rototom
The rototom is a shell-less drum developed by Al Payson and Michael Colgrass that is able to change pitch by rotating its drumhead around a threaded metal ring. Unlike many types of drums, rototoms are designed to have a variable definite pitch leading composers to write specific notes for them as pitched percussion instruments. They are also often used to extend the tom range of a standard drum kit. • Illustration — Rototom on a standard mounting bar
rototom

Andreas Hünnebeck · CC BY 3.0
- Field
- struck membranophone
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gnd · 7748508-7 · wikidata · Q1515888 · wikipedia · Rototom
In this article
Tuning
Tuning
Rototoms can be tuned quickly by rotating the drumhead, which sits in a threaded metal ring. Rotation raises or lowers the tension hoop relative to the rim, which increases or decreases the pitch of the drum by increasing or decreasing the tension of the drumhead.
Sizes
Sizes
• Illustration — Three small rototoms on a mounting bar Drum company Remo has historically offered rototoms in seven diameters: 6 in, 8 in, 10 in, 12 in, 14 in, 16 in, and 18 in. However, as of 2023, Remo only offers rototoms ranging from a 6 to 10 inch diameter as part of a set that includes a mounting rail and stand. All other sizes have been discontinued. Each one is tunable over an octave's range or more, although the company notes that the practical range is approximately a sixth. With the cooperation of REMO, Kikutani Music and Maxtone, Japan Percussion Center are now offering a limited number of rototoms ranging from 8 in to 18 in as exclusive items.
Applications
Applications
Rototoms can replace more specialized drums such as tenor timpani owing to their clear, pitched nature. Jazz, rock and studio performers use rototoms both as a solo voice and as conventional tom-toms; they can be rapidly tuned to produce glissando effects and can be arrayed for a virtual percussion keyboard. For concert and marching band programs, rototoms combine rapid tuning with portability and sound quality, working both as concert tom-toms and as practice timpani. For stage bands and jazz ensembles, drum kits are fitted out with batter heads. When tuned to the mid-range, they have an indefinite pitch with fewer harmonic overtones than conventional tom-toms; tuned to the high range, they produce a sound not unlike timbales. Rototoms can assist students in ear training and in developing their timpani techniques and— because of their portability, storability and relatively low cost— are often used by professional performers as practice instruments. They are also used as definite-pitched instruments in elementary music programs, such as Orff Schulwerk, where their sound quality, pitch stability and rapid tuning are assets.
Repertoire
English composer Michael Tippett used a total of 38 rototoms— tuned chromatically, spanning across three octaves— in his last large-scale orchestral work, The Rose Lake (1993), based on a lake he spotted suddenly transforming from light green to translucent pink while on holiday in Senegal. In 1979, percussionist William Kraft published Encounters VI, a concertino for rototoms and percussion quartet.
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Rototom, revision 1373019669 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Strain, James Allen. A Dictionary for the Modern Percussionist and Drummer. Rowman & Littlefield Publishers. 156. 2017. 978-0-8108-8693-3.
- 2.Remo Inc. Remo RotoToms. 2. 1981.
- 3.Beck, John H. Encyclopedia of Percussion. Routledge. 77. 2007. 978-0-415971-23-2.
- 4.Remo RotoToms , Remo Inc., 1981. Accessed 11 December 2018.
- 5.Holland, James. Practical Percussion: A Guide to the Instruments and Their Sources. Scarecrow Press. 40. 2005. 978-1-4616-7063-6.
- 6.Holland, James. Percussion Ensembles–Reviewed Works: Encounters VI, Concertino for RotoToms and Percussion Quartet by William Kraft; Rota for Percussion Quartet by Robert Capanna; Patterns for Percussion Op.44 by Robert Keys Clark. The Musical Times. 120. 1638. 665–666. August 1979. 10.2307/962500.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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20,755 published records in this field, each with its sources named.
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