Uladzimir Karatkievich

He significantly enriched Belarusian literature with thematic and genre diversity, imbuing it with intellectual and philosophical depth. Among his most famous works are the novellas King Stakh's Wild Hunt and The Grey Legend, the novels Ears of Rye Under Your Sickle, Christ Landed in Hrodna, and The Black Castle Alshanski, and the essay Land Beneath White Wings.

• Name — Uladzimir Karatkievich • Native Name — Уладзімір Сямёнавіч Караткевіч • Born — 26 November 1930 • Birthplace — Orsha, Byelorussian Soviet Socialist Republic • Died — 25 July 1984 • Place of death — Minsk, Byelorussian Soviet Socialist Republic • Resting Place — Eastern Cemetery, Minsk, Belarus • Occupation — Writer, poet, publicist • Citizenship — Soviet Byelorussia • Education — Kiev State University • Notable Works — King Stakh's Wild Hunt • Genre — Historical fiction, mystery • Years Active — 1951–1984

• Illustration — Przyjaciel coat of arms, associated with the Hryniewicz family. Uladzimir Karatkievich's mother, Nadzeia Vasileuna, came from the noble Hryniewicz family. The earliest documented ancestors were the brothers Ilya Chwiedarowicz and Panka Chwiedarowicz, who in 1551 received a confirmation charter from Grand Duke of Lithuania Sigismund II Augustus confirming their ownership of estates in the Mstsislaw Voivodeship of the Polish-Lithuanian Commonwealth. Panka's descendant, Tomasz Hryniewicz, was active in local public life in the second half of the 18th century and owned estates in the region. His grandson, Tomasz (Fama Michajłowicz) Hryniewicz (1817–1863), was the last verified landowner of the family; he owned the estate Verkhnia Toshchytsa in the Rogachev Uezd, Russian Empire. He took part in the 1863–1864 uprising and was executed in Rogachev. This episode inspired Karatkievich to depict an ancestor in the epilogue of the Russian-language novella Prehistory and in the prologue of his novel Leonids Will Not Return to Earth. In the latter, the protagonist, Andrei Hrynkevich, is depicted as descending from the Hryniewicz family. Accounts of Karatkievich's paternal noble origins, known from his personal recollections, differ from information in available records. The paternal ancestors were peasants from the village of Barsuki, located in what is now the Orsha District, Belarus. In official documents, they were recorded as "Karotki," while the family used the form "Karatkievich." His father, Siamion Timafeevich Karatkievich, later used the surname "Karatkievich" in official service.

• Illustration — Parents of Uladzimir Karatkievich, 1915 Uladzimir Karatkievich was born on 26 November 1930 in Orsha into an educated family. His father, Siamion Timafeevich (1887–1959), worked as a budget inspector in the Orsha district financial department and had previously served as a scribe in the Imperial Russian Army. His mother, Nadzeia Vasileuna (1893–1977), was a graduate of the Mariinskaya Gymnasium in Mogilev and worked as a rural schoolteacher before dedicating herself to managing the household. Karatkievich had two siblings: Valery (1918–1941) and Natalia (1922–2003). During his childhood, Karatkievich was strongly influenced by his maternal grandfather, Vasily Hrynkevich (1861–1945), a former provincial treasurer and a storyteller. One such story was the legend of Mother of the Wind, which described events of the Krychaw Uprising of 1743–1744 and later appeared in his writings. Vasily Hrynkevich also served as a model for the character Danila Zahorski-Vezha in Karatkievich’s novel Ears of Rye Under Your Sickle. Many of the stories and legends shared by his grandfather inspired Karatkievich's future literary works. • Illustration — Family portrait, 1928: Karatkievich’s aunt, father, grandfather, sister, and brother Valery Karatkievich learned to read at the age of three and developed a fascination with history, particularly the history of Belarus. His creative talents manifested early, including writing, drawing, and music. By the age of six, he had written his first poems and later attempted short stories, which he illustrated himself. One of his favorite books as a child was Alfred Brehm’s Life of Animals. Karatkievich also showed an interest in theater and had some understanding of Yiddish. His sister, Natalia Kuchkouskaya, recalled: • Illustration — With his mother and sister, 1937 "Occasionally, a Jewish theater would visit our town. Since the Yiddish language was heard daily on the streets of Orsha, we could easily follow the repertoire without a translator. The performances were based on famous works by Sholem Aleichem, such as 'Wandering Stars', ' Tevye the Dairyman', 'Motl the Cantor's Son' and we greatly enjoyed them." In 1938, Uladzimir Karatkievich began school in Orsha, completing three grades before the outbreak of World War II. During the summer of 1941, he traveled to Moscow to visit his sister, who was studying at a university there. The sudden onset of war interrupted his stay, forcing him to remain in the city. He was subsequently evacuated to the Ryazan region and later to the Ural area near Kungur. During this time, he made several attempts to escape from his boarding house to join the front. For a long period, he had no information about his parents' whereabouts. Eventually, through his maternal aunt Yauheniya Vasilieuna, who lived in the Far East, he discovered that they were in Orenburg. In August 1943, after significant challenges, Uladzimir and his sister reached Orenburg, where he resumed his studies and completed the sixth grade. Later, he and his mother moved to the recently liberated Kiev, where they briefly stayed with his aunt Yauheniya and her husband, who had also relocated to the city. Decades later, in the autumn of 1972, Karatkievich revisited these memories in his autobiographical novella The Chestnut Leaves, inspired by his wartime experiences.

