Stanley Hawes
Stanley Gilbert Hawes MBE, (19 January 1905 – 19 April 1991) was a British-born documentary film producer and director who spent most of his career in Australia, though he commenced his career in England and Canada. He is best known as the Producer-in-Chief (1946–1969) of the Australian Government's filmmaking body, which was named, in 1945, the Australian National Film Board, and then, in 1956, the Commonwealth Film Unit. In 1973, after he retired, it became Film Australia.
Also recorded as Stanley Gilbert Hawes
Stanley Hawes
- Name
- Stanley Hawes
- Born
- 19 January 1905
- Birthplace
- England
- Died
- 19 April 1991
- Place of death
- Sydney
- Occupation
- Documentary film producer and director; Film administrator
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Stanley Gilbert Hawes MBE, (19 January 1905 – 19 April 1991) was a British-born documentary film producer and director who spent most of his career in Australia, though he commenced his career in England and Canada. He is best known as the Producer-in-Chief (1946–1969) of the Australian Government's filmmaking body, which was named, in 1945, the Australian National Film Board, and then, in 1956, the Commonwealth Film Unit. In 1973, after he retired, it became Film Australia.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Stanley Hawes. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
In this article
Key facts
Key facts
• Name — Stanley Hawes • Born — 19 January 1905 • Birthplace — England • Died — 19 April 1991 • Place of death — Sydney • Occupation — Documentary film producer and director; Film administrator
Career
Career
He started work in 1922 as a committee clerk with the City of Birmingham Corporation, but started his film career in 1931, when he co-founded the Birmingham Film Society. He arrived in Australia in 1946, from the National Film Board of Canada, to take up a position as Producer-in-Chief with the Australian National Film Board, initially as a temporary assignment but made permanent within a couple of years of his arrival. Hawes is regarded as working primarily in the classical style of documentary he learnt with John Grierson in the 1930s. As Moran writes, 'Films such as School in the Mailbox, Flight Plan and The Queen in Australia make clear his aesthetic preference for the classic documentary rather than for drama or the more evocative, poetic forms of documentary'. He was elected a member of the board in 1952 and became a member of the British Film Academy the following year. He joined UNESCO in 1958 and chaired the National Film Theatre of Australia between 1970 and 1974. In 1971 he was appointed to chair the Film Board of Review.
Producer
Producer
• Today We Live: A Film of Life in Britain (1937, Associate producer) • Here is the Land (1937) • Timber Front (1940) • Heroes of the Atlantic (1941) • Women are Warriors (1942) • Crocodile Hunters (1949) • Darwin-Doorway to Australia (1949) • Australia's Greatest River (1950) • Know Your Children (1950) • The Shearers (1950) • Bush Policemen (1952) • Snowy Waters (1952) • Mike and Stefani (1952) • Outback Patrol (1952) • Across the Frontiers (1953) • Bush Policeman (1953) • The Queen in Australia (1954) • Melbourne Olympic City (1956) • Bring out a Briton (1958) • Welcome Your Majesty (1958) • The Queen Returns (1963) • The Presidential Tour (1966) • Expo 70 series (1970)
Director
Director
• The G.B.I. Geography of Scotland: Water Power (1937) • Here is the Land (1937) • Man into Monkey (1938) • Speed the Plough (1939) • The Home Front (1940) • Maple Sugar Time (1941) • The World in Action: The Invasion of North Africa (1942) • School in the Mailbox (1946) • Building for Tomorrow (1947) • Flight Plan (1950) • The Queen in Australia (1954) • Children's Theatre (1961)
Editor
Editor
• Dry Dock (1936)
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
England.
Birth place
Sydney.
Death place
Awards
Awards
In 1970 he was awarded an MBE and the Raymond Longford Award from the Australian Film Institute
The Stanley Hawes Award
The Stanley Hawes Award
The $5,000 Film Australia Stanley Hawes Award was established in 1997 to honour Stanley Hawes as first Producer-in-Chief of the Australian National Film Board and Commonwealth Film Unit. The award recognises the significant support he gave independent filmmakers in the documentary sector and is thus awarded to a person or organisation that makes an outstanding contribution to the documentary sector in Australia. The award is announced annually at the Australian International Documentary Conference. Awardees: • 1997 Graham Chase • 1999 John Heyer • 2001 Pat Fiske • 2003 Stewart Young • 2004 Robin Hughes • 2005 CAAMA (Central Australian Aboriginal Media Association) Productions • 2006 John Hughes • 2007 Michael Gissing • 2008 David Bradbury • 2009 Bob Connolly • 2010 Tom Zubrycki • 2011 Rachel Perkins • 2012 Julia Overton • 2013 Documentary Australia Foundation • 2014 Chris Hilton • 2015 Pauline Clague • 2016 Sonya Pemberton • 2017 Brian Beaton • 2018 Curtis Levy • 2019 James Bradley • 2020 Janine Hosking • 2021 Michaela Perske • 2022 David Tiley
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 01 October 2026.
Elsewhere in Film memorabilia
37,957 published records in this field, each with its sources named.
- Stanley BrooksPerson
- Stanley DonenPerson
- Stanley FieldsPerson
- Stanley FungPerson
- Stanley KramerPerson
- Stanley KubrickPerson
- Stanley KwanPerson
- Stanley LongPerson
Best supported in this field
For owners
Own a work by Stanley Hawes?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.