Trio Matamoros
The Trío Matamoros was a Cuban trova group. It was formed in 1925 by Miguel Matamoros (8 May 1894 in Santiago de Cuba – 15 April 1971; guitar), Rafael Cueto (14 March 1900 in Santiago de Cuba – 7 August 1991; guitar) and Siro Rodríguez (9 December 1899 in Santiago de Cuba – Regla, 29 March 1981; maracas and claves). All three were singers and composers.
Trio Matamoros
- Name
- Trío Matamoros
- Occupation
- writer
- Fields
- son cubano
- Honours
- Latin Grammy Hall of Fame
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Documentary summary
The Trío Matamoros was a Cuban trova group. It was formed in 1925 by Miguel Matamoros (8 May 1894 in Santiago de Cuba – 15 April 1971; guitar), Rafael Cueto (14 March 1900 in Santiago de Cuba – 7 August 1991; guitar) and Siro Rodríguez (9 December 1899 in Santiago de Cuba – Regla, 29 March 1981; maracas and claves). All three were singers and composers.
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Trio Matamoros was a writer.
The work spans son cubano. Honours include Latin Grammy Hall of Fame.
Composed from admitted, traceable facts · 27 September 2026
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In this article
Biography
Biography
The group was originally called Trio Oriental, but changed their name to Trio Matamoros in 1928 after finding that a group called Trio Oriental already existed.[1] The Trío Matamoros played boleros and son. They toured all Latin America and Europe and recorded in New York. In 1934, they recorded the song "El desastre del Morro Castle" first artists to remember the tragedy of the Morro Castle. In 1940 Guillermo Portabales performed with the trio. Matamoros expanded the trio into a conjunto (Conjunto Matamoros) for a trip to Mexico and hired the young Beny Moré as singer from 1945 to 1947.[2] They recorded many 78 rpm records and LPs; some of their output is available on CDs. The group were critically acclaimed for the harmony of their voices, and the quality of the lyrics. The group is considered an important act in the rise of son music.[3] Throughout the nearly four decades that it was active, the group re-configured itself into many musical variations and acts as a quartet, septet, orchestra, etc.[4] Miguel Matamoros was one of the most prolific composers of Cuban son. His first hit was "El que siembra su maíz" (He who sows his corn), followed by songs including "Lágrimas negras" (Black tears) and "Son de la Loma."[5] The group, whose members stayed together for 35 years, announced their disbandment in May 1961.[6][7] Their last concert had taken place in New York the year before.[8]
Key facts
Key facts
• Name — Trío Matamoros • Landscape — Yes • Origin — Santiago, Cuba • Genre — * Son cubano • bolero • Years Active — 1925-1961 • Label — Victor, Seeco • Past Members — Miguel Matamoros Rafael Cueto Siro Rodríguez
Primary material
Digitised editions and texts
Trio Matamoros - Yo 'Ta Cansa ('Na Teresa) — Internet Archive
Trio Matamoros - Cuidadito Compay Gallo — Internet Archive
Trio Matamoros (2011) — DataCite (Kubaney)
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Firing Miguel Matamoros: Chapter 3, Renaming the Trio. Latino Music Cafe. 2019-09-01.
- 2.Lenore, Víctor. Benny Moré: cien años del bárbaro del ritmo. Vozpópuli. 2019-08-19.
- 3.Jelly-Schapiro, Joshua. Opinion Listen to the Storm Songs of the Caribbean. The New York Times. 2019-09-28. 0362-4331.
- 4.Firing Miguel Matamoros: Chapter 5, Birth of a Legend. Latino Music Cafe. 2019-11-25.
- 5.Sublette, Ned 2004. There is a double entendre in the title, because "Son" can mean "They are" or the genre of music "Son". The title can thus mean either They are from the hill or The music of the hills. Double entendre is a typical characteristic of Cuban music and an important part of its charm and inherent humor.Cuba and its music: from the first drums to the mambo. Chicago, p367.
- 6.Magaña S., Walter G. Matamoros y su música. Herencia Latina. July 2006.
- 7.Rodríguez Domínguez, Ezequiel. (1985). El Trío Matamoros: treinta y cinco años de música popular. La Habana: Editorial Arte y Cultura.
- 8.Díaz Ayala, Cristóbal. Trío Matamoros. Encyclopedic Discography of Cuban Music 1925-1960. Florida International University Libraries. Fall 2013.
References
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References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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