Sergio Cervetti
Awards Gold Medal (2019) Sergio Cervetti Guigou (born 9 November 1940 in Dolores, Soriano) is a Uruguayan composer and teacher domiciled in the United States. His early compositional language reflects the post serialist Uruguayan avant-garde, often employing electronics and complex graphical notation. He gained international prominence in 1966 when he achieved first place with 5 Episodes for Piano Trio in the Inter-American Music Festival in Caracas, Venezuela.
Sergio Cervetti
- Born
- 1940 · Dolores.
- Nationality
- Uruguay
- Occupation
- composer · musician
- Languages
- Spanish
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wikidata · Q6125380 · wikipedia · Sergio Cervetti
In this article
Key facts
His compositions have been widely recorded on labels such as Albany Records, Vienna Modern Masters, and Navona Records, which have been reviewed in Gramophone and The Washington Post. His music has been played by renowned orchestras such as the London Symphony Orchestra and New York City Opera.
• Birth Name — Sergio Cervetti Guigou • Born — 9 November 1940 • Birthplace — Dolores, Uruguay • Genre — Classical, electronic music • Occupation — composer and music pedagogue • Instrument — Piano • Label — PARMA Recordings • Publishers — * Schott • Boosey & Hawkes • Ricordi • Peer Southern • Awards — * Gaudeamus International Composers Award (1970) • Global Music Awards Gold Medal (2019) Sergio Cervetti Guigou (born 9 November 1940 in Dolores, Soriano) is a Uruguayan composer and teacher domiciled in the United States. His early compositional language reflects the post serialist Uruguayan avant-garde, often employing electronics and complex graphical notation. He gained international prominence in 1966 when he achieved first place with 5 Episodes for Piano Trio in the Inter-American Music Festival in Caracas, Venezuela. His compositions have been widely recorded on labels such as Albany Records, Vienna Modern Masters, and Navona Records, which have been reviewed in Gramophone and The Washington Post. His music has been played by renowned orchestras such as the London Symphony Orchestra and New York City Opera.
Biography
Sergio Cervetti was exposed to music at a young age by his parents. His Italian father was a clarinettist and his French mother helped motivate him to learn the piano. His early piano studies were with José María Martino Rodas and Hugo Balzo and later studied counterpoint and harmony at the National Conservatory with Carlos Estrada and Guido Santorsola. In 1962 he left Uruguay to study composition in the United States at the Peabody Conservatory in Baltimore under Austrian-born composer Ernst Krenek and South African composer Stefans Grové, graduating in 1967. In 1969, Cervetti, went to Berlin to take up a one-year DAAD Artists-in-Berlin Program composer-in-residence. Whilst in Germany he received Baden-Baden commissions and wrote an a cappella work Lux Lucet In Tenebris which won a Gaudeamus International Composers Award which was premiered at the festival in Zwolle. After 1970, Cervetti attended the Electronic Music Centre at Columbia-Princeton University where he studied under Vladimir Ussachevsky and Mario Davidovsky. Whilst in New York, he taught for 25 years at the Tisch School of the Arts having started his tenure in 1972. As Master Teacher of Music he tutored in music history, composition and historic dance.
