Situ Huimin
Situ Situ Huimin (16 February 1910 – 4 April 1987) was a Chinese film director, screenwriter and actor, born in Kaiping, Guangdong. He joined the Communist Youth League in 1925 and the Chinese Communist Party in 1927. The next year, he went to Japan to study arts and there, he became interested in filmmaking.
Situ Huimin
《我的成名与不幸：王人美自传》，2011.8，江苏文艺出版社，南京， ISBN 978-7-5399-3747-2 · Public domain
- Born
- 1910 · Jiangmen.
- Died
- 1987
- Nationality
- People's Republic of China
- Occupation
- screenwriter · film director
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Selected filmography as a director
After returning to China in 1930, he actively participated in left-wing theater movement. Then, he worked as set designer and sound engineer in film industry. His debut as a film director was Spirit of Freedom, produced by Diantong Film Company in 1935. Subsequently, he joined the Lianhua Film Company in Shanghai. After the outbreak of the Second Sino-Japanese War he went to British Hong Kong, where he continued to work both in film and in theater. During this period he created couple of anti-Japanese films. In 1943 he worked on newsreels in Chongqing, then temporary or martial capital of China. After the war, he helped to organize the Kunlun Film Company. Then, he left to the United States to study film technology and management. He came back in 1950s, to continue to work in China's film industry, holding many important offices for the government. He died in Beijing on April 4, 1987.
• Spirit of Freedom (自由神) (1935) • Lianhua Symphony (1937) a segment in an anthology film • The Blood-stained Baoshan Fortress (1938, Hong Kong) • Hometown Cloud (1940, Hong Kong) • Song of Retribution (1941, Hong Kong)
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The biographical narrative on this page is based on the Wikipedia article Situ Huimin, revision 1360946547 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Hom, Marlon K. Chinese America: History and Perspectives. Chinese Historical Society, 1999, p. 24.
- 2.Douban. 司徒慧敏 Hui-min Situ.
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