three-hole pipe

In the Basque Country it has increasingly gained momentum and prestige during the last century, especially during the last years of the Francoist State, following that it turned into a hallmark of Basque identity and folk culture. New pipe and tabor schools have cropped up since throughout the country, providing along with tabor the musical background for traditional Basque dance ensembles (see txistu). In Andalusia these pipes (flauta or gaita and the tambor or tamboril) are played in celebrations, Cruces de Mayo, sword dances and romerías; in the music used around Romería of El Rocío (Huelva, Andalucía) this same pipe is denominated flauta rociera, gaita rociera or sometimes pito rociero (a higher pitched whistle). The most common form of tabor pipe in the Basque region is tuned "tone, semitone, tone", as in the pipe of Andalusia. The most common form in Provence is tuned "tone, tone, tone". The English tabor pipe is commonly tuned "tone, tone, semitone", and corresponds to the three lowest holes of a tin whistle. • Illustration — Instruments from Martin Agricola's book "Musica instrumentalis deudsch", published 1529. From left: straight cornett, three-hole pipe, bombard, shawm. The three-hole pipe illustrated isn't a reedpipe but has a duct (making it a type of recorder. • Illustration — Modern three-hole pipe from England. Has two holes in front and a thumb hole.

• Name — Three-hole pipe • Names — Galoubet, Schwegel, Schwiegel, Swegel, Tamerlinpfeife, Tämmerinpfeife • Classification — *Wind • Woodwind • Range — 1–2 octaves • Related — *Tin whistle • Recorder