Chamber
• Five episodes for violin, cello and piano (1965) (Cinco episodios para violín, violonchelo y piano) • Six sequences: for dance (1966) for chamber orchestra • Divertimento, para cuarteto de maderas (1967) for woodwind quartet • Zinctum (1969) for string quartet • Dies tenebrarum (1968) for electric organ, percussion, choir and strings • Prisons No. 1 (1969) for dancers, musicians, singers and pantomime • Pulsar (1969) for brass sextet • Cuatro fragmentos de Pablo Neruda (1970) for soprano, oboe, violoncello and percussion • Peripetia (1970) for voices and musicians • Cocktail Party (1970) work for music-theatre • Lux Lucet in Tenebris ("and the light shineth in the darkness") (1970) for a cappella voices • Plexus (1971) for chamber orchestra • Raga I (1971) for ensemble •...de la tierra... (...from the earth...) (1972) for ensemble • Concerto for Trumpet and Strings (1974), reorchestrated 2015 • Duelle (1974) concerto for cor anglais and string bass • Madrigal III (1976) for two sopranos and small ensemble • Ines de Castro (1988) ballet • The Triumph of Death (El Triunfo de la Muerte) (1993) mezzo-soprano and piano; Text: Circe Maia • House of Blues (1995) for wind ensemble • Nazca (2010) for string orchestra • Toward the Abyss (2015) piano quintet • And the Huddled Masses (2015) for clarinet and string quartet
Opera
• Elegy for a Prince (2005) opera in two acts. Libretto: Elizabeth Esris • YUM! (2008) opera in one act for voices and chamber ensemble. Libretto: Elizabeth Esris
Orchestra
• El Carro de Heno (The Hay Wain) (1967) for chamber choir and orchestra • Orbitas (1967) for orchestra • Candombe II (1996) for orchestra • Descent (2001) piano and orchestra • Consolamentum (2016) for orchestra • Et in Arcadia ego (2017) symphonic poem • Fanfare: Gated Angel (2019) for orchestra
Solo instrument or voice
• Guitar Music (the Bottom of the Iceberg) (1975) • Four Fragments of Isadora (1979) soprano; Text: Letters of Duncan and Craig • Three Pieces for Marimba (2014)
Works with electronics or tape
• Studies in Silence (1968) for electronics • Oulom for tape, in 1970 • Graffiti (1971) for spoken chorus, orchestra and tape • Prisons No. 2 (1970-–71) for spoken choir, orchestra and tape • Raga II (1971) for trombone and tape • Raga III (1971) for tape • Stella Vindemiatrix (1975) for oboe and pre-recorded oboe • Bits & pieces and Moving Parts (1977) for tape • El Rio de los Pajaros Pintados (1979) for bandoneon and tape • Something Borrowed, Something Blue (1979–1980) for tape
Discography
• 1987 – The Hay Wain, Sergio Cervetti. (Periodic Music: PE-1631) • 1998 – New Music for Orchestra, Moravian Philharmonic Orchestra, cond. Jiri Mikula. (Vienna Modern Masters: VMM 3045) • 2011 – From East to West, Music from Ukraine to Uruguay, Lithuanian Music Academy Chamber Choir. (Vienna Modern Masters: VMM2030) • 2012 – Nazca and Other Works Moravian Philharmonic Orchestra, Moravian Philharmonic Chamber Players, Vit Micka, cond. Petr Vronský. (Navona Records: NV5872) • 2015 – Las Indias Olvidadas (The Forgotten Indies) (Nibius: NIBI 118) • 2017 – Sunset at Noon (Six Works In Memory Of), Vít Muzík, María Teresa Chenlo,cond. Enrique Pérez Mesa, Kühn Choir of Prague, cond. Marek Vorlicek. (Navona: NV6072) • 2016 – Pursuing Freedom, UNC Percussion Ensemble, Juan Álamo. (Albany Records: TROY1650) • 2020 – Mortal Dreams: Four Vocal Works Sergio Cervetti, Cara Latham, Charles Abramovic. (Navona Records: NV6313) • 2022 – Sparks: Eye of London, London Symphony Orchestra, cond. Miran Vaupotić. (Navona: 4385947)
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Union, Pan American. Compositores de América: Composers of the Americas. Datos biográficos y catálogos de sus obras. Secretaría General, Organización de los Estado Americanos. 47. 1970.
- 2.Sergio Cervetti Wins Global Music Award. Peabody Magazine. 2019-09-16.
- 3.Schleifer, Martha Furman. Latin American Classical Composers: A Biographical Dictionary. Rowman & Littlefield. 139. 2016. 978-0-8108-8871-5.
- 4.Collection: Sergio Cervetti papers. aspace.library.jhu.edu.
