Sarah J. Eddy
Sarah James Eddy (May 3, 1851 – March 29, 1945) was an American artist and photographer who specialized in the platinotype process, also known as platinum prints. She was active in abolition, reform, and suffragist movements, and was a philanthropist as well as instrumental in the founding of the Rhode Island Humane Society. She was inducted into the Rhode Island Heritage Hall of Fame in 2017.
Also recorded as Sarah Jane Eddy · Sarah James Eddy
Sarah J. Eddy

National Humane Review · Public Domain: Sarah'j Eddy's portrait from National Humane review, vol.1, 1913. · Public domain
- Name
- Sarah J.
- Birth Name
- Sarah James Eddy
- Born
- 3 May 1851
- Birthplace
- Boston, Massachusetts, U.S.
- Died
- 29 March 1945
- Place of death
- Portsmouth, Rhode Island, U.S.
- Occupation
- Artist Abolitionist Suffragette
- Nationality
- United States
- Education
- Art Students League of New York · Pennsylvania Academy of the Fine Arts
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Sarah James Eddy (May 3, 1851 – March 29, 1945) was an American artist and photographer who specialized in the platinotype process, also known as platinum prints. She was active in abolition, reform, and suffragist movements, and was a philanthropist as well as instrumental in the founding of the Rhode Island Humane Society. She was inducted into the Rhode Island Heritage Hall of Fame in 2017.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Sarah J. Eddy. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q21260710 · wikipedia · Sarah J. Eddy
In this article
Key facts
Key facts
• Name — Sarah J. Eddy • Birth Name — Sarah James Eddy • Born — 3 May 1851 • Birthplace — Boston, Massachusetts, U.S. • Died — 29 March 1945 • Place of death — Portsmouth, Rhode Island, U.S. • Occupation — Artist Abolitionist Suffragette • Years Active — 1890–1945 • Alma Mater — Pennsylvania Academy of Fine Arts Art Students League
Early life
Early life
Eddy was born in Boston, Massachusetts, to James Eddy, who worked as a painter and engraver, and Elisa Eddy (née Jackson). Her maternal grandfather was the abolitionist, Francis Jackson, and her maternal great uncle was Massachusetts politician, William Jackson, who was also against slavery. On her paternal side, Eddy comes from a large New England family that originally came from Cranbrook, Kent. Eddy studied painting and sculpture at the Pennsylvania Academy of Fine Arts and New York's Art Students League. One of her teachers was Christian Schussele. Eddy began exhibiting photographs in 1890, at nearly 40 years of age. Her most important exhibitions were at the New School of American Photography and the selection of American Women photographers at the Paris Universal Exposition of 1900.
Painting
Painting
In 1883, Eddy painted a portrait of African-American social reformer, Frederick Douglass. In the portrait, Douglass holds a baton that symbolizes his authority during his tenure as marshal of the District of Columbia. Douglass sat for the portrait twice during the summer of 1883. Eddy also painted a portrait of Susan B. Anthony, a copy of which was donated to Bryn Mawr College in 1920.
Abolitionism and suffragist rights
Abolitionism and suffragist rights
Eddy's mother and other family members were active in the anti-slavery and suffrage movements. Eddy herself was a member of the National American Woman Suffrage Association.
Animal welfare
Animal welfare
An animal welfare activist and vegetarian, Eddy founded the Rhode Island Humane Education Association. Between 1899 and 1938, Eddy wrote or compiled five children's books on animals and their care, which featured photographs of her own felines. At her death, she was the director of the Massachusetts Society for the Prevention of Cruelty to Animals. Eddy financed the 1894 American edition of Henry Stephens Salt's book Animals' Rights.
Personal life
Personal life
Eddy, who never married, died in her Bristol Ferry, Portsmouth, Rhode Island, home, on March 29, 1945, at age ninety-three. She was buried in the North Burial Ground in Providence, Rhode Island.
Library of Congress
Library of Congress
• Illustration — Sunny Kitchen (19th Century) • Illustration — Sitting in the sun (1893) • Illustration — The fishermans home (1 Aug 1893) • Illustration — A welcome interruption (1896) • Illustration — Contentment (1896) • Illustration — Peace (1897) • Illustration — Mother and child (1900) • Illustration — The old mill (1900) • Illustration — Woman sitting in chair holding an infant (1900) • Illustration — Susan B Anthony 80th Birthday (1903) • Illustration — Votes for women buttons by Mrs. Alice Park (1922)
Selections from Alexander and some other cats (1929)
Selections from Alexander and some other cats (1929)
• Illustration — Chess – The Problem • Illustration — Kuni, Kito and Their Mother • Illustration — Ready for a Ride • Illustration — A Happy Home • Illustration — The Uninvited Guests • Illustration — Chess – The Move • Illustration — Meditation • Illustration — Confidence • Illustration — "Who Are You?" / The Challenge • Illustration — Illustration used with "Why We Need Cats" published by The Animal Rescue League • Illustration — Morning Toilet • Illustration — A Quartette • Illustration — Surprise • Illustration — A Well-Filled Basket
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Boston.
Birth place
Portsmouth.
Death place
Works and publications
* * •. Translated in spanish in Amigos y auxiliares del hombre, Boston: Ginn & Company, 1901. Reading on HathiTrust. * *
Photography
Eddy's photography appeared in American and foreign exhibitions until about 1910. She preferred photographing women, children, and artists, and her photographs were included in camera club exhibitions in Providence and Hartford, and were frequently shown at the Boston Camera Club. Juries for photography salons accepted her work in Philadelphia (1898), Pittsburgh (1899, 1900), and Washington, D.C. (1896). In 1903, her pictures were included in salons in Chicago, Cleveland, Minneapolis, and Toronto. In 1894, Eddy wrote and illustrated a short article "A Good Use for the Camera" for The American Annual of Photography. In the article, Eddy concludes that the personal interactions she had with her photographic subjects were as rewarding as the finished images. She writes, "We enter into sympathetic relations with the people who furnish us with pictures. We are grateful to them and they are very grateful to us. We meet on common ground." The American Annual of Photography subsequently ran illustrations by her in 1895 and 1902.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Studied at
1- Pennsylvania Academy of the Fine ArtsOrganisation
Established from a fact already recorded on a verified source.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Photography
11,392 published records in this field, each with its sources named.
- Sarah Anne BrightPhotographer
- Sarah Anne JohnsonPhotographer
- Sarah BahbahPhotographer
- Sarah CharlesworthPhotographer
- Sarah JonesPhotographer
- Sarah LaddPhotographer
- Sarah LloydPhotographer
- Sarah Louise JuddPhotographer
Best supported in this field
For owners
Own a work by Sarah J. Eddy?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.