VALÉORINE London

Thomas Barker

Thomas Barker was a thomas barker is recorded with the citizenship of wales, kingdom of great britain and united kingdom of great britain and ireland. artist. Open Library catalogues 36 works under this name. Thomas Barker was born at Pontypool. Thomas Barker was born on 1 January 1769. Wick Rocks near Bath is dated 1824 and held by Holburne Museum (inventory A103). Storm at Night is catalogued and held by Newport Museum and Art Gallery (inventory NPTMG:2003.91). The Edge of the Common is catalogued and held by Southampton City Art Gallery (inventory 1414). Girl Carrying a Pail is catalogued and held by National Museum Cardiff (inventory NMW A 457). Catching Colts is catalogued and held by Southampton City Art Gallery (inventory 15). Landscape with Figures, Goats and Sheep (style of Nicolas Poussin) is dated 1805 and held by Holburne Museum (inventory A219). Interior of a Large Cave with Figures and Animals is catalogued and held by Holburne Museum (inventory A286). The Smugglers' Rendezvous is catalogued and held by The New Art Gallery Walsall (inventory P9/76). Woodman in a Storm is catalogued and held by Newport Museum and Art Gallery (inventory NPTMG:1973.67). The Avon Gorge is catalogued and held by Bristol City Museum & Art Gallery (inventory K1431). View in Italy is catalogued and held by Bristol City Museum & Art Gallery (inventory K4048). A Boy with a Lamb is catalogued and held by Holburne Museum (inventory A124). Landscape with Cattle is catalogued and held by Wolverhampton Art Gallery (inventory OP328). Landscape with a Waterfall is catalogued and held by Wolverhampton Art Gallery (inventory OP235). Landscape with Three Figures is catalogued and held by National Museum Cardiff (inventory NMW A 3714). Self Portrait is dated 1800 and held by National Museum Cardiff (inventory NMW A 459). The Storm is catalogued and held by National Museum Cardiff (inventory NMW A 460). Figure Study is catalogued and held by Cyfarthfa Castle Museum & Art Gallery (inventory CCM.712.992). Landscape is catalogued and held by Victoria Art Gallery (inventory BATVG : P : 1962.1). Landscape with Figures is catalogued and held by Victoria Art Gallery (inventory BATVG : P : 1908.16). Landscape with Sheep is catalogued and held by Glynn Vivian Art Gallery (inventory 18). The Woodcutters is catalogued and held by Holburne Museum (inventory A125). Hampton Rocks, Morning is catalogued and held by Victoria Art Gallery (inventory BATVG : P : 1985.1). Head of a Man (copy after Rembrandt van Rijn) is catalogued and held by Holburne Museum (inventory A81). Portrait of an Elderly Gentleman (style of Anthony van Dyck) is dated 1831 and held by Holburne Museum (inventory A16). Stormy Landscape is catalogued and held by Beecroft Art Gallery (inventory SOUAG.B9). Landscape with Two Figures is catalogued and held by Nottingham Museums (inventory NCM 1904-9). Mountainous Landscape is catalogued and held by Nottingham Museums (inventory NCM 1890-1165). River Landscape with Figures is catalogued and held by Government Art Collection (inventory 10001). Family Group is catalogued and held by Leeds Art Gallery (inventory LEEAG.PA.1955.0027). The Young Shepherds is catalogued and held by Temple Newsam (inventory LEEAG.PA.1930.0006). View of Venice is catalogued and held by Dover Collections (inventory Deavm 25). Landscape with a River is catalogued and held by Sheffield Galleries and Museums Trust (inventory VIS.1248). The Cattle Fair is catalogued and held by National Museum Cardiff (inventory NMW A 453). The Pool is catalogued and held by Sheffield Galleries and Museums Trust (inventory VIS.558). Travellers Passing beneath a Volcano is catalogued and held by Cyfarthfa Castle Museum & Art Gallery (inventory CCM.237.990). William Phillips of Risca; The Hunting Squire of Risca is catalogued and held by Newport Museum and Art Gallery (inventory NPTMG:1942.15). Woodland Hunting is catalogued and held by The Box (inventory PCF46). Study of a Woodman is catalogued and held by National Museum Cardiff (inventory NMW A 517). The Woodman and His Son is catalogued and held by National Museum Cardiff (inventory NMW A 458). Wikidata Query Service catalogues 40 works under this heading. Thomas Barker is recorded as a citizen of Wales. Thomas Barker is recorded as a citizen of Kingdom of Great Britain. Thomas Barker is recorded as a citizen of United