Southeastern Center for Contemporary Art
The Southeastern Center for Contemporary Art (SECCA) is a multimedia contemporary art gallery in Winston-Salem, North Carolina. SECCA has no permanent collection but offers exhibitions of works by artists with regional, national, and international recognition. Although founded as a private institution, it became an operating entity of the North Carolina Museum of Art under the North Carolina Department of Natural and Cultural Resources in 2007.
Southeastern Center for Contemporary Art
- Founded
- 1956
- Headquarters
- United States
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The Southeastern Center for Contemporary Art (SECCA) is a multimedia contemporary art gallery in Winston-Salem, North Carolina. SECCA has no permanent collection but offers exhibitions of works by artists with regional, national, and international recognition. Although founded as a private institution, it became an operating entity of the North Carolina Museum of Art under the North Carolina Department of Natural and Cultural Resources in 2007.
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In this article
History
History
Admission is free. SECCA has been accredited by the American Alliance of Museums (AAM) since 1979, one of only 300 museums in the United States to earn this distinction. In 2023, the North Carolina General Assembly renamed SECCA as the North Carolina Museum of Art Winston-Salem. The SECCA Foundation was dissolved, with its assets transferred to the NCMA Foundation.
SECCA was founded in 1956 as the Winston-Salem Gallery of Fine Arts in Old Salem. James Gordon Hanes of the locally prominent Hanes family, who died in 1972, bequeathed his Norman Revival home built in 1929 and grounds to the gallery. The home was augmented with purpose-built exhibition space, and SECCA moved to the new location in 1977 under its current name. In 1990 the facility expanded again. SECCA was the subject of national political and media notoriety in 1989 when 23 U.S. Senators signed a letter challenging its involvement, along with the National Endowment for the Arts, with a $15,000 arts prize awarded to controversial photographer Andres Serrano. Former U.S. Senators Jesse Helms (R-NC) and Alfonse D'Amato (R-NY) denounced SECCA in speeches on the floor of the Senate, taking particular issue with what has become Serrano's most famous work, "Piss Christ," a photograph of a crucifix submerged in the artists's urine.
Artist and the Community series
Artist and the Community series
This landmark community series began in 1994 as a staff driven initiative, under the direction of director Susan Talbot Labowsky. AOC brought nationally-acclaimed artists to Winston Salem to work with community organizations and individuals on issues pertinent to the area. Residencies lasted from two weeks to a year. Artists included Donald Lipski, Willie Birch, Hope Sandrow, Eleanor Antin, Maya Lin, Mr. Imagination, Inigo Manglano-Ovalle, Tim Rollins and K.O.S. (Kids of Survival).
The HOME House Project: the future of affordable housing
The HOME House Project: the future of affordable housing
Beginning in 2004, this multi-year, international initiative greatly expanded the Artist and the Community series. Artists, designers, and architects were invited to re-envision Habitat for Humanity's basic two-and-three bedroom homes, making them affordable, using energy-efficient and green/sustainable materials and technologies. Open to all, more than 800 individuals and teams from the U.S and 16 countries registered for the project, garnering more than 400 innovative housing designs. An exhibition traveled to ten venues including the Fredrich Weisman Museum of Art, the Contemporary Arts Center, Cincinnati, El Paso Museum of Art, the Neighborhood Housing Services of Asheville (in cnojunction with the Asheville Art Museum, and the Green Building Council) and others.
Facilities
Facilities
SECCA has three exhibition rooms with 8,896 sqft of space and a 294-seat auditorium. The complex reopened in 2010 after an extensive renovation by Szostak Design.
Institutional history
Dated record
Institutional history
The full dated record · 2 entries
1956
Southeastern Center for Contemporary Art established.
1956
Southeastern Center for Contemporary Art is recorded from 1956.
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- United States
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reference work
- Wikidata, structured authority record Q373379: Southeastern Center for Contemporary Art
Reputable secondary · Wikidata
- “Southeastern Center for Contemporary Art”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly index
- OpenAlex bibliographic index, 12 indexed publications naming Southeastern Center for Contemporary Art.
General reference · OpenAlex
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Rawls, Molly Grogan. Old Salem and Salem College. Arcadia Publishing. 103. 2010. 9780738586632.
- 2.Violette, Caroline. Issues in Supporting the Arts: An Anthology Based on the Conference "The Economic Impact of the Arts". Graduate School of Business and Public Administration, Cornell University. January 1982. 9780941182010.
- 3.History of SECCA. Art Museum Touring.
- 4.Cowen, Tyler. Good and Plenty: The Creative Successes of American Arts Funding. Princeton University Press. 10 January 2009. 978-1400827008.
- 5.In the Eye of the Storm : Inside the North Carolina arts foundation that's under fire for sponsoring a tour of 'offensive' artworks. Los Angeles Times. 1989-08-13.
- 6.Gehman, Geoff. 'OFFENSIVE' ART PHOTOGRAPHER PLANS TALK AT LEHIGH U. The Morning Call. 1990-01-21.
- 7.Brown, David J. Lesley Dill, Tongues on Fire: Visions and Ecstacy. 2001.
- 8.Brown, David J. The HOME House Project, the future of affordable housing. M.I.T. Press. 19-28. 2004. 0262-52432-5.
- 9.Patterson, Tom. SECCA'S new curator has lived, worked among artists since childhood. Winston-Salem Journal. 2014.
Bibliography printed in the source article · 1
References
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scholarly index
Secondary witnessreference work
Secondary witnessreference work
“Southeastern Center for Contemporary Art”, English Wikipedia, consulted as further readingWikipedia
Secondary witness
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Southeastern Center for Contemporary Art is associated with United States. Recorded from 1956.
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