Sarkis Lole

He worked to preserve the homogeneity of the old town uniting the local style of Classical, Christian, and Islamic architecture. He built new schools, courthouses, barracks, mansions, and churches in Mardin, as well as, making repairs to the various historical mosques and madrasas of the city. Although working under the supervision of the central state, Lole's company functioned as private and managed a monopoly over the architectural landscape of Mardin.

• Honorific Prefix — Mimarbașı • Name — Sarkis Lole • Born — 19th century • Died — 20th century • Occupation — Architect

• Illustration — Staircase of Mardin post office, designed by Sarkis Lole and showing his syncretic style of European Renaissance and Islamic architecture Sarkis Lole learned much about architecture from his father and is not known to have had any professional training. He was known to design his buildings by drawing in the sand. Lole was appointed the chief architect of Mardin by the Imperial Architects office of the Ottoman Empire; he inherited this position from his father who held it before him. His architectural style was said to be sophisticated in that he interspersed elements of European Renaissance and Gothic architecture within the local Islamic architectural framework of the city. Although having worked in Beirut, Lole is not known to have travelled to Europe. Moreover, as with other Ottoman Armenian architects of that time period such as Balyan and Nafilian, Lole chose rather to base his architecture on the predominant identity and cultures of the regions he worked in rather than on Armenian architecture. Lole commanded a team of apprentices that continued to carry out his architectural legacy after his death. From the memoirs of his descendants and those who worked on his team, Lole was responsible for a great deal of the architecture of Mardin, including the majority of the 19th-century mansions, churches, institutions, and even Islamic structures such as Mosques. In addition, Lole worked throughout Lebanon, notably in Beirut and Zahle. These accomplishments enabled Lole to be a very wealthy man and that wealth passed down to his descendants in Lebanon. Lole had a son named Corç Ertaş Kalfa who also worked as an architect in Mardin. • Illustration — 19th-century mansion in Mardin In 2011, under the instruction of the mayor of Mardin, the Turkish government proposed to restore the tomb of Sarkis Lole, as well as name a district after him. Previously, there was a street named after Lole in Mardin. According to Turkologist Andranik Ispiryan, this act was purely for the purpose of publicity. The Turkish government said they would contact Lole's descendants who now live in Aleppo and Beirut for consent on restoring Lole's tomb.

Some of Lole's most prominent architectural works include: • The Mardin Post Office/The Șahtana house • The Mardin Museum • The Vocational School for girls • Minaret of Șehidye Mosque • Surp Hovsep Armenian Catholic Church of Mardin • Gozelsheikh Mansion of Cinar, Diyarbakir • Armenian Catholic Church of Diyarbakir • American University of Beirut • Hotel America, Zahle

The following works and productions are recorded by name or by count. Recorded as human. Institutional cataloguing adds that sarkis Lole is recorded with the occupation architect. It is also recorded that sarkis Lole is recorded with the gender male.