Kingdom of Great Britain and Ireland. Thomas Barker died at Bath. Thomas Barker died on 11 December 1847. Selected Indicators of High School Students' Post-Secondary Plans (1972) is digitised and catalogued by Internet Archive. Landscape with Sheep and Two Shepherds is digitised and catalogued by Internet Archive. PAPERS IN MANUFACTURES (1803) is digitised and catalogued by Internet Archive. Police Deviance (1994) is digitised and catalogued by Internet Archive. Gangs: An International Approach (2000) is digitised and catalogued by Internet Archive. The art of angling; 1653 (1653) is digitised and catalogued by Internet Archive. Forty Lithographic Impressions from Drawings of Landscape Scenery by Thomas Barker, Selected from His Studies of Rustic Figures after Nature: Seated Man with Baskets Holding Hat and Walking Stick (1813) is digitised and catalogued by Internet Archive. The Halt at the Spring (1789) is digitised and catalogued by Internet Archive. Forty Lithographic Impressions from Drawings of Landscape Scenery by Thomas Barker, Selected from His Studies of Rustic Figures after Nature: [Old Woman in Cloak with Clasped Hands] (1813) is digitised and catalogued by Internet Archive. Rustic Figures: Two Boys (1801) is digitised and catalogued by Internet Archive. Specimens of Polyautography: Boy Seated on a Grassy Bank (1803) is digitised and catalogued by Internet Archive. The Life of Joseph Barker (1880) is digitised and catalogued by Internet Archive. Thomas Barker is documented in 9 language editions of the general reference literature. Thomas Barker is recorded with the gender male. Thomas Barker is registered by ISNI under the identifier 0000000066817452. Thomas Barker is registered by VIAF under the identifier 33085049. Thomas Barker is registered by Gemeinsame Normdatei (GND) under the identifier 129729256. Thomas Barker is registered by Library of Congress under the identifier nr91009847. Thomas Barker is registered by Getty Union List of Artist Names under the identifier 500029666. Thomas Barker is registered by Social Networks and Archival Context under the identifier w6jt21f2. Thomas Barker is recorded as human. Thomas Barker was born in 1769 at Pontypool. Thomas Barker died in 1847 at Bath. Thomas Barker is recorded as painter and artist. Thomas Barker is recorded with the occupation painter. Thomas Barker is recorded with the occupation artist. Holburne Museum records 17 objects associated with this heading. Q214867 records 3 objects associated with this heading. National Gallery records 12 objects associated with this heading. Holburne Museum records 9 objects associated with this heading. Tate records 12 objects associated with this heading. National Trust records 9 objects associated with this heading. Victoria Art Gallery records 7 objects associated with this heading. National Museum Cardiff records 7 objects associated with this heading. Yale Center for British Art records 12 objects associated with this heading. Sheffield Galleries and Museums Trust records 5 objects associated with this heading. Newport Museum and Art Gallery records 4 objects associated with this heading. Bristol City Museum & Art Gallery records 3 objects associated with this heading. Victoria Art Gallery records 8 objects associated with this heading. Thomas Barker is also recorded as Thomas Barker of Bath; Thomas Barter; Of Bath Barker; Thomas, of Bath Barker; Thomas Bath; Barker Of Bath. Thomas Barker is recorded in the structured authority under the identifier Q321465. Thomas Barker worked at Bath. Thomas Barker worked at Italy. The heading is held on record by Barker, James Thomas, Benezit Dictionary of Artists, 2011, Barker, Thomas Edward, Benezit Dictionary of Artists, 2011, Barker, Thomas Jones, Benezit Dictionary of Artists, 2011, Barker, Thomas Jones, Oxford Art Online, 2003, Barker, Thomas, Benezit Dictionary of Artists, 2011, Deutsche Nationalbibliothek, Directory of Open Access Journals lists 6 articles naming Thomas Barker., Internet Archive, Internet Archive, 13 digitised items catalogued under Thomas Barker as creator., Project Gutenberg holds 1 full text attributed to Thomas Barker., The Art Institute of Chicago, The Cleveland Museum of Art, Wellcome Collection, Wikimedia Foundation. 101 cited statements stand behind this entry, drawn from 14 verified sources, corroborated by 6 independent institutional witnesses.

