Sergei Lyapunov

• Name — Sergei Lyapunov • Born — 30 November 1859 • Birthplace — Yaroslavl, Russian Empire • Died — 8 November 1924 • Place of death — Paris, France • Instrument — Piano • Genre — Classical • Occupation — Composer, pianist, conductor

Lyapunov was born in Yaroslavl in 1859. After the death of his father, Mikhail Lyapunov, when he was about eight, Sergei, his mother, and his two brothers (one of them was Aleksandr Lyapunov, later a notable mathematician) went to live in the larger town of Nizhny Novgorod. There he attended the grammar school along with classes of the newly formed local branch of the Russian Musical Society. On the recommendation of Nikolai Rubinstein, the Director of the Moscow Conservatory of Music, he enrolled in that institution in 1878. His main teachers were Karl Klindworth (piano; a former pupil of Franz Liszt), and Sergei Taneyev (composition; a former pupil of Pyotr Ilyich Tchaikovsky and his successor at the Conservatory). He graduated in 1883, more attracted by the nationalist elements in music of the New Russian School than by the more cosmopolitan approach of Tchaikovsky and Taneyev. He went to St. Petersburg in 1885 to seek Mily Balakirev, becoming the most important member of Balakirev's latter-day circle. Balakirev, who had himself been born and bred in Nizhny Novgorod, took Lyapunov under his wing, and oversaw his early compositions as closely as he had done with the members of his circle during the 1860s, now known as The Five. Balakirev's influence remained the dominant influence in his creative life. • Illustration — Conductor Hans Winderstein (far left), Sergei Lyapunov, pianist Ricardo Viñes (standing) and publisher Julius Heinrich Zimmermann (far right) in Leipzig in 1907. In 1893, the Imperial Geographical Society commissioned Lyapunov, along with Balakirev and Anatoly Lyadov, to gather folksongs from the regions of Vologda, Vyatka (now Kirov) and Kostroma. They collected nearly 300 songs, which the society published in 1897. Lyapunov arranged 30 of these songs for voice and piano and used authentic folk songs in several of his compositions during the 1890s. • Illustration — Lyapunov recording for the Welte-Mignon reproducing piano in St. Petersburg or Moscow in January 1910. From 1904, Lyapunov made appearances as a conductor, mounting the podium by invitation in Berlin and Leipzig in 1907. He also enjoyed a successful career as a pianist. In the spring of 1910, Lyapunov recorded some of his own works for the reproducing piano Welte-Mignon (Op. 11, Nos. 1, 5, and 12; Op. 35). Lyapunov made several tours of Western Europe, including one of Germany and Austria in 1910–1911. He succeeded Nikolai Rimsky-Korsakov as assistant director of music at the Imperial Chapel, became a director of the Free Music School, then its head, as well as a professor at the St. Petersburg Conservatory in 1911, where his students included composer Natalia Pravosudovich. After the Revolution, he emigrated to Paris in 1923 and directed a school of music for Russian émigrés, but died of a heart attack the following year. For many years the official Soviet line was that Lyapunov had died during a concert tour of Paris, no acknowledgement being made of his voluntary exile. Lyapunov is largely remembered for his Douze études d'exécution transcendente. This set completed the cycle of the 24 major and minor keys that Franz Liszt had started with his own Transcendental Études but had left unfinished. Not only was Lyapunov's set of études as a whole dedicated to the memory of Franz Liszt, but the final étude was specifically titled Élégie en mémoire de François Liszt. In the UK the pianist Edward Mitchell was an early advocate, first performing and broadcasting the Douze études in 1927. Louis Kentner made the premiere recording in 1949.

• Illustration — Lyapunov's grave in Paris.

The authorities additionally record the headings Sergey Mikhailovich Lyapunov, Sergey Lyapunov, Sergei Mikhailovich Lyapunov and Liapunov. His recorded language was Russian. He was the child of Mikhail Lyapunov and Sofia Alexandrovna Shipilova. He married Yevgeniya Platonovna Demidova. Other recorded relations include Alexander Mikhaylovich Zaytsev.

