Singing Chen

She has received numerous international and domestic awards nominations for her work.

Chen joined Huang Ming-chuan's workshop as an intern in her university time. After procuring short film production subsidy from the Taiwanese government, Chen start her life as a director. Her first 16mm feature film, Bundled, released in 2000, was the winner of Best Drama and Most Promising Director of the Year at Taipei Film Festival, and was nominated for Best New Performer and Best Original Film Song at Golden Horse Award in 2000. In this film, Chen worked as the director, script writer and helped with the film score. The film depicts the lives and psychological states of a group of homeless people. Although their reasons for becoming homeless are different, they all resist the norms of family and society and insist on living on the margins of life. The film won the Best Film award at the Taipei Film Festival in 2000. In the same year, Chen made Who is Fishing (2000), a documentary that uses a newsreel style with animation and documentary footage to explore various aspects of the Diaoyu Islands dispute. In 2007, Chen’s feature film God, Man, Dog was selected in The Forum at the Berlin International Film Festival and was invited to more than 30 film festivals, including Busan International Film Festival. The film explores the relationships between class, religion, and people in a consumer society through three different characters and their life stories. The film was selected in The Forum at the Berlin International Film Festival and won the Tagesspiegel Readers’ Jury Award. In addition to feature films, documentaries, and short films, Chen has also ventured into the VR field. In 2018, she was invited by the Kaohsiung Film Festival VR Film Lab to present her first VR experimental work, Afterimage of Tomorrow. She co-created with choreographer Chou Shu-yi and featured 11 dancers, who used body language to express sensory memories of life that are difficult to describe in words. The 18-minute experimental work explores how VR technology creates overlaps between vision and perception and expresses emotions towards things that are fading away. In 2021, Chen co-wrote the script of Goddamned ASURA (2021), directed by Lou Yi-An, who was Chen's university classmate. The film was nominated three awards in Golden Horse Award and won the Best Screenplay in Taipei Film Festival. Then, Chen served as the editor, director, producer, and editor for the drama series Heaven on the Fourth Floor. The series received widespread acclaim in Taiwan and was praised for its healing and slow-paced style. At the 57th Golden Bell Awards in 2022, it was nominated for five awards in the drama category, including Best Writing, Best Actress, Best Supporting Actor, Best Supporting Actress, and Best Program Editing. The female leading actor Hsieh Ying-xuan won Best Actress. In September 2022, Chen released her second VR short film, The Man Who Couldn’t Leave, which won the Best Experience award in the Venice Immersive Competition section at the 79th Venice Film Festival, which is the highest honor in that section. The film was supported by National Human Rights Museum, integrating the firsthand experiences of many victims of the White Terror era in Taiwan and uses an undelivered letter as its theme to recreate the elegy of the era under authoritarian rule. As of 2023, Chen is preparing for her fantasy feature, Shu Jen (樹人; Tree Man), which explores ecological and environmental issues. The script has been nominated for the Excellent Screenplay Award at the 40th Golden Harvest Awards.

Feature Film • Year — Chinese title — English title — Note — Ref. • 1995 — 微醺 — No official English tile, literal meaning: ‘slightly drunk’ • 阿春 — No official English tile, literal meaning: ‘A-chun’ • 2000 — 我叫阿銘啦 — Bundled • 2001 — 空中花園 — A Garden in the Sky • 2003 — 終身大事 — Great Thing in One’s Life • 2008 — 流浪神狗人 — God Man Dog • 2021 — 該死的阿修羅 — Goddamned ASURA — co-wrote the script with Lou Yi-an Documentary • Year — Chinese title — English title — Note — Ref. • 1997 — 李伯大夢 — No official English tile, literal meaning: ‘uncle Lee’s dream’ • 2000 — 誰來釣魚？ — Who is Fishing? • 2008 — 穴居人 — No official English tile, literal meaning: ‘Men who live in caves’ • 2009 — 如果耳朵有開關 — Ears Switched off and on • 2014 — 行者 — The Walkers • 2016 — 山靈 — Mountain Spirits • 2018 — 大帳篷-想像力的避難所 — The Moving Tent • 恍惚與凝視的練習 — In Trance We Gaze Short Film • Year — Chinese title — English title — Note • 2007 — 水岸麗景 — Waterfront Villa Bonita • 2012 — 昨日的記憶：阿霞的掛鐘 — When Yesterday Comes: The Clock • 2013 — 台北工廠I：豬 — Taipei Factory I: The Pig • 2015 — 好好吃飯 — A Real Meal • 來得及說再見 — Ways into Love VR Film • Year — Chinese title — English title — Note — Ref. • 2018 — 留給未來的殘影 — Afterimage of Tomorrow • 2022 — 無法離開的人 — The Man Who Couldn’t Leave TV series • Year — Chinese title — English title — Note • 2021 — 四樓的天堂 — Heaven on the 4th Floor

• Year — Award — Category — Work — Outcome — Ref. • 2000 — Taipei Film Festival — Best Drama — Bundled • Most Promising Director of the Year • 2007 — Golden Horse Awards — Best Original Screenplay — God Man Dog • Best Film Editing • 2012 — Kaohsiung Film Festival — Best Selection for International Short Film Competition — The Clock • 2013 — Kaohsiung Film Festival — Best Selection for International Short Film Competition — The Pig • 2014 — Taiwan International Documentary Festival — Audience Award — The Walkers • Golden Horse Awards — Best Documentary • 2021 — Golden Horse Awards — Best Original Screenplay — Goddamned ASURA • 2022 — Taipei Film Festival — Best Screenplay • Best Music • Golden Bell Awards — Best Editing for a Drama Series — Heaven on the 4th Floor • Best Writing for a Television Series • Venice Film Festival — Best Experience for Venice Immersive Competition — The Man Who Couldn’t Leave • 2023 — NewImages Festival — Special Cinematographic Distinction