Tara Seibel

• Birth Name — Tara Murphy • Birthplace — Cleveland, Ohio • Nationality — American • Spouse — Aaron Seibel • Children — 3 • Area — Artist, cartoonist, illustrator, designer • Pencil — y • Color — digital • Notable Works — adaptation of "The Great Gatsby" Graphic Canon, Seven Stories Press • Website — http: www.taraseibelart.com • Born — 4 February 1973

Tara Seibel was born Tara Murphy in Cleveland, Ohio, to Lauren Murphy (née Gieseler) and Robert Murphy. Seibel grew up in Wickliffe, Ohio. Seibel is the oldest of three siblings: Lauren Murphy-Holder, a psychologist,and Robert Murphy Jr. a businessman. Tara's grandfather, Richard Gieseler, was a foreman for the Cleveland Twist Drill Company, and met his wife Dorothea (née Newman) on the job. Her other grandfather, John "Buck" Buchan, was a local musician who played with "Cleveland's Polka King" Frankie Yankovic and comedian-musician Mickey Katz. Her mother was a homemaker and helped manage the family business. Tara's father (now deceased) was a business owner and politician, as well a local talk show radio host. Tara was a frequent guest and would talk politics with her dad as the "liberal daughter". Tara started drawing political cartoons for her father's campaigns and various newsletters at a young age. Seibel was a high school majorette, twirled fire on the field, and lettered in varsity track and field for the high jump. She played the xylophone and wrote for the school paper. Seibel earned a Bachelor of Fine Arts degree after majoring in Applied Media Arts at Edinboro University of Pennsylvania, where she studied drawing, painting, documentary film, illustration, animation, journalism, photography and graphic design. Seibel's first printed piece was a poster design for the Edinboro University Alternative Film Festival. She completed this accredited project during an internship at Murphy Design on East 40th Street in Cleveland.

Seibel began her professional artistic career in Chicago, illustrating covers for restaurant menus and food packaging. One of the first menus she designed was for Michael Jordan The Restaurant. Eventually she moved back home to Cleveland. She was hired as a line designer and illustrator for American Greetings where she designed and illustrated gift wrapping and greeting cards. After leaving American Greetings she became a freelance editorial cartoonist. Over a span of four years, she created editorial cartoons for U.S. Catholic magazine, various newsletters, Cleveland Scene, and illustrated a cover of the Cleveland Free Times. In 2008, Seibel created the comics strip Rock City—Terminally ILL, which was published in alternative weeklies like Chicago's Newcity, the Cleveland Free Times, and The Austin Chronicle. Seibel collaborated extensively with comics creator Harvey Pekar, writer of American Splendor, in the final years of his life. In March 2008, Seibel attended a Jewish Authors in Comics Symposium at a local college. When she got there the only seat left open was the one next to Pekar himself. They struck up a conversation. This led her to a series of collaborations with Pekar. First, Pekar took over writing duties on Rock City—Terminally ILL; they worked on a number of pieces for other publications, including Heeb and the Jewish Review of Books. In 2009, Seibel became the lead illustrator for the webcomics series The Pekar Project (which was edited by Jeff Newelt and published on Smith Magazine). Following Pekar’s death in 2010, a dispute arose between Seibel and Pekar's widow Joyce Brabner concerning both Seibel’s collaboration with Pekar and her role in posthumous projects. Accounts characterized the conflict as involving both personal and professional tensions, as well as disagreements over the handling of Pekar’s work after his death. According to The New York Times, Brabner opposed Seibel’s continued participation in The Pekar Project and certain related publications. Some reports further described efforts to exclude Seibel from aspects of Pekar’s posthumous work, although accounts of the dispute vary. Shortly afterward, Seibel's work was discovered by Russ Kick, editor of a three-volume, 1500-page anthology series titled The Graphic Canon which features the world's great literature interpreted by over 120 artists and illustrators, including R. Crumb, Maxon Crumb, Will Eisner, Molly Crabapple, Sharon Rudahl, Dame Darcy, S. Clay Wilson, Gris Grimly, Roberta Gregory, and Kim Deitch. For The Graphic Canon Volume One, Seibel contributed adaptations of Victor Hugo's Les Misérables and Walt Whitman's Leaves of Grass. For Volume Two, Seibel adapted F. Scott Fitzgerald's The Great Gatsby and a series of graphic biographies of the Beat Generation (Jack Kerouac, Diane di Prima, William S. Burroughs, and Allen Ginsberg), as well as Sigmund Freud's The Interpretation of Dreams. She graphically adapted Oscar Wilde's "The Nightingale and the Rose" for The Graphic Canon of Children's Literature. In 2013, Seibel became the curator and gallery owner of Tara Seibel Art Gallery in Cleveland's Historic Little Italy in University Circle. At the gallery there are exhibits of paintings, crafts, drawings and some comic art on display. She also hosts exhibits for local artists in the Cleveland area, including participating three times in the "from WOMEN" show curated by Mary Urbas of Lakeland Community College to celebrate Women's History Month. Seibel illustrates the Art Walk posters for Cleveland's Little Italy neighborhood. In 2016, she offered to design and illustrate the Short Sweet Film Fest poster, an annual film festival held in Cleveland. She also hosted a Q & A about the late Harvey Pekar, one of the film subjects.