Contents

Overview

What the sources state

• Bibliography Extent: Open Library catalogues 36 works under this name. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Birthplace: Thomas Barker was born at Pontypool. (Wikidata, structured authority record Q321465: Thomas Barker)

• Born: Thomas Barker was born on 1 January 1769. (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work: Wick Rocks near Bath is dated 1824 and held by Holburne Museum (inventory A103). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:10: Storm at Night is catalogued and held by Newport Museum and Art Gallery (inventory NPTMG:2003.91). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:11: The Edge of the Common is catalogued and held by Southampton City Art Gallery (inventory 1414). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:12: Girl Carrying a Pail is catalogued and held by National Museum Cardiff (inventory NMW A 457). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:13: Catching Colts is catalogued and held by Southampton City Art Gallery (inventory 15). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:14: Landscape with Figures, Goats and Sheep (style of Nicolas Poussin) is dated 1805 and held by Holburne Museum (inventory A219). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:15: Interior of a Large Cave with Figures and Animals is catalogued and held by Holburne Museum (inventory A286). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:16: The Smugglers' Rendezvous is catalogued and held by The New Art Gallery Walsall (inventory P9/76). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:17: Woodman in a Storm is catalogued and held by Newport Museum and Art Gallery (inventory NPTMG:1973.67). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:18: The Avon Gorge is catalogued and held by Bristol City Museum & Art Gallery (inventory K1431). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:19: View in Italy is catalogued and held by Bristol City Museum & Art Gallery (inventory K4048). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:2: A Boy with a Lamb is catalogued and held by Holburne Museum (inventory A124). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:20: Landscape with Cattle is catalogued and held by Wolverhampton Art Gallery (inventory OP328). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:21: Landscape with a Waterfall is catalogued and held by Wolverhampton Art Gallery (inventory OP235). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:22: Landscape with Three Figures is catalogued and held by National Museum Cardiff (inventory NMW A 3714). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:23: Self Portrait is dated 1800 and held by National Museum Cardiff (inventory NMW A 459). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:24: The Storm is catalogued and held by National Museum Cardiff (inventory NMW A 460). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:25: Figure Study is catalogued and held by Cyfarthfa Castle Museum & Art Gallery (inventory CCM.712.992). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:26: Landscape is catalogued and held by Victoria Art Gallery (inventory BATVG : P : 1962.1). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:27: Landscape with Figures is catalogued and held by Victoria Art Gallery (inventory BATVG : P : 1908.16). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:28: Landscape with Sheep is catalogued and held by Glynn Vivian Art Gallery (inventory 18). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:29: The Woodcutters is catalogued and held by Holburne Museum (inventory A125). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:3: Hampton Rocks, Morning is catalogued and held by Victoria Art Gallery (inventory BATVG : P : 1985.1). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:30: Head of a Man (copy after Rembrandt van Rijn) is catalogued and held by Holburne Museum (inventory A81). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:31: Portrait of an Elderly Gentleman (style of Anthony van Dyck) is dated 1831 and held by Holburne Museum (inventory A16). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:32: Stormy Landscape is catalogued and held by Beecroft Art Gallery (inventory SOUAG.B9). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:33: Landscape with Two Figures is catalogued and held by Nottingham Museums (inventory NCM 1904-9). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:34: Mountainous Landscape is catalogued and held by Nottingham Museums (inventory NCM 1890-1165). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:35: River Landscape with Figures is catalogued and held by Government Art Collection (inventory 10001). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:36: Family Group is catalogued and held by Leeds Art Gallery (inventory LEEAG.PA.1955.0027). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:37: The Young Shepherds is catalogued and held by Temple Newsam (inventory LEEAG.PA.1930.0006). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:38: View of Venice is catalogued and held by Dover Collections (inventory Deavm 25). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:39: Landscape with a River is catalogued and held by Sheffield Galleries and Museums Trust (inventory VIS.1248). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:4: The Cattle Fair is catalogued and held by National Museum Cardiff (inventory NMW A 453). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:40: The Pool is catalogued and held by Sheffield Galleries and Museums Trust (inventory VIS.558). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:5: Travellers Passing beneath a Volcano is catalogued and held by Cyfarthfa Castle Museum & Art Gallery (inventory CCM.237.990). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:6: The Hunting Squire of Risca is catalogued and held by Newport Museum and Art Gallery (inventory NPTMG:1942.15).; William Phillips of Risca (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:7: Woodland Hunting is catalogued and held by The Box (inventory PCF46). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:8: Study of a Woodman is catalogued and held by National Museum Cardiff (inventory NMW A 517). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Work:9: The Woodman and His Son is catalogued and held by National Museum Cardiff (inventory NMW A 458). (Wikidata, structured authority record Q321465: Thomas Barker)

• Catalogued Works: Wikidata Query Service catalogues 40 works under this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Citizenship: Thomas Barker is recorded as a citizen of Wales. (Wikidata, structured authority record Q321465: Thomas Barker)

• Citizenship:2: Thomas Barker is recorded as a citizen of Kingdom of Great Britain. (Wikidata, structured authority record Q321465: Thomas Barker)

• Citizenship:3: Thomas Barker is recorded as a citizen of United Kingdom of Great Britain and Ireland. (Wikidata, structured authority record Q321465: Thomas Barker)

• Deathplace: Thomas Barker died at Bath. (Wikidata, structured authority record Q321465: Thomas Barker)

• Died: Thomas Barker died on 11 December 1847. (Wikidata, structured authority record Q321465: Thomas Barker)

