Arts, Boston and J. Paul Getty Museum, Los Angeles. She continued to be a part-time teacher, teaching the history of photography, critical and contextual studies relating to photography, art and design. During this period she met her life partner Clive Curtis a Stuntman and they began to live in and restore the historic Ellys Manor House in Great Ponton, Lincolnshire.

In July 2014, Violet Hamilton died at the age of 65; Clive, two sisters and a brother, survives her. Her sister, Trish Oakley, inherited the body of her artwork and photography.