Royal Collections Gallery

• Name — Royal Collections Gallery • Native Name — Galería de las Colecciones Reales • Established — 2023 06 28 • Location — Cuesta de la Vega, Madrid • Type — Art museum • Collection Size — 155,000 artworks • Visitors — 741,589 (2025) • Director — Víctor Cageao • Architect — Emilio Tuñón and Luis Moreno Mansilla • Owner — Patrimonio Nacional • Public Transit — Ópera • Website — www.galeriadelascoleccionesreales.es

The origin of the museum dates back to the 1930s, when a first project began in 1935 and the Foundation Decree of the Museum of Arms and Carriages was issued in 1936 by the government of the Second Republic, when the president was Manuel Azaña. The start of the Spanish Civil War paralyzed the project, which was resumed in 1950 and again in 1980, but it did not come to fruition at either of those times. Patrimonio Nacional again raised the idea of building the museum in 1998, reviving the idea of creating a new carriage museum but also exhibiting the works of art, jewelry and tapestries of the dynasties that reigned in Spain in recent centuries, the Habsburgs and the Bourbons. In 2002, the project presented by the architects Emilio Tuñón and Luis Moreno Mansilla (Mansilla + Tuñón) won the ideas contest for the building, and finally construction started in 2006. The works suffered delays due to the discovery of archaeological remains of the 9th-century Muslim settlement in its location. In addition, the central government had to increase the project's original budget considerably. The main façade is finished in granite of the Gris Quintana type. This uses stones of great dimensions that had to be emptied on the interior sides to cover the structure of reinforced concrete. The placement of these large pieces was a very complex task, for which a custom-made tool had to be created, which translated into a laying of the first stone as a decisive act. Solid steps, rain gutters, large caps and bespoke tops were made from the same granite. The construction of the building was completed in 2016, but because of the caretaker status of the government after the 2016 general election, it could not sign the contract of an extra 25 million to finish the interior of the building, and the opening was announced for 2020. In October 2018, after a year of delays, a temporal cooperation of Empty, specialized in museography, and telecommunications company Telefónica won the public contest for the interior design and presentation of the museum and its collections. In June 2022, the Minister of the Presidency, Félix Bolaños, and the chairwoman of Patrimonio Nacional, Ana de la Cueva, announced that the museum would open in summer 2023 and be renamed the Royal Collections Gallery. It opened on 28 June 2023 and, in its first year, received more than 600,000 visitors.

• Illustration — Portrait of Isabella I of Castile, c. 1500–1504, Juan de Flandes • Illustration — Iris, c. 1503, Albrecht Dürer • Illustration — Portrait of a Man with a Pearl, c. 1515–1517, Michel Sittow • Illustration — Hercules (tapestry), c. 1530, Bernard van Orley • Illustration — Eagle Fountain c. 1539, Giovanni Montorsoli • Illustration — The Haywain (tapestry), 1555, Hieronymus Bosch • Illustration — Salome with the Head of John the Baptist, 1609, Caravaggio • Illustration — White Horse, c. 1634–1638, Diego Velázquez • Illustration — Crucified Christ, 1655, Gian Lorenzo Bernini • Illustration — Black Carriage, c. 1670–1680 • Illustration — Saint Michael Defeating the Devil, 1692, Luisa Roldán • Illustration — Portrait of Philip V of Spain, 1737, Louis-Michel Van Loo • Illustration — The Honey Seller, 1775, Lorenzo Baldissera Tiepolo • Illustration — Chair and canopy from Maria Luisa of Parma's audience chamber, c.1793 • Illustration — Portrait of Maria Luisa of Parma, 1799, Goya • Illustration — Surtout de table of the Glories of Spain, c. 1802–1805, Isidoro G. Velázquez • Illustration — The Royal Crown Coach, c. 1829–1833 • Illustration — Crowns for the Virgin of Atocha and Child, c. 1852, Narciso Práxenes