Sekar Ayu Asmara
Sekar Ayu Asmara is an Indonesian songwriter, director, and author.
Sekar Ayu Asmara
- Born
- 1970 · Jakarta.
- Nationality
- Indonesia
- Occupation
- film director · songwriter · screenwriter
- Languages
- Indonesian
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Sekar Ayu Asmara is an Indonesian songwriter, director, and author.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Sekar Ayu Asmara (born 1970) is a film director, screenwriter and songwriter, of Indonesian nationality. The film director was born in Jakarta. Languages used include Indonesian.
Composed from admitted, traceable facts · 27 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Sekar Ayu Asmara. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q7447135 · wikipedia · Sekar Ayu Asmara
In this article
Biography
Biography
Asmara was born in Jakarta to a diplomat and his wife. She accompanied her father to foreign countries when he received an assignment. While overseas with her family, she attended several colleges. She first worked in advertising, but in the 1980s Asmara began writing songs, with her first released song being "Susie Bhelel", sung by Fariz RM for his 1989 album Fashionova. She entered filmmaking by producing commercials and the music video for KLa Project's "Tak Bisa Ke Lain Hati". Although she wanted to make a featured length film, she feared that the Suharto-era government would censor any film she made. As such, her initial scripts went unfilmed. She rose to prominence with the release of her directorial debut, Biola Tak Berdawai (The Stringless Violin), in 2003. She also wrote the script and assisted in the production of the film.
Style
Style
In contrast to the increasingly frank depiction of sexuality by female writers such as Ayu Utami after the fall of the New Order, Asmara's works take a more conservative view. Tineke Hellwig of the University of British Columbia, Biola Tak Berdawai is anti-feminist to the point of being misogynistic. Her female characters are often pregnant or have undergone an abortion; several also have cancer of the reproductive organs. According to Hellwig, the traditional view of women being loving mothers is idealized in Asmara's works, but rarely shown.
Personal life
Personal life
Asmara is a fan of musicals, and has noted that she has already written one that she hopes to make if there is enough money; she has already written the songs for it. She also likes the Hindu epic Mahabharata. She has stated that she writes about things that "other people are not producing".
Filmography
Filmography
• Ca-Bau-Kan (2001, as music producer) • Biola Tak Berdawai (The Stringless Violin, 2003, as writer, producer, and director) • Belahan Jiwa (Soulmates, 2003, as writer and director) • Telanjang? (Naked?, 2006, as writer and director) • Pesan Dari Surga (Message from Heaven, 2006, as writer and director) • Selamanya (Forever, 2007, as writer)
Publications
• Pintu Terlarang (The Forbidden Door, 2004) • Kembar Keempat (Fourth Twin, 2005) • Doa Ibu (Mother's Prayers, 2009)
Awards and recognition
Asmara received the Best New Director award at the 2003 Cairo International Film Festival for Biola Tak Berdawai.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
Bibliography printed in the source article · 4
- 'Biola' up for Oscar nomination. The Jakarta Post. 26 October 2003.
- Diani, Hera. Introverted filmmaker with an attitude. The Jakarta Post. 20 April 2003.
- Hellwig, Tineke. Seksualitas dan Reproduksi Perempuan dalam Karya-Karya Sekar Ayu Asmara. Susastra. Metafor. 4. 1. 100–124. 2008.
- Stokoe, Sara. Asia Pacific Arts: Indonesia's Submission for Best Foreign Language Film (Academy Award). University of California, Los Angeles. 23 January 2004.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Film memorabilia
37,604 published records in this field, each with its sources named.
- Seiji ChibaPerson
- Seiji HisamatsuPerson
- Seijun SuzukiPerson
- Seizō FukumotoPerson
- Sekhar KammulaPerson
- Seko ShamtePerson
- Sékou TraoréPerson
- Sékoumar BarryPerson
Best supported in this field
For owners
Own a work by Sekar Ayu Asmara?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.