Taizō Inagaki
Taizō Inagaki (稲垣泰三, Inagaki Taizō) was a Japanese photographer associated with avant-garde photography in Nagoya. He was among the photographers active in the Nagoya avant-garde milieu during the 1930s and was later counted among the members of Nagoya Photo Avant-Garde.
Also recorded as Taizo Inagaki · Inagaki Taizo · Inagaki Taizō
Taizō Inagaki
- Name
- Taizō Inagaki
- Occupation
- Photographer
- Movement
- * Avant-garde photography
- Known for
- * Membership in Nagoya Photo Avant-Garde
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Taizō Inagaki (稲垣泰三, Inagaki Taizō) was a Japanese photographer associated with avant-garde photography in Nagoya. He was among the photographers active in the Nagoya avant-garde milieu during the 1930s and was later counted among the members of Nagoya Photo Avant-Garde.
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In this article
Key facts
Key facts
• Name — Taizō Inagaki • Native Name — 稲垣泰三 • Occupation — Photographer • Movement — * Avant-garde photography • Surrealism • Known for — * Membership in Nagoya Photo Avant-Garde • Participation in Mesemu zoku
Early activity
Early activity
MEM's overview of Nagoya avant-garde photography identifies Inagaki as one of the photographers who, together with figures such as Minoru Sakata and Tsugio Tajima, helped form the Nagoya Photo Gruppe by 1934. This places him within the same prewar regional milieu from which later Nagoya avant-garde photography emerged.
Nagoya Photo Avant-Garde
Nagoya Photo Avant-Garde
In 1939, Inagaki was among the photographers associated with Nagoya Photo Avant-Garde, the photographic offshoot that continued avant-garde activity in Nagoya under increasing wartime pressure. In Surrealism Beyond Borders, he is identified together with Kansuke Yamamoto and Tsugio Tajima as part of the group around 1939–40. Tokyo Photographic Art Museum's overview of avant-garde photography in Nagoya places the group within a milieu in which Nagoya photographers developed and debated their theories in magazines such as Camera Art and Photo Times, while roundtable discussions on avant-garde photography were organized through the locally published coterie magazine Cameraman.
Mesemu zoku
Mesemu zoku
Inagaki's work was included in Mesemu zoku: Chōgenjitsushugi shashin-shū / Mesemb, 20 photographies surréalistes (1940), a collaborative photobook associated with Nagoya Photo Avant-Garde. Surrealism Beyond Borders, the catalogue published by the Metropolitan Museum of Art and Tate Modern, notes that the volume, edited by Yoshio Shimozato, included works by Shimozato, Sakata, Tajima, and Inagaki, and was produced collaboratively with specialist collectors of Mesembryanthemaceae cacti. Jelena Stojković likewise describes the project as one in which Shimozato mobilized the other photographers of the club, including Inagaki and Tajima, for a Surrealist photobook developed in the immediate aftermath of the Nagoya meeting of late 1938. Copies survive in institutional collections including the British Museum and the Nagoya City Art Museum.
Identity
Identity
Taizō Inagaki is recorded with the occupation photographer.
Position in Nagoya photography
Inagaki is relevant to the history of Photography in Nagoya as one of the photographers who helped shape the city's prewar avant-garde network and its wartime Surrealist-inflected offshoots. His career is also relevant to accounts of avant-garde photography in Japan, especially through the activities of Nagoya Photo Avant-Garde and related photographers such as Kansuke Yamamoto.
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q138662776: Taizō Inagaki
Unverified · Wikidata
reference work
- “Taizō Inagaki”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.The Legacy of Avant-garde Photography in Nagoya, 1930s-50s. MEM. 2025-01-10.
- 2.The Metropolitan Museum of Art; Tate Modern. Surrealism Beyond Borders. 82–83. 2021. 9781588397270.
- 3.The Metropolitan Museum of Art; Tate Modern. Surrealism Beyond Borders. 82–83. 2021. 9781588397270.
- 4.Avant-Garde Rising: The Photographic Vanguard in Modern Japan. Tokyo Photographic Art Museum.
- 5.アヴァンガルド勃興 近代日本の前衛写真. 東京都写真美術館.
- 6.名古屋市美術館. 名古屋市美術館年報 令和2年度. 14.
- 7.Soeda, Kazuho. 多肉植物と写真--下郷羊雄の可食的オブジェについて. 愛知県美術館研究紀要. 25. 34. 2019.
- 8.Stojković, Jelena. Surrealism and Photography in 1930s Japan: The Impossible Avant-Garde. Bloomsbury Visual Arts. 108–110. 2020.
- 9.Mesemu zoku: Cho-genjitsushugi shashin shu 超現実主義写真集 (Genus Mesemb: 20 Photographies Surrealistes). British Museum.
- 10.National Center for Art Research. 下郷羊雄編『超現実主義写真集メセム属』. Art Platform Japan.
Bibliography printed in the source article · 3
- The Metropolitan Museum of Art; Tate Modern. Surrealism Beyond Borders. 2021. 9781588397270.
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- cite web
References
Citations
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