- 5.Bethell, Leslie. The Cambridge History of Latin America. Cambridge University Press. 149–150. 1984. 978-0-521-49594-3.
- 6.Musical Leader and Concert Goer. 98-99. 8. 1966.
- 7.McAllister, Colin L. An Evening of Contemporary Music for Classical and Electric Guitar. University of California, San Diego. 5. 2000.
- 8.Albany Records. Release: Pursuing Freedom. discogs.com. 2016.
- 9.Brown, Stephen (Pianist). From East to West : music from Ukraine to Uruguay. Toronto Public Library. 31 March 2015.
- 10.Escape to the sun-drenched beaches and eclectic sounds of Uruguay. ABC listen. 2021-09-29.
- 11.Oteri, Frank J. Sounds Heard: Sergio Cervetti—Nazca and Other Works – New Music USA. newmusicusa.org. 2012-07-17.
- 12.Rickards, Guy. Cervetti Parallel Realms. Gramophone. August 2019.
- 13.Sommers, Pamela. Nina Wiener and Dancers. Washington Post. 11 January 1987. 0190-8286.
- 14.Sparks: Eye of London. Navona Records.
- 15.Griffel, Margaret Ross. Operas in English: A Dictionary. Scarecrow Press. 147. 2012. 978-0-8108-8325-3.
- 16.Ríos, Mary. Guía de la música uruguaya, 1950–1990. Arca. 44. 1995.
- 17.Sergio Cervetti, composer. sergiocervetti.com.
- 18.Instituto de Cultura Hispánica. II Festival de Música de América y España. 14-28 October 1967.
- 19.de la Vega, Aurelio. Latin American Composers in the United States. Latin American Music Review / Revista de Música Latinoamericana. 1. 2. 162–175. 1980. 0163-0350.
- 20.National Opera Center. Sergio Cervetti. apps.operaamerica.org.
- 21.Ping-Robbins, Nancy R. The Piano Trio in the Twentieth Century: A Partially Annotated Bibliography with Introduction and Appended Lists of Commissioned Works and Performing Trios. Regan Press. 35. 1984.
- 22.Staff, Macmillan General Reference. Latin American Lives: Selected Biographies from the Five-volume Encyclopedia of Latin American History and Culture. Macmillan Library Reference USA. 252. 1998. 978-0-02-865060-9.
- 23.Bärenreiter. First Performances. The World of Music. 12. 4. 72–74. 1970. 0043-8774.
- 24.Ficher, Miguel. Latin American Classical Composers: A Biographical Dictionary. Scarecrow Press. 132. 2002. 978-1-4616-6911-1.
- 25.Sergio Cervetti Composer. apps.operaamerica.org.
- 26.Opera America. Opera America Newsline. 16. 9. 2006.
- 27.El Poder de la Palabra. Sergio Cervetti. www.epdlp.com. 2013.
- 28.Sacau-Ferreira, Enrique. Performing a Political Shift: Avant-Garde Music in Cold War Spain. St Catherine’s College, University of Oxford. June 2011.
- 29.Congress, The Library of. Cervetti, Sergio Six sequences, for dance (Work) - LC Linked Data Service Library of Congress, from LC Linked Data Service: Authorities and Vocabularies (Library of Congress). id.loc.gov.
- 30.Congress, Library of. Library of Congress Catalog: Music and phonorecords. Library of Congress. 435. 1973.
- 31.Cervetti, Sergio. Divertimento, para cuarteto de maderas: (for woodwind quartet). Pan American Union. 1967.
- 32.Dimpker, Christian. Extended Notation: The Depiction of the Unconventional. LIT Verlag Münster. 10. 2013. 978-3-643-90302-0.
- 33.Section, Pan American Union Music. Compositores de América: datos biográficos y catálogos de sus obras. 49. 1955.
- 34.Ficher, Miguel. Latin American Classical Composers: A Biographical Dictionary. Scarecrow Press. 132. 2002. 978-1-4616-6911-1.
- 35.Elemo Pub. Music Journal. 29. 8. 1971.
