Tim Asch
Also recorded as Timothy Asch
Tim Asch
- Born
- 1932 · New York City.
- Died
- 1994 · Los Angeles.
- Nationality
- United States
- Occupation
- anthropologist · pedagogue · director · cinematographer
- Education
- Boston University · Harvard University · Columbia University · The Putney School
- Known for
- The Ax Fight
- Languages
- English
In this article
Key facts
• Name — Timothy Asch • Born — 1932 07 16 • Birthplace — Southampton, New York • Died — 1994 10 03 • Place of death — Los Angeles, California • Occupation — Professor, USC Center for Visual Anthropology • Genre — Visual anthropology • Notable Works — The Ax Fight Timothy Asch (July 16, 1932 – October 3, 1994) was an American anthropologist, photographer, and ethnographic filmmaker. Along with John Marshall and Robert Gardner, Asch played an important role in the development of visual anthropology. He is particularly known for his film The Ax Fight and his role with the USC Center for Visual Anthropology.
Background
Asch was born in Southampton, New York and attended The Putney School. He studied at Columbia University, where he received his B.S. in anthropology in 1959. While at Columbia, he served as a teaching assistant for Margaret Mead, who encouraged his work in visual anthropology. From 1950 to 1951, he served apprenticeships with Minor White, Edward Weston and Ansel Adams through the San Francisco Art Institute (formerly known as the California School of Fine Arts). He received his M.A. in African Studies from Boston University (with an anthropology concentration at Harvard University) in 1964.
Career
Asch was known for his work as an ethnographic filmmaker on the Yanomami in conjunction with Napoleon Chagnon. He also worked in Indonesia with anthropologists Linda Connor, James J. Fox and E. Douglas Lewis. In 1968, Asch and John Marshall co-founded Documentary Educational Resources (DER), a non-profit organization whose mission is to support, produce, and distribute ethnographic, non-fiction, and documentary films. Asch's film work continues to be distributed through DER. Asch taught at New York University, Brandeis University, and Harvard University, and was a Research Fellow at the Australian National University prior to joining the University of Southern California (USC) in 1982. He became the Director of the Center for Visual Anthropology after the death of founder Barbara Myerhoff. During his period at USC, he was involved with the Margaret Mead Film Festival. Asch acted as Director of the Center for Visual Anthropology up until his death from cancer on October 3, 1994. The Spring 1995 issue of Visual Anthropology Review (Vol. 11, No.1) was dedicated to Asch.
Filmography
Asch was a prolific filmmaker with an extensive list of more than 70 films to his credit. Over 40 of these are short films on the Yanomami in collaboration with Napoleon Chagnon. Asch made most of his films for educational classroom use. He often showed his films to students and edited them based on student feedback. In one semester, Asch edited The Ax Fight up to twenty five times to make it more understandable and ideal for teaching. He was also a proponent of using film as a research and archive tool.
Marriage and family
Asch married Patricia Wood. Together they acted as partners with other anthropologists in Afghanistan and Indonesia to produce films widely used in education and research. They had four children: two daughters, Caya and Kim (who was adopted from South Korea) and sons Gregory (also known as DJ Olive) and Alexander.
Obituaries
• Zsa Zsa Gershick, "ETHNOGRAPHIC FILMMAKING PIONEER TIMOTHY ASCH DIES", USC News, 17 Oct 1994, University of Southern California
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
New York City.
Birth place
Los Angeles.
Death place
Text
• Abrams, Ira. "Anthropological Filmmaking: Anthropological Perspectives on the Production of Film and Video for General Public Audiences." Visual Anthropology Review. 5.2, December 1989: 18–24. • Barbash, Ilisa and Lucien Taylor. Cross-cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley: University of California Press, 1997. • Heider, Karl G. Ethnographic Film (Revised Edition). Austin: University of Texas Press, 2006. • Japenga, Ann. "Visual Anthropologist in the Director's Chair", Los Angeles Times, June 17, 1987: Section 5, page 1. • Lewis, E. Douglas. Timothy Asch and Ethnographic Film. New York: Routledge, 2003 • Ruby, Jay. "Out of Sync: The Cinema of Tim Asch", in Picturing Culture: Essays on Film and Anthropology, Chicago: University of Chicago Press, 2000. • Jay Ruby, "Some Hurried Thoughts about Tim Asch and Patrick Tierney", Darkness in El Dorado Blog • "Finding Aid to the Papers of Timothy Asch", National Anthropological Archives, National Museum of Natural History, Smithsonian Institution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Tim Asch, revision 1371703044 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Film
• Jayasinhji Jhala and Lindsey Powell. Morning with Asch. - 45 min. documentary (1995)
Citations
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 03 September 2026.
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