• Digitised Edition: Selected Indicators of High School Students' Post-Secondary Plans (1972) is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:10: Landscape with Sheep and Two Shepherds is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:11: PAPERS IN MANUFACTURES (1803) is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:12: Police Deviance (1994) is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:2: Gangs: An International Approach (2000) is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:3: 1653 (1653) is digitised and catalogued by Internet Archive.; The art of angling (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:4: Forty Lithographic Impressions from Drawings of Landscape Scenery by Thomas Barker, Selected from His Studies of Rustic Figures after Nature: Seated Man with Baskets Holding Hat and Walking Stick (1813) is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:5: The Halt at the Spring (1789) is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:6: Forty Lithographic Impressions from Drawings of Landscape Scenery by Thomas Barker, Selected from His Studies of Rustic Figures after Nature: [Old Woman in Cloak with Clasped Hands] (1813) is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:7: Rustic Figures: Two Boys (1801) is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:8: Specimens of Polyautography: Boy Seated on a Grassy Bank (1803) is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Digitised Edition:9: The Life of Joseph Barker (1880) is digitised and catalogued by Internet Archive. (Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.)

• Documentation Breadth: Thomas Barker is documented in 9 language editions of the general reference literature. (Wikidata, structured authority record Q321465: Thomas Barker)

• Gender: Thomas Barker is recorded with the gender male. (Wikidata, structured authority record Q321465: Thomas Barker)

• Identifier P213: Thomas Barker is registered by ISNI under the identifier 0000000066817452. (Wikidata, structured authority record Q321465: Thomas Barker)

• Identifier P214: Thomas Barker is registered by VIAF under the identifier 33085049. (Wikidata, structured authority record Q321465: Thomas Barker)

• Identifier P227: Thomas Barker is registered by Gemeinsame Normdatei (GND) under the identifier 129729256. (Wikidata, structured authority record Q321465: Thomas Barker)

• Identifier P244: Thomas Barker is registered by Library of Congress under the identifier nr91009847. (Wikidata, structured authority record Q321465: Thomas Barker)

• Identifier P245: Thomas Barker is registered by Getty Union List of Artist Names under the identifier 500029666. (Wikidata, structured authority record Q321465: Thomas Barker)

• Identifier P3430: Thomas Barker is registered by Social Networks and Archival Context under the identifier w6jt21f2. (Wikidata, structured authority record Q321465: Thomas Barker)

• Instance Of: Thomas Barker is recorded as human. (Wikidata, structured authority record Q321465: Thomas Barker)

• Born: Thomas Barker was born in 1769 at Pontypool. (Wikidata, structured authority record Q321465: Thomas Barker)

• Died: Thomas Barker died in 1847 at Bath. (Wikidata, structured authority record Q321465: Thomas Barker)

• Nationality: Thomas Barker is recorded with the citizenship of Wales, Kingdom of Great Britain and United Kingdom of Great Britain and Ireland. (Wikidata, structured authority record Q321465: Thomas Barker)

• Occupation: Thomas Barker is recorded as painter and artist. (Wikidata, structured authority record Q321465: Thomas Barker)

• Occupation: Thomas Barker is recorded with the occupation painter. (Wikidata, structured authority record Q321465: Thomas Barker)

• Occupation:2: Thomas Barker is recorded with the occupation artist. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding: Holburne Museum records 17 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:10: Q214867 records 3 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:2: National Gallery records 12 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:2b27bddd: Holburne Museum records 9 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:3: Tate records 12 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:4: National Trust records 9 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:5: Victoria Art Gallery records 7 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:6: National Museum Cardiff records 7 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:67a938d4: Yale Center for British Art records 12 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:7: Sheffield Galleries and Museums Trust records 5 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:8: Newport Museum and Art Gallery records 4 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:9: Bristol City Museum & Art Gallery records 3 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Public Holding:F1dcb020: Victoria Art Gallery records 8 objects associated with this heading. (Wikidata, structured authority record Q321465: Thomas Barker)

• Recorded Names: Barker Of Bath.; Of Bath Barker; Thomas Barker is also recorded as Thomas Barker of Bath; Thomas Barter; Thomas Bath; Thomas, of Bath Barker (Wikidata, structured authority record Q321465: Thomas Barker)

• Identity: Thomas Barker is recorded in the structured authority under the identifier Q321465. (Wikidata, structured authority record Q321465: Thomas Barker)

• Work Location: Thomas Barker worked at Bath. (Wikidata, structured authority record Q321465: Thomas Barker)

• Work Location:2: Thomas Barker worked at Italy. (Wikidata, structured authority record Q321465: Thomas Barker)

Identity and origins

The authorities additionally record the headings Thomas Barker of Bath, Thomas Barter, Of Bath Barker, Thomas, of Bath Barker and Thomas Bath. His recorded language was English.

He was the child of Benjamin Barker I. 2 children are recorded: Thomas Jones Barker and John Joseph Barker.

Recognition and collections

Work by Thomas Barker is held by Auckland Art Gallery, Tate, National Gallery of Canada and Fine Arts Museums of San Francisco.

Identity

What the record establishes about Thomas Barker.

