Thelma Wood

What the record establishes about Thelma Wood.

Journeys of women in science and engineering : no universal constants / Susan A. Ambrose [and others] ; foreword by Lilli Hornig. is dated 1997 and held by Wellcome Collection. December Afternoon is dated 1940, published 1941 and held by The Art Institute of Chicago (inventory 1982.1531). Midnight Alarm is dated 1939 and held by The Art Institute of Chicago (inventory 1982.1566). American Gothic is dated 1930 and held by The Art Institute of Chicago (inventory 1930.934). Family Doctor is dated 1940 and held by The Art Institute of Chicago (inventory 1962.316). Loch Vale is dated 1927 and held by The Art Institute of Chicago (inventory 2000.307).

Fertility is dated 1939 and held by The Art Institute of Chicago (inventory 1991.672). Strangeways Research Laboratory is dated c.1901-1999 and held by Wellcome Collection. The Art Institute of Chicago records 8 objects associated with this heading. Wellcome Collection records 2 objects associated with this heading. Thelma Wood is recorded with the citizenship of United States. Thelma Wood is recorded as sculptor.

The identifiers under which Thelma Wood may be traced in institutional catalogues.

Thelma Wood is established in the international name authorities as Wikidata Q2416648.

8 works under this name are catalogued by The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1901 to 1997.

American Gothic, dated 1930, oil on beaver board, held by The Art Institute of Chicago, inventory 1930.934. Loch Vale, dated 1927, oil on canvas, held by The Art Institute of Chicago, inventory 2000.307. December Afternoon, dated 1940, published 1941, lithograph on ivory wove paper, held by The Art Institute of Chicago, inventory 1982.1531. Family Doctor, dated 1940, lithograph on off-white wove paper, held by The Art Institute of Chicago, inventory 1962.316. Fertility, dated 1939, lithograph on ivory wove paper, held by The Art Institute of Chicago, inventory 1991.672. Midnight Alarm, dated 1939, lithograph on white wove paper, held by The Art Institute of Chicago, inventory 1982.1566. Journeys of women in science and engineering : no universal constants / Susan A. Ambrose [and others] ; foreword by Lilli Hornig., dated 1997, held by Wellcome Collection. Strangeways Research Laboratory, dated c.1901-1999, held by Wellcome Collection.

Work associated with this heading is recorded in 2 named public collections.

The Art Institute of Chicago: 8 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 2 recorded objects, read from the institution's own published catalogue.

1 scholarly publication naming this subject was located in the registry of record.

Dreams of a Lost Modernist: A Reevaluation of Thelma Wood, Modernist Cultures, 2013.

Bibliographic registers publish measured figures for this heading: 6 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.