- 36.First Performances. The World of Music. 13. 2. 73–75. 1971. 0043-8774.
- 37.UNESCO. The Unesco Courier. 31. 1973.
- 38.Parallel Realms. Navona Records.
- 39.Research Catalog NYPL.
- 40.American Record Guide. KøgeBibliotekerne. www.koegebib.dk. 81–82. September 2017.
- 41.McMullen, William Wallace. Soloistic English Horn Literature from 1736–1984. Pendragon Press. 58. 1994. 978-0-918728-78-4.
- 42.Dunning, Jennifer. Review Dance Sad Medieval Romance Dedicated to Harkness. The New York Times. 25 October 1988.
- 43.Brandão, Stela M. A Guide to the Latin American Art Song Repertoire: An Annotated Catalog of Twentieth-Century Art Songs for Voice and Piano. Indiana University Press. 2010. 978-0-253-22138-4.
- 44.Kozinn, Allan. Review/Music; Poetic Call and Response As a Tribute to WNYC. The New York Times. 13. 15 June 1994.
- 45.Nazca for String Orchestra, 2010 Johns Hopkins University Libraries Archives Public Interface. aspace.library.jhu.edu.
- 46.Harrie, Jessica. Audio Notes, September 2017 – New Works for Clarinet – The Clarinet [Online]. International Clarinet Association. 2017-10-01.
- 47.International Biographical Centre. International Who's who in Music and Musicians' Directory: In the classical and light-classical fields. 108. 2000. 978-0-948875-53-3.
- 48.Taylor & Francis Group. International Who's Who in Classical Music 2008. 138. 2008. 978-1-85743-455-2.
- 49.Marco, Tomás. Escuchar la música de los siglos XX y XXI. Fundacion BBVA. 160. 2017. 978-84-92937-71-4.
- 50.WFMT. Network Notebook Fall Quarter 2020. radionetwork.wfmt.com.
- 51.Fanfare: Gated Angel, for orchestra, 2019 Johns Hopkins University Libraries Archives Public Interface. archivesspace.library.jhu.edu.
- 52.Dal Farra, Ricardo L. Un voyage du son par les fils électroacoustiques l'art et les nouvelles technologies en Amérique Latine. January 2006.
- 53.Vinton, John. Dictionary of Contemporary Music. Penguin Group (USA) Incorporated. 134. 1974. 978-0-525-09125-7.
- 54.Heinlein, Federico. Recital de León Biriotti. Crítica musical. 14 May 1976.
- 55.El Rio de los Pajaros Pintados, Bandoneon and Tape, 1979 Johns Hopkins University Libraries Archives Public Interface. archivesspace.library.jhu.edu.
- 56.Association, International Computer Music. Proceedings of the 1996 International Computer Music Conference: August 19–24, 1996. International Computer Music Association. 168. 1996. 978-962-85092-1-8.
- 57.NILS Publishing Company. Schwann CD. 4. 1–4. 185. 1989.
- 58.New Music for Orchestra : 1998 Series Mediathek. www.mediathek.at.
- 59.Brown, Stephen (Pianist). From East to West : music from Ukraine to Uruguay. Toronto Public Library. 31 March 2015.
- 60.Oteri, Frank J. Latin American music – New Music USA. newmusicusa.org. 17 July 2012.
- 61.Las indias olvidadas: Sergio Cervetti. bibliotecacdt.mcu.es.
- 62.Sunset at Noon. Navona Records. 10 February 2017.
- 63.Cervetti, Sergio. Sunset at noon : six works in memory of. searchworks-lb.stanford.edu. 2017.
- 64.Navas, Danilo. Artist Profile: Juan Álamo. Latin Jazz Network. 2024-08-15.
- 65.Pursuing Freedom. Presto Music. 1 November 2016.
- 66.Mortal Dreams. Navona Records.
- 67.Navona. Sparks : Eye of London. 2022. on1372192713.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 30 August 2026.
Elsewhere in Music memorabilia
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