Thomas Barker is recorded with the citizenship of Wales, Kingdom of Great Britain and United Kingdom of Great Britain and Ireland. Yale Center for British Art records 12 objects associated with this heading. Victoria Art Gallery records 8 objects associated with this heading. Holburne Museum records 9 objects associated with this heading. Thomas Barker is recorded as painter and artist.

Works and catalogued output

What Thomas Barker produced.

Wick Rocks near Bath is dated 1824 and held by Holburne Museum (inventory A103). The Art Institute of Chicago catalogues 6 works under this heading. The Cleveland Museum of Art catalogues 5 works under this heading. Wikidata Query Service catalogues 40 works under this heading. Wellcome Collection catalogues 8 works under this heading. Open Library catalogues 38 works under this heading.

Context

The circumstances in which Thomas Barker stands.

Thomas Barker is also recorded as Thomas Barker of Bath; Thomas Barter; Of Bath Barker; Thomas, of Bath Barker; Thomas Bath; Barker Of Bath. William Phillips of Risca; The Hunting Squire of Risca is catalogued and held by Newport Museum and Art Gallery (inventory NPTMG:1942.15). Landscape with Figures, Goats and Sheep (style of Nicolas Poussin) is dated 1805 and held by Holburne Museum (inventory A219). Travellers Passing beneath a Volcano is catalogued and held by Cyfarthfa Castle Museum & Art Gallery (inventory CCM.237.990). Portrait of an Elderly Gentleman (style of Anthony van Dyck) is dated 1831 and held by Holburne Museum (inventory A16). Interior of a Large Cave with Figures and Animals is catalogued and held by Holburne Museum (inventory A286).

Landscape with a River is catalogued and held by Sheffield Galleries and Museums Trust (inventory VIS.1248). Head of a Man (copy after Rembrandt van Rijn) is catalogued and held by Holburne Museum (inventory A81). Landscape with Figures is catalogued and held by Victoria Art Gallery (inventory BATVG : P : 1908.16). Woodman in a Storm is catalogued and held by Newport Museum and Art Gallery (inventory NPTMG:1973.67). Landscape with Three Figures is catalogued and held by National Museum Cardiff (inventory NMW A 3714). Figure Study is catalogued and held by Cyfarthfa Castle Museum & Art Gallery (inventory CCM.712.992).

Hampton Rocks, Morning is catalogued and held by Victoria Art Gallery (inventory BATVG : P : 1985.1). River Landscape with Figures is catalogued and held by Government Art Collection (inventory 10001). The Smugglers' Rendezvous is catalogued and held by The New Art Gallery Walsall (inventory P9/76). Storm at Night is catalogued and held by Newport Museum and Art Gallery (inventory NPTMG:2003.91). Landscape with a Waterfall is catalogued and held by Wolverhampton Art Gallery (inventory OP235). Landscape with Two Figures is catalogued and held by Nottingham Museums (inventory NCM 1904-9).

The Edge of the Common is catalogued and held by Southampton City Art Gallery (inventory 1414). Girl Carrying a Pail is catalogued and held by National Museum Cardiff (inventory NMW A 457). Mountainous Landscape is catalogued and held by Nottingham Museums (inventory NCM 1890-1165).

Holdings and surviving copies

Where material relating to Thomas Barker is held.

Forty Lithographic Impressions from Drawings of Landscape Scenery by Thomas Barker, Selected from His Studies of Rustic Figures after Nature: Seated Man with Baskets Holding Hat and Walking Stick (1813) is digitised and catalogued by Internet Archive. The art of angling : $b wherein are discovered many rare secrets, very necessary to be known by all that delight in that recreation is digitised and catalogued by Project Gutenberg. Selected Indicators of High School Students' Post-Secondary Plans (1972) is digitised and catalogued by Internet Archive. Specimens of Polyautography: Boy Seated on a Grassy Bank (1803) is digitised and catalogued by Internet Archive. Gangs: An International Approach (2000) is digitised and catalogued by Internet Archive. Landscape with Sheep and Two Shepherds is digitised and catalogued by Internet Archive.

The Life of Joseph Barker (1880) is digitised and catalogued by Internet Archive. The art of angling; 1653 (1653) is digitised and catalogued by Internet Archive. Rustic Figures: Two Boys (1801) is digitised and catalogued by Internet Archive. PAPERS IN MANUFACTURES (1803) is digitised and catalogued by Internet Archive. The Halt at the Spring (1789) is digitised and catalogued by Internet Archive. The Art Institute of Chicago records 7 objects associated with this heading.

The Cleveland Museum of Art records 6 objects associated with this heading. Police Deviance (1994) is digitised and catalogued by Internet Archive. Wellcome Collection records 198 objects associated with this heading.

Authority records

The identifiers under which Thomas Barker may be traced in institutional catalogues.