• Op. 1 – Three Pieces • "Etude" in Dflat major • "Intermezzo" in Eflat minor • "Waltz" in Aflat major • Op. 2 – Ballade (orchestra; 1883; also arranged for 2 pianos) • Op. 3 – Rêverie du soir in B minor • Op. 4 – Piano Concerto No. 1 in Eflat minor (1890) • Op. 5 – Impromptu in Aflat major • Op. 6 – Seven Preludes (1896) • Allegro risoluto in Bflat major • Vivace in Gflat major • Lento in Eflat minor • Allegro giocoso in B major • Allegro grazioso in Aflat major • Andantino mosso in F minor • Animato assai in Dflat major • Op. 7 – Solemn Overture on Russian Themes (1886) • Op. 8 – Nocturne in Dflat major • Op. 9 – Two Mazurkas (1898) • Op. 10 – 30 Russian Folksongs • Op. 11 – 12 Transcendental Études (dedicated to Franz Liszt) • "Berceuse" ("Lullaby") in Fsharp major • "Ronde des Fantômes" ("The ghosts' dance") in Dsharp minor • "Carillon" ("The bells") in B major • "Térek" ("The river Terek") in Gsharp minor • "Nuit d'été" ("Summer night") in E major • "Tempête" ("The storm") in Csharp minor • "Idylle" in A major • "Chant épique" ("Epic song") in Fsharp minor • "Harpes éoliennes" ("The Aeolian harps") in D major • "Lesghinka" in B minor • "Ronde des sylphes" ("Dance of the sylphs") in G major • "Élégie en mémoire de François Liszt" ("Elegy in memory of Liszt") in E minor • Op. 12 – Symphony No. 1 in B minor (1887) • Op. 13 – 35 Russian Folksongs (1897) • Op. 14 – Four songs • Op. 15 – Russian songs (1900) • Op. 16 – Polonaise for Grand Orchestra, in D major (1902) [later arranged (possibly not by the composer?) for piano solo, piano 4h, and 2pf 8h] • Op. 17 – Mazurka No. 3 • Op. 18 – Novelette • Op. 19 – Mazurka No. 4 • Op. 20 – Valse pensive in Dflat major • Op. 21 – Mazurka No. 5 • Op. 22 – Chant du crépuscule • Op. 23 – Valse-Impromptu No. 1 in D major • Op. 24 – Mazurka No. 6 • Op. 25 – Tarantelle • Op. 26 – Chant d'automne ("The autumn song") • Op. 27 – Piano Sonata in F minor • Op. 28 – Rhapsody on Ukrainian Themes for piano and orchestra (1907) • Op. 29 – Valse-Impromptu No. 2 in Gflat major • Op. 30 – Four songs • Op. 31 – Mazurka No. 7 • Op. 32 – Four songs • Op. 33 – Two piano pieces from Glinka's Ruslan and Ludmilla • "Fairies' Lullaby" • "Combat and Death of Tchernomor" • Op. 34 – Humoresque • Op. 35 – Divertissements • ""Loup-garou" • "Le Vautour: jeu d'enfants" • "Ronde des enfants" • "Colin-maillard" • "Chansonette enfantine" • "Jeu de course" • Op. 36 – Mazurka No. 8 • Op. 37 – Zhelazova Vola, symphonic poem in memory of Chopin (Cyrillic, Желазова Вола; a reference to Chopin's birthplace Żelazowa Wola) • Op. 38 – Piano Concerto No. 2 (Lyapunov) in E major (1909) • Op. 39 – Three Songs • Op. 40 – Three Pieces in moderate difficulty • "Prélude" in Dflat major • "Elégie" in Fsharp minor • "Humoresque" in F major • Op. 41 – Fêtes de Noël • "Nuit de Noël" • "Cortège des mages" • "Chanteurs de Noël" • "Chant de Noël" • Op. 42 – Three songs (1910–11) • Op. 43 – Seven songs (1911) • Op. 44 – Three songs (1911) • Op. 45 – Scherzo (1911) • Op. 46 – Barcarolle in Gsharp minor • Op. 47 – Five Quartets (male voices) • Op. 48 – Five Quartets (male voices; 1912) • Op. 49 – Variations on a Russian Theme (1912) • Op. 50 – Four songs (1912) • Op. 51 – Four songs (1912) • Op. 52 – Four songs (1912) • Op. 53 – Hashish, an Oriental Symphonic Poem • Op. 54 – Prelude Pastorale (organ) • Op. 54b – Prelude Pastorale (arr. 2 pianos) (not confirmed if arrangement is by the composer) • Op. 55 – Grande Polonaise de Concert (ded. Josef Lhévinne) • Op. 56 – Four songs (1913) • Op. 57 – Three Pieces (1913) • Op. 58 – Prelude and Fugue (1913) • Op. 59 – Six Easy Pieces • "Jeu de paume" ("Playing ball") • "Berceuse d'un poupée" ("Lullaby for a doll") • "Sur une escarpolette" ("On the swings") • "A cheval sur un bâton" ("Riding on a stick") • "Conte de la bonne" ("La vieille et l'ours") ("Nurse's story") • "Ramage des enfants" ("Children's chatter") • Op. 60 – Variations on a Georgian Theme • Op. 61 – Violin Concerto (1915; revised 1921) • Op. 62 – Sacred works (mixed; 1915) • Op. 63 – Sextet for piano, string quartet, and double bass (1916 but lost, a revised version 1921) • Op. 64 – Psalm (1916 revised 1923) • Op. 65 – Sonatina (1917) • Op. 66 – Symphony No. 2 in Bflat minor (1917) • Op. 67 – (no work assigned to this number) • Op. 68 – Vechernyaya pesn [Evening song], Cantata for Tenor, Chorus and Orchestra (1920) • Op. 69 – Four songs (1919) • Op. 70 – Valse-Impromptu No. 3 in E major • Op. 71 – Four songs (1919–1920)

• Gifts of the Terek (Дары Терека), Cantata for viola solo, chorus and orchestra (1883) • 6 Very Easy Pieces (1918–1919) • Toccata and Fugue (1920) • Canon (1923) • Allegretto scherzando (1923) • 2 Preludes • Piano transcription of Pachelbel's Canon in D • Piano transcription of Glinka's "Kamarinskaya"