Teenage Engineering OP–1
The Teenage Engineering OP-1 is a synthesizer, sampler and sequencer designed and manufactured by the Stockholm-based company Teenage Engineering. The OP-1 was Teenage Engineering's first product; it was released in 2011 following an introduction at the NAMM Show. It is also considered their core product.
Also recorded as OP-1
Teenage Engineering OP–1

Shuichi KODAMA · CC BY 2.0
- Field
- digital synthesizer
- Period
- 2010
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Documentary summary
The Teenage Engineering OP-1 is a synthesizer, sampler and sequencer designed and manufactured by the Stockholm-based company Teenage Engineering. The OP-1 was Teenage Engineering's first product; it was released in 2011 following an introduction at the NAMM Show. It is also considered their core product.
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wikidata · Q7694385 · wikipedia · Teenage Engineering OP-1
In this article
Overview
Overview
The OP-1 is well known for its unconventional design, AMOLED display, and the depth of its synthesis engines.
Key facts
Key facts
• Synth Name — Teenage Engineering OP-1 • Synth Manufacturer — Teenage Engineering • Dates — 2011–Present • Synthesis Type — 10 engines with exchangeable architecture • Polyphony — 6 • Timbrality — Monotimbral • Oscillator — 1 DCO per voice (pulse, saw, square) • Attenuator — ADSR envelope generator • Lfo — Multiple • Memory — 512 MB Nand Flash storage • Fx — Delay, Phone (bit crusher), Punch (low-pass filter), Grid (feedback plate reverb), Spring (spring reverb), Nitro (band-pass filter), CWO (frequency-shifting delay) • Price — * euro • Keyboard — 24 keys • Ext Control — USB MIDI in and out • Velocity — No • Aftertouch — No • Input Output — USB 2.0 high speed (OTG) 3.5 mm Line Input, Output built-in microphone high output mini speaker 8 ohm 1 watt 3-axis accelerometer (g-force) sensor worldwide fm band support (64-108 MHz)
Development
Development
Teenage Engineering was founded in 2005 by Jesper Kouthoofd, David Eriksson, Jens Rudberg and David Mollerstedt. The OP-1 is the first product developed by the company. At the time, the team consisted of nine engineers and software developers. Following an announcement at Frankfurt Musikmesse in 2009, they presented a prototype of the OP-1 at the 2010 NAMM Show in Anaheim, and it was released in the following year. The design of the OP-1 was influenced by the VL-Tone, a synthesizer and pocket calculator manufactured by Casio in 1979. The VL-1 is known for its toy-like novelty sounds and cheap build quality, as well as its inorganic design. In an interview with Damian Kulash of OK Go, CEO Kouthoofd explained that he worked in a music store when he was young, and he was inspired by Japanese synthesizers of the 1980s, such as the VL-Tone and the Casio SK-1, an inexpensive sampler. Kouthoofd has also stated that "limitations are OP-1's biggest feature". The synthesizer's designers attempted to use the limitation of physical hardware to encourage the unit to stimulate creativity, which might become unfocused in a limitless environment, such as a digital audio workstation. • Illustration — The OP-1 by Teenage Engineering In 2012, Teenage Engineering introduced several "accessories" for the OP-1. These can be used to manipulate the unit's macro effect knobs. One of the accessories makes the OP-1 compatible with Lego gears and motors, which can be used to mechanically modulate low-frequency oscillators and other effects. The OP-1 became unavailable for a period from late 2018 to early 2019 due to Teenage Engineering exhausting their stock of the AMOLED display screen. Due to rumors that the synthesizer had been permanently discontinued, the resell value of the OP-1 dramatically increased to surpass its original retail price. In February, Teenage Engineering announced that they would resume production of the OP-1; however, the retail price increased by approximately 35% to cover the new parts and redesigned hardware. The price increase was met with criticism due to a perception of poor resource planning.
Sound synthesis
Sound synthesis
The OP-1 includes eleven synthesis engines. For each engine, the OP-1's four knobs act as different macro controllers. In addition to a sampler, the OP-1 is preloaded with sampled drum hits. The synthesizer is monotimbral, with six voices of polyphony. It also includes an FM radio, which can be recorded into the sampler or used to modulate effects. The operating system was updated in 2014 adding additional effects and features. The OP-1's eleven synthesis engines are FM, Cluster, Digital, DNA, DSynth, Dr Wave, String, Phase, Pulse, Sampler, and Voltage. Each is represented by a different graphic on the display screen. The FM engine is a simple FM synthesizer. The Cluster engine produces a distorted sound reminiscent of the Roland JP-8000 supersaw. DNA is a noise generator. Dr Wave resembles the sound of a talk box. Digital provides ring modulation and wave shape parameters to distort the sound signal. String creates string instrument emulation, ranging from bass to string pads. Pulse is a square wave engine. Phase provides two pulse waves that can be modulated and distorted. DSynth provides a dual oscillator synthesizer with multiple filter types. Voltage is a multi-oscillator synthesizer. The Sampler interface is a sampler, which can take input from the OP-1's built-in microphone, an external audio input, or the built-in FM radio.