Thomas Barker is established in the international name authorities as Social Networks and Archival Context w6jt21f2, Getty Union List of Artist Names 500029666 and Wikidata Q321465.

Catalogued works

92 works under this name are catalogued by Wikidata Query Service, Open Library, The Art Institute of Chicago and The Cleveland Museum of Art. Their recorded dates run from 1780 to 1850.

Wick Rocks near Bath, dated 1824, held by Holburne Museum, inventory A103. A Boy with a Lamb, held by Holburne Museum, inventory A124. Hampton Rocks, Morning, held by Victoria Art Gallery, inventory BATVG : P : 1985.1. The Cattle Fair, held by National Museum Cardiff, inventory NMW A 453. Travellers Passing beneath a Volcano, held by Cyfarthfa Castle Museum & Art Gallery, inventory CCM.237.990. William Phillips of Risca; The Hunting Squire of Risca, held by Newport Museum and Art Gallery, inventory NPTMG:1942.15. Woodland Hunting, held by The Box, inventory PCF46. Study of a Woodman, held by National Museum Cardiff, inventory NMW A 517. The Woodman and His Son, held by National Museum Cardiff, inventory NMW A 458. Storm at Night, held by Newport Museum and Art Gallery, inventory NPTMG:2003.91. The Edge of the Common, held by Southampton City Art Gallery, inventory 1414. Girl Carrying a Pail, held by National Museum Cardiff, inventory NMW A 457. Catching Colts, held by Southampton City Art Gallery, inventory 15. Landscape with Figures, Goats and Sheep (style of Nicolas Poussin), dated 1805, held by Holburne Museum, inventory A219. Interior of a Large Cave with Figures and Animals, held by Holburne Museum, inventory A286. The Smugglers' Rendezvous, held by The New Art Gallery Walsall, inventory P9/76. Woodman in a Storm, held by Newport Museum and Art Gallery, inventory NPTMG:1973.67. The Avon Gorge, held by Bristol City Museum & Art Gallery, inventory K1431. View in Italy, held by Bristol City Museum & Art Gallery, inventory K4048. Landscape with Cattle, held by Wolverhampton Art Gallery, inventory OP328. Landscape with a Waterfall, held by Wolverhampton Art Gallery, inventory OP235. Landscape with Three Figures, held by National Museum Cardiff, inventory NMW A 3714. Self Portrait, dated 1800, held by National Museum Cardiff, inventory NMW A 459. The Storm, held by National Museum Cardiff, inventory NMW A 460. Figure Study, held by Cyfarthfa Castle Museum & Art Gallery, inventory CCM.712.992. Landscape, held by Victoria Art Gallery, inventory BATVG : P : 1962.1. Landscape with Figures, held by Victoria Art Gallery, inventory BATVG : P : 1908.16. Landscape with Sheep, held by Glynn Vivian Art Gallery, inventory 18. The Woodcutters, held by Holburne Museum, inventory A125. Head of a Man (copy after Rembrandt van Rijn), held by Holburne Museum, inventory A81. Portrait of an Elderly Gentleman (style of Anthony van Dyck), dated 1831, held by Holburne Museum, inventory A16. Stormy Landscape, held by Beecroft Art Gallery, inventory SOUAG.B9. Landscape with Two Figures, held by Nottingham Museums, inventory NCM 1904-9. Mountainous Landscape, held by Nottingham Museums, inventory NCM 1890-1165. River Landscape with Figures, held by Government Art Collection, inventory 10001. Family Group, held by Leeds Art Gallery, inventory LEEAG.PA.1955.0027. The Young Shepherds, held by Temple Newsam, inventory LEEAG.PA.1930.0006. View of Venice, held by Dover Collections, inventory Deavm 25. Landscape with a River, held by Sheffield Galleries and Museums Trust, inventory VIS.1248. The Pool, held by Sheffield Galleries and Museums Trust, inventory VIS.558. The Country-mans recreation, or, The art of planting, graffing, and gardening, in three books. The Young sportsman's miscellany in hunting, shooting, racing, coursing, angling, cocking, &c.&c. Dr. Wells's Letter to a dissenting parishioner considered. Barker's delight: or, The art of angling. The country-mans recreation, or The art of planting, grafting and gardening in three books. Delicious and Satisfying Elegant and Simple. BEAUTIFUL, Beautiful, Beautiful. Art of Angling. Gilbert American Flyer S Gauge Repair and Operating Guide B&W. Gilbert American Flyer S Gauge Operating and Repair Guide. Newspaper Boy. The nature and circumstances of the demoniacks in the Gospels, stated and methodized and considered in the several particulars. Roundhouse. Pikestein Origins. Seventy Years of Amazing Technical Progress. Account of the Discoveries Concerning Comets, with the Way to Find Their Orbits, and Some Improvements in Constructing and Calculating Their Places... . by Thomas Barker,. The Art of Angling; Wherein are discovered many rare secrets, very necessary to be knowne by all that delight in that recreation. Outlaw Motorcycle Gangs As Organized Crime Groups. Strictures On 'the Doctrine of Sacrifice Deduced From the Scriptures', by F.D. Maurice. Wicked Newport. Southeast Asia on Screen. Indonesian Cinema after the New Order. Outlaw Biker Legacy of Violence. Biker Gangs and Transnational Organized Crime. A Treatise of Fishing with an Angle and Barker's Delight. The Art of Angling: Wherein Are Discovered Many Rare Secrets, Very Necessary to Be Knowne by All That Delight in That Recreation (Classic Reprint). Comparative and International Criminal Justice. Police Community Relations and the Administration of Justice. Gangs. Jokers Wild. An empirical typology of police corruption. Barker\'s Delight. Barker\'s Delight, Large-Print Edition. Police systems and practices. Scenes by the wayside. Biker gangs and organized crime. Police deviance. North American criminal gangs. Young Boy Seated, from the first issue of Specimens of Polyautography, dated 1803, lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper, held by The Art Institute of Chicago, inventory 2015.217.6. Pierrette, dated n.d., pen and black ink, with brush and brown wash, heightened with white gouache, on gray wove paper, held by The Art Institute of Chicago, inventory 1922.3260. Huckster Cart, dated c. 1790, charcoal, with stumping, heightened with white chalk, on dark pink wove paper with blue fibers, held by The Art Institute of Chicago, inventory 1922.1072. Farmhouse in the Mountains with Cows in Foreground, dated c. 1790, pen and brown ink on pink laid paper with blue fibers, edge mounted onto cream wove paper, held by The Art Institute of Chicago, inventory 1922.1077. Child with Musical Instrument, dated n.d., brown-black crayon on cream wove paper, held by The Art Institute of Chicago, inventory 1922.1080. Seated Man Pointing Downwards (recto and verso), dated n.d., black chalk with stumping, heightened with white chalk (recto), and black chalk (verso) on mauve wove paper, held by The Art Institute of Chicago, inventory 1922.1073. Rustic Figures: Two Boys, dated 1801, lithograph hand-colored with brown wash, held by The Cleveland Museum of Art, inventory 2001.169. Landscape with Sheep and Two Shepherds, dated first half 19th century?, pen and brown ink and brush and brown wash with graphite; squared in graphite, held by The Cleveland Museum of Art, inventory 1954.701. Specimens of Polyautography: Boy Seated on a Grassy Bank, dated 1803, lithograph, held by The Cleveland Museum of Art, inventory 1940.1091. The Halt at the Spring, dated c. 1789–1847, charcoal heightened with white, held by The Cleveland Museum of Art, inventory 1940.731. Thomas Herbert Barker. Photograph by Ernest Edwards, 1867., held by Wellcome Collection. Practical observations on the diet of infancy and childhood / by Thomas Herbert Barker., dated 1850, held by Wellcome Collection. The messiah. Being the prophecies concerning him methodized, with their accomplishments. By Thomas Barker, dated 1780, held by Wellcome Collection. John Snow, English anaesthetist and epidemiologist. Photograph of oil painting by Thomas Jones Barker, 1847., held by Wellcome Collection.