Seibel resides with her family in the Cleveland suburb of Pepper Pike. Her husband Aaron Seibel is a graduate of Marquette University, an optical engineer, and co-inventor of two patents. The Seibels have three grown children — Lauren, Patrick and Oscar.

• "Hey, Emily," The Austin Chronicle vol. 27, no. 49, August 2008. • reprinted in Newcity vol. 23, no. 1054, September 2008. • "Bathtub Movers," Funny Times vol. 23, no. 7, July 2008. • "A Certain Kind of Trait," Newcity vol. 23, no. 1056, September 2008. • "Da Vinci For Dummies," Newcity vol. 23, no. 1060, October 2008.

• "Pekar & Crumb, Talkin' 'Bout Art" • "The Art of Making Sushi" • "No Reservations" • "Phone Hustlers" • "da Vinci For Dummies" • "A Certain Kind of Trait" • "Oscar the Amazing Baby"

• "Are God's Children Too Stupid?", Heeb no. 18, Fall 2008 ("The Politics Issue"). • "The Genesis Review," Jewish Review of Books, Spring 2010. • "Upmanship & Downmanship," Jewish Review of Books, Summer 2010. • "Sorry, this is the best I can do," Comics' Comics: Cartoons Drawn By Your Favorite Comedians, compiled by Eric Beasley (Mark Batty Publisher, May 2011) — with illustrators Rick Parker, Sean Pryor and Joseph Remnant

• "The Vestibule," Next Door Neighbor, ed. Dean Haspiel (Smith Magazine, 2009) • (adaptation of) Victor Hugo's Les Misérables, in The Graphic Canon vol. II, ed. Russ Kick (Seven Stories Press, 2010) • (adaptation of) Walt Whitman's Leaves of Grass, in The Graphic Canon vol. II, ed. Russ Kick (Seven Stories Press, 2010) • (adaptation of) F. Scott Fitzgerald's The Great Gatsby, in The Graphic Canon vol. III, ed. Russ Kick (Seven Stories Press, 2013) • "Four Beats" (biographies of the Beat Generation), in The Graphic Canon vol. III, ed. Russ Kick (Seven Stories Press, 2013) • (adaptation of) Sigmund Freud's The Interpretation of Dreams, in The Graphic Canon vol. III, ed. Russ Kick (Seven Stories Press, 2013) • (adaptation of) Oscar Wilde's "The Nightingale and the Rose," The Graphic Canon of Children's Literature: The Worlds Great Kids' Lit As Comics and Visuals, ed. Russ Kick (Seven Stories Press, summer 2014) • Long Story Short: Turning Famous Books into Cartoons, ed. Mr. Fish (Akashic Books, summer 2020)