Thanos Mikroutsikos

Thanos Mikroutsikos studied at National and Kapodistrian University of Athens and Hellenic Conservatory. Training under Yannis Papaioannou is recorded. The recorded working language is Greek. Subjects and genres recorded for the work are music of Greece. Positions recorded include Minister of Culture of Greece and Greek deputy minister of culture.

• Name — Thanos Mikroutsikos • Birth Name — Athanasios Mikroutsikos • Born — 13 April 1947 • Birthplace — Patras, Greece • Died — 28 December 2019 • Place of death — Athens, Greece • Instrument — Piano • Genre — Éntekhno • Occupation — Composer, musician, politician • Years Active — 1975–2019 • Label — Lyra Records, Minos EMI, CBS Records International, Polydor Records • Website — http: www.mikroutsikos.gr

He was born on 13 April 1947 in Patra. He was the older brother of Andreas Mikroutsikos, who is also a musician/composer and a television show host. His wife was children's author Maria Papagianni, whom he married in 1996. He died on 28 December 2019, after a long fight with cancer, at age 72.

He studied piano and composition in the Philharmonic Society of Patras, in the Hellenic Conservatory, and privately with Yiannis Papaioannou. In addition, he studied Mathematics in the National and Kapodistrian University of Athens. He began composing at the end of the 1960s but only officially debuted in 1975, with the release of his album Politika Tragoudia ('Political Songs'). He continued on this compositional path, setting to music the poems of Giannis Ritsos, Vladimir Mayakovsky, Manos Eleftheriou and Bertold Brecht, amongst others. His albums Kantata gia ti Makroniso (Cantata for Makronisos), Fouente Ovehouna (Fuenteovejuna), Troparia gia Foniades (Hymns for Murderers) and Mousiki Praxi Ston Brecht (Musical Practice on Brecht) are characteristic of the climate of Metapolitefsi or Regime Change that was taking place in the period 1975–78. In particular, the Cantata for Makronisos, a pioneering piece in which Mikroutsikos experimented with atonality was extremely well received in international music festivals and an interpretation of particular note was recorded by Maria Dimitriadi. His next album, Stavros tou Notou (Southern Cross), set to the poetry of Nikos Kavvadias, opened up further musical avenues for him, combining theatre, electronic music and atonality (a second album, Grammes ton orizondon, set to the poetry of Kavvadias was released in 1991). With the same devotion to poetry, he continued to set the works of Giannis Ritsos, Alkis Alkaios, François Villon and Constantine P. Cavafy, amongst others. In addition, he has written an opera, Eleni (Helen) and set to music several children's fairytales. He has worked with many renowned singers such as Maria Dimitriadi, Haris Alexiou, Manolis Mitsias, Dimitris Mitropanos, George Dalaras, Vasilis Papakonstantinou, Christos Thibaios, Miltiadis Paschalidis, Rita Antonopoulou and Giannis Koutras, amongst others. His music has been particularly well received and recognised in Western Europe. During his compositional career, he has managed to liberate the form of Greek song, adding together elements from the modernist and classical western tradition. He also experimented with the combination of tonal and atonal sounds and with morphological variation. He was artistic director of the New Music Society and the Musical Analogion, whilst he also worked with and directed the Patras International Festival.

• Illustration — Thanos Mikroutsikos He was involved in Greece's political life since the 1960s. During the turbulent years of the Greek military junta of 1967–1974, he was persecuted by the regime for his anti-dictatorial activities and ideas. When the junta collapsed, he continued being actively involved in politics as a member of the maoist EKKE, especially in the first years after the restoration of democracy. After the elections of October 1993, he was appointed as Deputy Minister of Culture by the new Panhellenic Socialist Movement (PASOK) government, serving alongside the late Melina Mercouri who was Minister of Culture. He was appointed to position when she died in 1994, a position he kept until 1996. He was a supporter of the Communist Party of Greece.

• Musical Act for Brecht for two male voices, two clarinets and a piano (text: Bertolt Brecht), 1972–78 • Cantata for Makronisos for female and male voice, small orchestra and tape (text: Υannis Ritsos), 1976–82 • Study for Vladimir Mayakovsky for voice and small orchestra (text: Vladimir Mayakovsky), 1976–82 • Euripides IV for narrator, soprano, mezzo, tenor, baritone, bassoon, trumpet, horn and piano (text: Euripides), 1979 • The Moonlight Sonata for voice and piano (text: Υannis Ritsos), 1979–81 • Preludes for guitar, 1981 • The Old Man of Alexandria, song cycle for voice, mandolin and piano (text: Konstantinos Kavafis), 1982 • Opera for One (flutist) for flute, 1983–84 • Duo for alto saxophone and electric bass, 1985 • The Sea for string orchestra and trumpet, 1991 • The Return of Helen, opera in one act in six movements based on a libretto by Christos Lambrakis (with poems by Yannis Ritsos) for nine voices, mixed choir, orchestra and a trio, 1992–93 • Return to the Future 1 for clarinet and marimba, 2003 • The sea smiles from over there for mezzo and string quartet (text: Federico García Lorca), 2009