In 1949, Uladzimir Karatkevich graduated from secondary school and enrolled in the Russian Department of the Faculty of Philology at Taras Shevchenko Kiev State University, graduating in 1954. He later completed postgraduate studies at the same university. During his student years, Karatkevich distinguished himself as one of the most talented students. He was an avid reader, exploring works by classic authors of world literature, as well as Ukrainian, Russian, Polish, and Belarusian writers. His interests extended beyond literature to history, particularly the history of Belarus. He became familiar with numerous publications on the uprising of 1863–1864. • Illustration — Uladzimir Karatkevich during his student years In Kiev, Karatkevich continued writing poetry in Belarusian and Russian, attempting also to compose in Ukrainian and Polish. His student research papers delved into literary topics, including the works of Pushkin and Bahdanovich. During this time, he conceived a major historical work to depict the events of the 1863–1864 uprising. In the summer of 1950, after his first year of studies, Karatkevich drafted the initial version of his famous novella The Wild Hunt of King Stakh in his hometown of Orsha. In 1951, his poems There Will Be a Canal (in Russian) and To Yakub Kolas (in Belarusian) were published in the local newspaper Leninski Pryzyu in Orsha. The summer of 1952, inspired by a trip to Vyazynka—the birthplace of Yanka Kupala—he wrote an essay titled Vyazynka and sent it, along with a letter, to Kupala’s widow, Uladzislava Lutsevich. Around this time, he also submitted a selection of his early works, including fairy tales, poems, and short stories, to Yakub Kolas for feedback. One of Karatkevich's classmates and friends, Florian Nyauvazhny, noted that Karatkevich was the soul of their group and that his peers admired his courage and principles. Karatkevich reflected on his student years and his deep affection for Ukraine in works such as the novella Spring Awakens Under the Snow (1957), the essay The Chosen One (1982), and essays on Taras Shevchenko (And There Will Be People on Earth, 1964), Lesya Ukrainka (Saxifraga, 1971), and Kiev (My Fair City!, 1982). In 1954, Karatkevich completed his university studies. His diploma thesis, titled Fairy Tale, Legend, Tradition, sparked mixed reactions but earned the highest grade thanks to the efforts of Academician A. Bialetski and Professor A. Nazarouski. In spring 1955, he passed his candidate exams and began writing a dissertation on the 1863 uprising, which he never finished. Around the same time, the idea of a novel on this subject began to take shape. After graduating, from 1954 to 1956, Karatkevich worked as a teacher of Russian language and literature in a rural school in the village of Lisavychi in Kiev Oblast, Ukraine. From 1956 to 1958, he taught in Orsha. Later, he pursued studies at the Higher Literary Courses (1958–1960) and the Higher Screenwriting Courses (1962) at the Institute of Cinematography in Moscow (now the Gerasimov Institute of Cinematography). There, he transitioned to becoming a professional writer.

His first published work (a poem) was in 1951, which was followed by three collections of verses. Later, he turned to prose and subsequently published a large number of short stories in collections entitled Chazenia, The Eye of the Typhoon, From Past Ages, and others. He also wrote the novels Unforgettable and The Dark Castle Olshansky. The novel King Stakh's Wild Hunt (Дзікае паляванне караля Стаха, 1964) is probably his most popular work. His novels deal predominantly with Belarus's historical past, including the January uprising of 1863 – 1865. Karatkievich also wrote a number of plays, essays, articles, screenplays for short and feature films, and detective and adventure stories. Karatkievich's literary works are marked by romanticism, rich imagery, and emotionalism. A recipient of several national literary awards, he has strongly affected the further development of historical themes in Belarusian literature.

