Scottish National Gallery

The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The National is run by National Galleries Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the National is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the National.

• Name — National Galleries Scotland: National • Former Names — Scottish National Gallery, National Gallery of Scotland • Location — The Mound, Edinburgh • Visitors — 1,583,231 (2019) • Public Transit — * Princes Street • Website — https: www.nationalgalleries.org/

• Illustration — Edinburgh Castle and National Gallery (c. 1865) The origins of Scotland's national collection lie with the Royal Institution for the Encouragement of the Fine Arts in Scotland, founded in 1819. It began to acquire paintings, and in 1828 the Royal Institution building opened on The Mound. In 1826, the Scottish Academy was founded by a group of artists who, dissatisfied with its policies, seceded from the Royal Institution, and in 1838 it became the Royal Scottish Academy (RSA). A key aim of the RSA was the founding of a national collection. It began to build up a collection and from 1835 rented exhibition space within the Royal Institution building. In the 1840s, plans were put in place for a new building to house the RSA. The noted Scottish architect William Henry Playfair was commissioned to prepare designs, and on 30 August 1850, Prince Albert laid the foundation stone. The building was originally divided along the middle, with the east half housing the exhibition galleries of the RSA, and the western half containing the new National Gallery of Scotland, formed from the collection of the Royal Institution. In 1912 the RSA moved into the Royal Institution building, which remains known as the Royal Scottish Academy Building. When it re-opened, the gallery concentrated on building its permanent collection of Scottish and European art for the nation of Scotland. In the early 21st century, the National Galleries launched the Playfair Project, a scheme to create a new basement entrance to the National Gallery in Princes Street Gardens and an underground connecting space, called the Weston Link, between the gallery and the renovated Royal Scottish Academy building. The new underground space opened in 2004. In 2012, the gallery's umbrella organisation, National Galleries of Scotland, underwent a rebranding exercise, and National Gallery of Scotland was renamed the Scottish National Gallery. In 2023, the organisation was rebranded once more, and adopted the shorter name National Galleries Scotland. Each of its galleries was also rebranded and the Scottish National Gallery is now billed as National Galleries Scotland: National.

William Playfair's building—like its neighbour, the Royal Scottish Academy—was designed in the form of an ancient Greek temple. While Playfair designed the RSA in the Doric order, the National Gallery building is in the Ionic order. The main east and west elevations have plain pilastrading with the higher central transverse block having hexastyle Ionic porticoes. Paired Ionic columns in antis are flanked by tetrastyle Ionic porticoes at north and south. The design reflects the building's original dual purpose being divided longitudinally with the exhibition galleries of the RSA to the east and the National Gallery to the west. Playfair worked to a much more limited budget than the RSA project, and this is reflected in his comparatively austere architectural style. He may have drawn inspiration from an 1829 scheme for an arcade of shops by Archibald Elliot II, son of Archibald Elliot. Playfair's National Gallery was laid out in a cruciform plan; he originally planned to build towers at the corners of the transverse central block, but these were abandoned during the project. When the RSA moved into the former Royal Institution building in 1912, the Office of Works Architect for Scotland, William Thomas Oldrieve remodelled the NGS interior to house the National Gallery collection exclusively. In the 1970s, when the gallery was under the direction of the Department of the Environment, the internal accommodation was extended. An upper floor was added at the south end in 1972, creating five new small galleries, and in 1978 a new gallery was opened in the basement to house the Gallery's Scottish Collection. The new Princes Street Gardens entrance and underground space opened in 2004 was designed by John Miller and Partners. Construction took five years and cost £32 million. The area contains a lecture theatre, education area, shop, restaurant, an interactive gallery, and a link to the RSA building. In January 2019, construction work began on a project to alter the lower level areas and to create extended exhibition space. It is planned that the Princes Street Gardens entrance will become the main entrance of the gallery; to facilitate access, East Princes Street Gardens is being re-landscaped with sloping paths and 52 trees have been felled, to be replaced with 22 newly planted saplings. The redevelopment is delayed until at least late 2022, as a result of asbestos being found in part of the structure and due to the implications of the COVID-19 pandemic. • Illustration — Twin porticoes at the main entrance with the original name inscribed on the frieze. • Illustration — Playfair's ionic columns • Illustration — Interior of the ground floor main galleries • Illustration — The Princes Street Gardens entrance (opened 2004)

The research facilities at the Scottish National Gallery include the Prints and Drawings Collection of over 30,000 works on paper, from the early Renaissance to the late nineteenth century; and the reference-only Research Library. The Research Library covers the period from 1300 to 1900 and holds approximately 50,000 volumes of books, journals, slides, and microfiches, as well as some archival material relating to the collections, exhibitions and history of the National Gallery. The Print Room or Research Library can be accessed by appointment.

Key works of art displayed at the National Gallery include: • Illustration — Holy Family with a Palm Tree (Raphael, 1506) • Illustration — Diana and Callisto (Titian, 1559) • Illustration — Portrait of François Wouters (Frans Hals, about 1644) • Illustration — Portrait of Mrs Mary Graham (Thomas Gainsborough, 1775) • Illustration — The Ladies Waldegrave (Joshua Reynolds, 1780) • Illustration — Alexander III of Scotland Rescued from the Fury of a Stag (Benjamin West, 1786) • Illustration — The Rev Robert Walker Skating on Duddingston Loch (Sir Henry Raeburn, 1790s) • Illustration — Portrait of Mary Nisbet (François Gérard, 1803) • Illustration — The Vale of Dedham (John Constable, 1828) • Illustration — The Murder of David Rizzio William Allan (1833) • Illustration — The Monarch of the Glen (Edwin Landseer, 1851) • Illustration — Niagara Falls, from the American Side (Frederic Edwin Church, 1867) • Illustration — Haystacks, Snow Effect (Claude Monet, 1891) • Illustration — Vision après le Sermon (Paul Gauguin, 1888) Other artists represented in the collection include:

Scottish National Gallery is associated with United Kingdom.

At the heart of the National Gallery's collection is a group of paintings transferred from the Royal Scottish Academy. This includes masterpieces by Jacopo Bassano, Van Dyck and Giambattista Tiepolo. The National Gallery did not receive its own purchase grant until 1903. In the Gallery's main ground floor rooms are displayed a number of major large-scale canvases such as Benjamin West's Alexander III of Scotland Rescued from the Fury of a Stag (1786), Rubens's The Feast of Herod (1633 or c.1637-38) and a pair of paintings by Titian, Diana and Actaeon and Diana and Callisto (purchased jointly with the National Gallery, London). The Scottish National Gallery has also jointly acquired one of Canova's sculptures of The Three Graces with the Victoria and Albert Museum. The Scottish National Gallery has a notable collection of works by Scottish artists, including several landscapes by Alexander Nasmyth, and several works by Sir Henry Raeburn — of particular note his portraits of Alexander Ranaldson Macdonell and Sir Walter Scott), and his celebrated painting, The Skating Minister. There are also a number of works by artists of the Glasgow School such as James Guthrie. The Gallery also holds a collection of works by English painters, such as Constable's The Vale of Dedham and a sizeable collection of water colours by Turner which are traditionally displayed in January. The Monarch of the Glen, a painting considered to depict the grandeur of the wildlife and scenery of the Scottish Highlands, is also held in the gallery, the work of the English painter Sir Edwin Landseer. Much of this institutional collecting is allied to a high degree of financial acuity whereby maximum advantage is taken of favourable tax conditions for works of art offered for sale.