Rudolf Mauersberger

After positions in Aachen and Eisenach, he became director of the renowned Dresdner Kreuzchor in 1930, a position he held until his death. In May 1933, Mauersberger became a member of the Nazi Party; there are strong indications though that he tried to minimize the influence of the NS-Ideology and in particular of the Hitler-Jugend onto the choir. He refused to stage NS-songs with the choir, and continued to perform the works of banned composers such as Felix Mendelssohn Bartholdy and Günter Raphael, at least as late as 1938. Probably his most famous work is the motet Wie liegt die Stadt so wüst (How desolate lies the city), written after the destruction of Dresden in February 1945. The text is taken from the Lamentations of Jeremiah, verses 1,1.4.9.13; 2,15; 5,17.20–21. The work is often seen as a bemoaning of the destroyed city, but given the biblical context, it can also apply to the whole of Germany and her people, the destruction of the country being punishment for its iniquities. Mauersberger's Dresden Requiem also reflects the destruction. He wrote a Passion music after St Luke, Passionsmusik nach dem Lukasevangelium, and the Dresdner Te Deum.

Choral cycles for soloists and mixed choir a capella Tag und Ewigkeit, 1943 Weihnachtszyklus der Kruzianer (Christmas Cycle of the Kreuzchor), 1944–1946, including "Kleiner Dresdner Weihnachtszyklus" (excerpts), 1951 (de) Chorzyklus Dresden (Choral Cycle Dresden), 1945–1950, finished 1955, including Wie liegt die Stadt so wüst Erzgebirge, 1946–1954 Der kleine Jahreskreis, 1950 Religious works Christvesper mit Turmgesängen, 1932–1963 Christmette, 1936 Fangt euer Tagwerk fröhlich an, 5 kleine Spruchmotetten 1940, 1943 Ostermette, 1941 Dresdner Te Deum, 1944/45 Passionsmusik nach dem Lukasevangelium, 1947 Dresdner Requiem, 1947/48 (de) Geistliche Sommermusik, 1948 Eine kleine Weihnachtskantate (Christmas cantata), 1948 Motette vom Frieden, 1953 Evangelische Messe, 1954 Gesänge für die Kreuzkapelle zu Mauersberg, 1954–1956 (de) Secular works Maiwärts, Frühlingsode (Ode for spring), 1917/18 Pfeifen, 1942 Kritik des Herzens, 1958 Habt Ruh und Frieden, Gedächtnisgesang, 1943 Drei Jahreszeitengedichte, 1965/66 Instrumental music Piano trio in C minor, 1913/14 Introduktion, Ciaconna und Choral E minor for organ, 1912–1914 Introduktion und Passacaglia A minor for organ, 1912–1914 Präludium und Doppelfuge (prelude and double fugue) D minor for organ, 1912–1914 Freie Orgelwerke, 1914–1916 Symphony E minor ("Tragische"), 1914–1916