• (1962) (Leonids Will Not Return to Earth) • (1965) (Ears of Rye Under Thy Sickle) • (1972) (Christ Landed in Grodno) • (1979) (The Black Castle Alshanski)

• (late 1940s – early 1950s) (Prehistory) • (1964) (The Wild Hunt of King Stakh) • (1989) (Spring Sleeps in the Snow) • (1961) (The Gypsy King) • (1961) (The Grey Legend) • (1981) (The Weapon) • (1978) (The Boat of Despair) • (1967) (Chazenia) • (1973) (Chestnut Leaves) • (1988) (The Cross of Anielin)

• (1946) (Rowanberry) • (1946) (Bogun Grass) • (1950) (Love of Moab) • (1950) (A Dog's Joy) • (1950) (Beethoven) • (1950) (Trade Union Organizer Korolev) • (1950) (It Was an Old, Old Room...) • (1950) (The Violin Sings) • (1950) (Maple) • (1950) (Hands) • (1950s) (The Girl from Bykhov) • (1950s) (When the Barons Understood...) • (1950s) (A Letter from the Ruins of Pillen) • (1950s) (Jagitsa, My Trembling Doe!) • (1952) (Grandfather) • (1952) (The Poleshuk) • (1950s) (Northern Venus) • (1956) (Silent Brothers) • (1958) (Blizzards) • (1958) (Karney – Death of Mice) • (1958) (The Flying Dutchman) • (1958) (A Forest Story) • (1959) (A Guest Comes at a Gloomy Dawn) • (1959) (The Breaths of Ancestors) • (1959) (The Olive and the Sword) • (1959) (The Posthumous Story of a Grouse) • (1959) (White Flame) • (1959) (How Idols Are Overthrown) • (1959) (Letters Never Arrive Late) • (1959–1960) (An Idyll in the Spirit of Watteau) • (1960) (In the Hut) • (1960) (The Blue and Gold of the Day) • (1961) (The Little Ballerina) • (1962) (That's All) • (1962) (How to Cross a Field) • (1962) (Book Carriers) • (1963) (The Scarlet Shield) • (1963) (The Golden God) • (1964) (Blue-Blue) • (1969) (The Land of Gypsies) • (1970) (I Had Bears Once) • (1970) (The Eye of the Typhoon) • (1970) (The Great Shang Yang) • (1973) (Christmas Rhapsody)

• (1972) (The Land Under White Wings) • (Vilnius — A Part of My Heart) • (Vyazynka) • (Bells in the Depths of Lakes) • (Tales of the Amber Land) • (My Se Hradok!) • (Rsha Stone...) • (The Dandelion at the Water's Edge) • (To Simple People for Good Teaching) • (It Happened on the 10th of March 1864...) • (With Water and Without Water) • (Kolasa’s People) • (Language (What I Think About You)) • (Our Common Concern) • (The Native Language) • (Will We Live to Be a Hundred, or a Posthumous Lament)

• (1952) (The Swan Hermitage) • (1952) (The Snake Queen) • (1952) (Autukh the House Spirit) • (1952) (The Tale of Peter the Robber) • (1952) (The Extraordinary Cat) • (1952) (The Peasant and the One-Eyed Wonder) • (1952) (From the Images of Fairy Tales) • (1973) (The Devil's Treasure) • (1973) (The Sparrow, the Owl, and the Bird Trial) • (1977) (Quarreled — Reconciled) • (1977) (Pancakes on a Tree, Pears on a Willow) • (1977) (The Violin of the Swamp and Heather Wastelands) • (1977) (The Pot with Pebbles) • (1980) (The Helpless Father) • (1980) (Spring in Autumn) • (1980) (The Frogs and the Tortoise) • (1981) (About Pan Galavan) (co-written with Aleh Loyka)

• (1956) (The Mother of the Wind) • (1961) (The Legend of the Poor Devil and the Advocates of Satan)

The authorities additionally record the headings Uladzimir Karatkievič, Uładzimir Karatkievič, Uladzimier Karatkievič, Uładzimier Karatkievič and Uladzimier Karatkievich. His recorded languages were Belarusian and Russian. He married Valyantsina Karatkyevich.

Works recorded as notable number 4: King Stakh's Wild Hunt, The Grey Legend, Christ Landed in Grodno and The Dark Castle Olshansky. His recorded genres are short novel and historical fiction.