Stadstekenacademie
Illustration — Jurriaen Andriessen, drawn by Reinier Vinkeles in 1764 • Illustration — Etching listing the names of the academy's members in 1768 The Stadstekenacademie ("City Drawing Academy", contemporaneous spelling: Stads Teekenacademie, Teeken-Academie or Akademie der Teekenkunst) was an 18th-century art academy in Amsterdam. It was the precursor of the Koninklijke Academie (established 1822) and the Rijksakademie van beeldende kunsten (established 1870). Other Dutch towns such as Haarlem also had a drawing academy.
Stadstekenacademie

Reinier Vinkeles · Public domain
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Educated At · incoming
Cornelis Apostool
Engraver
Rijksmuseum, Amsterdam

Educated At · incoming
Hermanus Numan
Engraver
http://hdl.handle.net/10934/RM0001.COLLECT.310664

Educated At · incoming
Jacques Kuyper
Designer
File:Zelfportret van Jacques Kuyper, RP-T-00-3159.jpg

Educated At · incoming
Jan Bulthuis
Artist
Westfries Museum

Educated At · incoming
Jan Ekels the Younger
Artist
Gift of Mr. and Mrs. Bertram L. Podell, 1981

Educated At · incoming
Pieter Tanjé
Engraver
Wellcome Collection
In this article
History
History
Artists such as Cornelis Apostool, Jan Willem Pieneman and Wouter Johannes van Troostwijk were educated at the academy. The primary intention was not to train students to become artists, but rather to bring youth into contact with art as part of their education. There was no formal structure to the education, although students were divided into three stages and were required to attend classes twice a week. The academy organised a yearly drawing competition, awarding the winners gold, silver and bronze medals. The academy had a number of "honorary members" — non-artists, usually wealthy, influential regenten (members of the ruling class), who could ensure that the academy would be properly housed, and who could finance art supplies and the prizes of the annual competition. In exchange, the regenten received social status from their honorary membership. They could also use the academy for social gatherings, or to receive foreign guests in an impressive manner.
The academy was established in 1718 as the Oefenschool der Tekenkunst ("practice school of draughtsmanship"). In 1741, the school was renamed Tekenacademie on the initiative of Jan Maurits Quinkhard and others. The early history was marked by frequent arguments between members, which led most to abandon the school again. However, a new start was made in 1750 with 20 artists and regenten who were art collectors or patrons to the arts. The Stadstekenacademie was housed in a former city gate, the Leidsepoort, as seen on a 1764 print by Reinier Vinkeles. On 4 December 1767, the school relocated to two chambers in the Amsterdam town hall. The academy did not have any formal structure until 1765. From that year onwards, non-artists were also asked to serve as director of the school. In 1766-1767, the academy counted 49 artist members and 25 honorary members (non-artists) — a sign that, one year after the formalisation, the academy was doing well. The school continued to exist until 1822, when King William I of the Netherlands established the Koninklijke Academie ("royal academy"), succeeded in 1870 by the Rijksakademie van beeldende kunsten ("state academy of fine arts").
Founders, directors and teachers
Founders, directors and teachers
• Jurriaen Andriessen • Jacobus Buys • Hendrick van Cuychem • Jacob Otten Husly • Jacques Kuyper • Hendrik Meijer • Wouda Piera • Cornelis Ploos van Amstel • Jan Maurits Quinkhard • Izaak Riewert Schmidt • Reinier Vinkeles • Jan Wandelaar • Jacob de Wit • Anthonie Ziesenis
Students
• Cornelis Apostool • Cornelis Borsteegh • Egbert van Drielst • Jan Bulthuis • Abraham Pietersz. Hulk • Jan Ekels the Younger • Jacques Kuyper • Jan Adriaan Antonie de Lelie • Jacob Maurer • Hermanus Numan • Bernard Picart • Jan Willem Pieneman • Dirk Sluyter • Jacob Smies • Pieter Tanjé • Wouter Johannes van Troostwijk
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People and holdings
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Studied at
1- Pieter TanjéEngraver
Established from a fact already recorded on a verified source.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Stadstekenacademie, Amsterdam, revision 1375845193 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."Stadstekenacademie te Amsterdam, 1764-1767, Reinier Vinkeles, 1768", Rijksmuseum Amsterdam (Dutch)
- 2."Derde prijs voor Wouda Piera", Amsterdam Museum (Dutch)
- 3.Jaap van der Tas, "Dilettantism and Academies of Art: The Netherlands Example", in Judith H. Balfe (red.), Paying the Piper: Causes and Consequences of Art Patronage, University of Illinois Press, 1993, pp. 44-46
- 4."Namenlijst van de intekenaren op de prent van de stadstekenacademie te Amsterdam, 1764-1767, Reinier Vinkeles, 1768", Rijksmuseum Amsterdam (Dutch)
- 5.Joannes Maria Antonius Noordman, Marjoke Rietveld-van Wingerden, Petronella Catharina Maria Bakker, Marjoke Rietveld-van Wingerden, Vijf eeuwen opvoeden in Nederland, Uitgeverij Van Gorcum, 2010, p. 186 (Dutch)
Bibliography printed in the source article · 2
- Paul Knolle, "Amsterdamse stadstekenacademie, een 18de-eeuwse 'oefenschool' voor modeltekenaars, Met een lijst van redevoeringen", in A. Martis, H. Miedema, E. van Uitert (ed.), Kunstonderwijs in Nederland, Haarlem, 1980 (Dutch)
- J. Offerhaus, "Van Isaac en Apollo. De prijswinnende tekeningen van de Amsterdamse stadstekenacademie", Nederlands Kunsthistorisch Jaarboek 30 (1979), pp. 43–48 (Dutch)
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