In public collections

Work associated with this heading is recorded in 13 named public collections.

Yale Center for British Art: 12 recorded objects, read from the institution's own published catalogue. National Gallery: 12 recorded objects, read from the institution's own published catalogue. Tate: 12 recorded objects, read from the institution's own published catalogue. Holburne Museum: 9 recorded objects, read from the institution's own published catalogue. National Trust: 9 recorded objects, read from the institution's own published catalogue. Victoria Art Gallery: 8 recorded objects, read from the institution's own published catalogue. National Museum Cardiff: 7 recorded objects, read from the institution's own published catalogue. Sheffield Galleries and Museums Trust: 5 recorded objects, read from the institution's own published catalogue. Newport Museum and Art Gallery: 4 recorded objects, read from the institution's own published catalogue. Q214867: 3 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 7 recorded objects, read from the institution's own published catalogue. The Cleveland Museum of Art: 6 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 198 recorded objects, read from the institution's own published catalogue.

Literature

5 scholarly publications naming this subject were located in the registry of record.

Barker, Thomas, Benezit Dictionary of Artists, 2011. Barker, Thomas Edward, Benezit Dictionary of Artists, 2011. Barker, Thomas Jones, Benezit Dictionary of Artists, 2011. Barker, Thomas Jones, Oxford Art Online, 2003. Speaking Nations, Edge Ways - Reviews of 'Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound and Stability' by Gerald Sim, Amsterdam University Press, 2020; and 'Southeast Asia on Screen: From Independence to Financial Crisis (1945 – 1998)' edited by Gaik Cheng Khoo, Thomas Barker, and Mary Ainslie, Amsterdam University Press, 2020, Global Storytelling, 2022.

