Tokyo Beat Down
Tokyo Beat Down is a work recorded by beat-down, adj., Oxford English Dictionary, 2025, Down Beat, Oxford Music Online, 2003, Humans beat robots, hands down, Knowable Magazine, 2018, The Art Institute of Chicago, The Dismissal of Rock ‘n’ Roll by Jazz Critics at Down Beat, When Genres Collide, 2017, The Down Beat Reviews, The Miles Davis Reader, 2018, Wikidata, Wikipedia. “He's hardly how I imagined him,” from Bigfoot is dated c. 1981 and held by The Art Institute of Chicago (inventory 2006.418). "I've been putting up with their insinuations that I'm a lousy math teacher for this many years!", from Mathematics Dept. is dated c. 1989 and held by The Art Institute of Chicago (inventory 2006.419). The Art Institute of Chicago catalogues 4 works under this heading. The Art Institute of Chicago records 4 objects associated with this heading. The East River with Gracie Mansion and the Triborough Bridge is dated 1981 and held by The Art Institute of Chicago (inventory 1993.278). The Searsport Docks is dated 1979 and held by The Art Institute of Chicago (inventory 1987.308.1). Tokyo Beat Down is associated with Japan. Tokyo Beat Down is recorded as published in 2008. Tokyo Beat Down is recorded in the structured authority under the identifier Q7813836. The heading is held on record by beat-down, adj., Oxford English Dictionary, 2025, Down Beat, Oxford Music Online, 2003, Humans beat robots, hands down, Knowable Magazine, 2018, The Art Institute of Chicago, The Dismissal of Rock ‘n’ Roll by Jazz Critics at Down Beat, When Genres Collide, 2017, The Down Beat Reviews, The Miles Davis Reader, 2018, Wikidata, Wikipedia. 9 cited statements stand behind this entry, drawn from 8 verified sources, corroborated by 2 independent institutional witnesses.
Overview
What the sources state
• Catalogued Work: "I've been putting up with their insinuations that I'm a lousy math teacher for this many years!", from Mathematics Dept. is dated c. 1989 and held by The Art Institute of Chicago (inventory 2006.419). (The Art Institute of Chicago, collection records associated with Tokyo Beat Down.)
• Catalogued Work:2: The East River with Gracie Mansion and the Triborough Bridge is dated 1981 and held by The Art Institute of Chicago (inventory 1993.278). (The Art Institute of Chicago, collection records associated with Tokyo Beat Down.)
• Catalogued Work:3: The Searsport Docks is dated 1979 and held by The Art Institute of Chicago (inventory 1987.308.1). (The Art Institute of Chicago, collection records associated with Tokyo Beat Down.)
• Catalogued Work:4: “He's hardly how I imagined him,” from Bigfoot is dated c. 1981 and held by The Art Institute of Chicago (inventory 2006.418). (The Art Institute of Chicago, collection records associated with Tokyo Beat Down.)
• Catalogued Works: The Art Institute of Chicago catalogues 4 works under this heading. (The Art Institute of Chicago, collection records associated with Tokyo Beat Down.)
• Public Holding: The Art Institute of Chicago records 4 objects associated with this heading. (The Art Institute of Chicago, collection records associated with Tokyo Beat Down.)
• Country: Tokyo Beat Down is associated with Japan. (Wikidata, structured authority record Q7813836: Tokyo Beat Down)
• Identity: Tokyo Beat Down is recorded in the structured authority under the identifier Q7813836. (Wikidata, structured authority record Q7813836: Tokyo Beat Down)
• Published: Tokyo Beat Down is recorded as published in 2008. (Wikidata, structured authority record Q7813836: Tokyo Beat Down)
Definition
The following is established of the heading itself.
Tokyo Beat Down is recorded in the structured authority under the identifier Q7813836. Institutional cataloguing adds that tokyo Beat Down is associated with Japan.
Recorded examples
The following works and productions are recorded by name or by count.
The Art Institute of Chicago catalogues 4 works under this heading. Institutional cataloguing adds that "I've been putting up with their insinuations that I'm a lousy math teacher for this many years!", from Mathematics Dept. is dated c. 1989 and held by The Art Institute of Chicago (inventory 2006.419). It is also recorded that tokyo Beat Down is recorded as published in 2008. It is also recorded that the Searsport Docks is dated 1979 and held by The Art Institute of Chicago (inventory 1987.308.1).
“He's hardly how I imagined him,” from Bigfoot is dated c. 1981 and held by The Art Institute of Chicago (inventory 2006.418). The East River with Gracie Mansion and the Triborough Bridge is dated 1981 and held by The Art Institute of Chicago (inventory 1993.278).
Sources and evidence
This entry is compiled from 9 catalogued sources across 5 independent registers. The registers consulted are Crossref registry, The Art Institute of Chicago, National Library of Medicine, Wikidata and Wikipedia. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.
Sources
Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.
- 1.
- 2.
- 3.
Humans beat robots, hands down, Knowable Magazine, 2018
scholarly publication · Scholarly
Consult the source - 4.
The Dismissal of Rock ‘n’ Roll by Jazz Critics at Down Beat, When Genres Collide, 2017
scholarly publication · Scholarly
Consult the source - 5.
The Down Beat Reviews, The Miles Davis Reader, 2018
scholarly publication · Scholarly
Consult the source - 6.
The Art Institute of Chicago, collection records associated with Tokyo Beat Down.
museum collection · Unverified · The Art Institute of Chicago
Consult the source - 7.
“Tokyo Beat Down”, English Wikipedia, consulted as further reading
reference work · Reputable secondary · Wikipedia
Consult the source - 8.
Wikidata, structured authority record Q7813836: Tokyo Beat Down
reference work · Reputable secondary · Wikidata
Consult the source
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For owners
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