Sophie Menter
Sophie Menter (29 July 1846 – 23 February 1918) was a German pianist and composer who became the favorite female student of Franz Liszt. She was called l'incarnation de Liszt in Paris because of her robust, electrifying playing style and was considered one of the greatest piano virtuosos of her time. She died in Stockdorf, near Munich.
Sophie Menter

Fritz Luckhardt · This image is part of the Portrait Collection Friedrich Nicolas Manskopf at the library of the Johann Wolfgang Goethe-University Frankfurt am Main. Unknown Unknown This tag does not indicate the copy · Public domain
- Name
- Sophie Menter
- Birthplace
- Munich
- Born
- 29 July 1847
- Place of death
- Stockdorf
- Died
- 23 February 1918
- Occupation
- Pianist
- Nationality
- Kingdom of Bavaria
- Fields
- music
- Teachers
- Sigmund Lebert · Franz Liszt · Hans von Bülow
- Honours
- Honorary Member of the Royal Philharmonic Society
- Languages
- German
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Sophie Menter (29 July 1846 – 23 February 1918) was a German pianist and composer who became the favorite female student of Franz Liszt. She was called l'incarnation de Liszt in Paris because of her robust, electrifying playing style and was considered one of the greatest piano virtuosos of her time. She died in Stockdorf, near Munich.
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wikidata · Q66818 · wikipedia · Sophie Menter
In this article
Biography
Biography
Training under Sigmund Lebert, Franz Liszt and Hans von Bülow is recorded. Wassily Sapellnikoff and Evelyn Faltis are recorded as having studied under Sophie Menter. The recorded working language is German. The field of work recorded is music. Subjects and genres recorded for the work are classical music. Employment is recorded with Saint Petersburg Conservatory. Distinctions recorded are Honorary Member of the Royal Philharmonic Society.

Sophie Menter 1881
Félix Badillo y Rodrigo · La Esquella de la Torratxa, Barcelona, 19.11.1881 pag.1

Artist: Fritz Luckhardt Date/place: Unknown date/Vienna
Fritz Luckhardt · Bergen Public Library Norway from Bergen, Norway
Key facts
Key facts
• Name — Sophie Menter • Birthplace — Munich • Born — 29 July 1847 • Place of death — Stockdorf • Died — 23 February 1918 • Instrument — Piano • Genre — Classical music • Occupation — Pianist
Biography
Biography
Sophie Menter was born in Munich, the daughter of cellist Josef Menter and singer Wilhelmine Menter (née Diepold). She studied piano with Siegmund Lebert and later Friedrich Niest. At 15, she played Carl Maria von Weber's Konzertstück for piano and orchestra with Franz Lachner conducting. Her first concert appearances took her to Stuttgart, Frankfurt and Switzerland, and in 1867 she became acclaimed for her interpretation of Liszt's piano music at the Leipzig Gewandhaus. In Berlin, Menter became acquainted with the famous pianist Carl Tausig; she became a pupil of Liszt in 1869 after studying with Tausig and Hans von Bülow. While studying in Berlin in 1870, American pianist Amy Fay was impressed by Menter, who she described as “becoming very celebrated and who plays superbly.” "I envied her dreadfully," write Fay in Music Study in Germany. "She plays everything by heart, and has a beautiful conception. She gave her concert entirely alone, except that someone sang a few songs, and at the end [Karl] Tausig played a duet for two pianos with her, in which he took the second piano." Between 1872 and 1886 she was married to cellist David Popper, with whom she had a daughter named Celeste. In 1881 she first appeared in England and was awarded honorary membership of the Royal Philharmonic Society two years later. In 1883 she became professor of piano at the Saint Petersburg Conservatory but left in 1886 to continue concertizing. Because of her popularity, Menter succeeded with music that no other pianist would touch. This included Liszt's First Piano Concerto, which she played in Vienna in 1869, 12 years after its disastrous premiere there. One of her recital specialties was a piece entitled Rhapsodies. This was a composite of three of Liszt's Hungarian Rhapsodies—Nos. 2, 6 and 12—along with fragments from several others. She also composed various pieces for piano, mainly in a brilliant style, yet referred to her own compositional talent as "miserable."
Identity
Identity
Sophie Menter is recorded as pianist, music educator, university teacher, composer and piano teacher. Identity and origins. The authorities additionally record the heading Sophie Menter. Her recorded language was German. She was the child of Joseph Menter. She married David Popper.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1846
Sophie Menter born at Munich.
1918
Sophie Menter died at Stockdorf.
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Munich.
Birth place
Stockdorf.
Death place
Description
Liszt described Menter as "my only piano daughter"; he proclaimed that "No woman can touch her" and especially admired her "singing hand." Critic Walter Nieman described her style as "a blend of virtuosity and elegance; a great, round and full Lisztian kind of tone; fiery temperament; a masculine weight on the keys; plasticity; a through-and-through distinguished craft of shape and form; in which soul, spirit and technique are fused in harmony and union." George Bernard Shaw, who heard Menter in 1890, wrote that she "produces an effect of magnificence which leaves Paderewski far behind... Mme Menter seems to play with splendid swiftness, yet she never plays faster than the ear can follow, as many players can and do; and it is the distinctness of attack and intention given to each note that makes her execution so irrestibly impetuous." Pyotr Ilyich Tchaikovsky was also well acquainted with Menter, dedicating the full score of his Concert Fantasia to her (although the earlier piano arrangement is inscribed to Anna Yesipova). While staying with her in Austria in September 1892, he scored her Ungarische Zigeunerweisen (Concerto in the Hungarian Style) for piano and orchestra; he also conducted the work at its premiere in Odessa four months later.
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She trained under Sigmund Lebert, Franz Liszt and Hans von Bülow. Each of those relationships is stated by the authority record rather than inferred from style.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Music memorabilia
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