Naming and authority record

This heading is established in Gemeinsame Normdatei (GND) (105549751X). Those registers additionally record the form Ferguson, Thomas B.

Evidence base

This article draws on 8 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 8 means 8 genuinely separate publishers of record. 10 further registers were consulted and returned nothing for this heading.

In detail

the recorded working language is English.

Places of work recorded in the authority are Bath and Italy.

Work by Thomas Barker is recorded in the collections of Auckland Art Gallery, Tate, National Gallery of Canada, Fine Arts Museums of San Francisco and Smithsonian American Art Museum.

Chronology

  1. 1769Thomas Barker born at Pontypool.
  2. 1769Thomas Barker was born in 1769 at Pontypool.
  3. 1789The Halt at the Spring (1789) is digitised and catalogued by Internet Archive.
  4. 1801Rustic Figures: Two Boys (1801) is digitised and catalogued by Internet Archive.
  5. 1803Specimens of Polyautography: Boy Seated on a Grassy Bank (1803) is digitised and catalogued by Internet Archive.
  6. 1803PAPERS IN MANUFACTURES (1803) is digitised and catalogued by Internet Archive.
  7. 1805Landscape with Figures, Goats and Sheep (style of Nicolas Poussin) is dated 1805 and held by Holburne Museum (inventory A219).
  8. 1813Forty Lithographic Impressions from Drawings of Landscape Scenery by Thomas Barker, Selected from His Studies of Rustic Figures after Nature: Seated Man with Baskets Holding Hat and Walking Stick (1813) is digitised and catalogued by Internet Archive.
  9. 1824Wick Rocks near Bath is dated 1824 and held by Holburne Museum (inventory A103).
  10. 1824Wick Rocks near Bath (Holburne Museum).
  11. 1831Portrait of an Elderly Gentleman (style of Anthony van Dyck) is dated 1831 and held by Holburne Museum (inventory A16).
  12. 1847Thomas Barker died at Bath.
  13. 1847Thomas Barker died in 1847 at Bath.

Sources

Each source is named with the standing the house places on it, so the evidence can be weighed rather than taken on trust.

  1. 1.

    Barker, James Thomas, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  2. 2.

    Barker, Thomas Edward, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  3. 3.

    Barker, Thomas Jones, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  4. 4.

    Barker, Thomas Jones, Oxford Art Online, 2003

    scholarly publication · Scholarly

    Consult the source
  5. 5.

    Barker, Thomas, Benezit Dictionary of Artists, 2011

    scholarly publication · Scholarly

    Consult the source
  6. 6.

    Open Library author record for Thomas Barker (Internet Archive), 36 catalogued works.

    Institutional database · Scholarly · Internet Archive

    Consult the source
  7. 7.

    Wikidata, structured authority record Q321465: Thomas Barker

    Institutional database · Scholarly · Wikimedia Foundation

    Consult the source
  8. 8.

    Directory of Open Access Journals lists 6 articles naming Thomas Barker.

    open access index · Unverified

    Consult the source
  9. 9.

    Gemeinsame Normdatei 105549751X, Ferguson, Thomas Barker.

    authority file · Unverified · Deutsche Nationalbibliothek

    Consult the source
  10. 10.

    Internet Archive, 13 digitised items catalogued under Thomas Barker as creator.

    digital repository · Unverified

    Consult the source
  11. 11.

    Project Gutenberg holds 1 full text attributed to Thomas Barker.

    digital repository · Unverified

    Consult the source
  12. 12.

    The Art Institute of Chicago, collection records associated with Thomas Barker.

    museum collection · Unverified · The Art Institute of Chicago

    Consult the source
  13. 13.

    The Cleveland Museum of Art, open access collection records associated with Thomas Barker.

    museum collection · Unverified · The Cleveland Museum of Art

    Consult the source
  14. 14.

    Wellcome Collection catalogue records 198 works naming Thomas Barker.

    museum collection · Unverified · Wellcome Collection

    Consult the source

Plates

Each plate is reproduced under the terms the holding register itself publishes, with its creator and licence named.

Landscape with Sheep and Two Shepherds, first half 19th century?, by Thomas Barker

Landscape with Sheep and Two Shepherds, first half 19th century?, by Thomas Barker

Thomas Barker · The Cleveland Museum of Art · The Norweb Collection · CC0

The picture record
Specimens of Polyautography: Boy Seated on a Grassy Bank, 1803, by Thomas Barker

Specimens of Polyautography: Boy Seated on a Grassy Bank, 1803, by Thomas Barker

Thomas Barker · The Cleveland Museum of Art · Mr. and Mrs. Lewis B. Williams Collection · CC0

The picture record

Elsewhere in Paintings

14,207 published records in this field, each with its sources named.

Best supported in this field

Read the complete paintings index

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