Display screen
Display screen
One of the key features of the OP-1 is its 320 x 160-pixel OLED display, which shows a graphical representation of the device's current mode. Although some of the displays use traditional symbols, such as the fairly straightforward ADSR envelope, others use more literal or unconventional graphics. For example, the "punch" effect (a low-pass filter) is represented by a line art illustration of a boxer.
Keyboard
Keyboard
The OP-1 has a fixed-velocity keyboard with 24 keys. Arrow keys are provided to transpose up or down octaves while in synthesizer or drum mode. Four octave shifts up and four shifts down are available giving the user a total range of ten octaves.
Definition
Definition
The canonical record carries the following identifying particulars. It is also recorded that teenage Engineering OP–1 is classified as a digital synthesizer. Recorded from 2010.
Reception
Reception for the OP-1 was largely positive, citing its powerful synthesizer engines and unconventional format and design. However, it has received some criticism for its small size and simplicity, which make it resemble a toy. It also lacks velocity sensitivity, making it minimally expressive. The OP-1 won one of Sweden's Design S Awards in 2012. The award committee described the OP-1 as "A technological product which through a clever colour scheme and fantastic graphics is intuitive, easily accessible and incredibly inviting. Music and machine in one". In 2014 it was awarded second prize in Georgia Tech's Margaret Guthman Musical Instrument Competition. The San Francisco Museum of Modern Art includes an OP-1, donated by Teenage Engineering, in its permanent collection. Musicians who have used the OP-1 include Amason, Beck, Depeche Mode, Jean-Michel Jarre, Tourist, Chvrches, Justin Vernon of Bon Iver, Efrim Menuck of Godspeed You! Black Emperor, and Ivan Dorn.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Synth Anatomy. Teenage Engineering OP-1 Synthesizer Is Officially Paused!. 7 December 2018.
- 2.Byrne, Ciara. More Than An Office, Teenage Engineering's Minimalist Garage Is A Tinkerer’s Paradise. Labs. Fast Company. 3 September 2013.
- 3.Kirn, Peter. Teenage Engineering’s OP-1 Instrument: Hands-on, Videos, Why it’s Different. Create Digital Music. 17 January 2010.
- 4.Wickett, Chris. NAMM 2010: Teenage Engineering's OP-1 on video. MusicRadar. 14 January 2010.
- 5.Vintage Synth Explorer. Casio VL-Tone VL-1.
- 6.Kulash, Damian. Dream Machine. L'ArcoBaleno. 26 August 2013.
- 7.Ingraham, Nathan. Teenage Engineering's new OP-1 gear: it's time to crank, bend, and break the rules. The Verge. 28 August 2012.
- 8.Kirn, Peter. Teenage Engineering OP-1 synth is back in stock, here to stay. CDN. 14 February 2019.
- 9.Orkin, Dan. Teenage Engineering Raises Prices on OP-1, Cancels Orders on New Modular Models. Reverb.com. 14 February 2019.
- 10.Gaughan, Kevin. Teenage Engineering - OP-1. Earmilk. February 2014.
- 11.Rogerson, Ben. NAMM 2014 VIDEO: Teenage Engineering OP-1 OS update. Music Radar. 24 January 2014.
- 12.Teenage Engineering - OP-1 Guide: Synthesizer Mode.
- 13.Nagle, Paul. Teenage Engineering OP1. Sound on Sound. January 2012.
- 14.Wolbe, Trent. Teenage Engineering OP-1 synthesizer now available for pre-order, we tour its shiny new features (video). Engadget. 14 January 2011.
- 15.Gaughan, Kevin. Teenage Engineering - OP-1. Earmilk. February 2014.
- 16.Ingraham, Nathan. Teenage Engineering's new OP-1 gear: it's time to crank, bend, and break the rules. The Verge. 28 August 2012.
- 17.Design S. Winners.
- 18.Georgia Institute of Technology. 2014 Competition. 2015.
- 19.San Francisco Museum of Modern Art. Teenage Engineering - OP-1.
- 20.Swedish group Amason doing a live session with OP1s. 2015-11-06.
- 21.Amason - Duvan / Sofar NYC. 2014-10-25.
- 22.Tourist: There’s very little you can’t do with a computer, an OP-1, a phone and an audio interface. Music Radar. 2020-05-11.
- 23.Synth Pop sensations CHVRCHES on the importance of having hardware. Keyboard. October 25, 2013.
- 24.Hyden, Steven. Lost in the World: Justin Vernon on His New Music Festival and the Uncertain Status of Bon Iver. 2015-07-08.
- 25.CST156 Godspeed You! Black Emperor G_d’s Pee AT STATE’S END!. Constellation.
- 26.Track By Track: Ivan Dorn x Seven Davis Jr. On 'Numbers' EP. ClashMusic. 2020-05-11.
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This entry is compiled from 4 catalogued sources across 4 independent registers. The registers consulted are Wikidata, Wikipedia, Allen Institute for AI and National Library of Medicine. Every statement above is held against the register that stated it; where the registers are silent, the entry is silent.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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