Rosalind Fox Solomon

• Birth Name — Rosalind Fox • Born — 2 April 1930 • Birthplace — Highland Park, Illinois, U.S. • Died — 23 June 2025 • Place of death — New York City, U.S. • Education — Goucher College • Known for — Photography • Children — Linda Solomon Wood and Joel Solomon, Jr. • Website — www.rosalindfoxsolomon.com

Solomon was born on April 2, 1930, in Highland Park, Illinois. She graduated from Highland Park High School in 1947. She attended Goucher College in Baltimore, Maryland graduating with a Bachelor of Arts in Political Science in 1951.

Solomon sailed to Belgium and France with The Experiment in International Living, a graduation present from her parents. She married Joel W. (Jay) Solomon (1921–1984), with whom she had two children, Joel and Linda. The marriage ended in divorce in 1984, her former husband died a few months later. Fox Solomon died in New York City on June 23, 2025, at the age of 95.

• Illustration — Some photobooks and catalogues by Solomon. (The slim black paperback at the far left is El Perú y Otros Lugares.) • Union Depot: Photographed 1971–1973. Rosalind Solomon, 1973. Portfolio of 22 photographs. Edition of 100. • Rosalind Solomon, Washington: May 15 – June 29, 1980. Washington, DC: Corcoran Gallery, 1980. Twenty-page exhibition catalogue, text by Jane Livingston. • Rosalind Solomon: Venezia, 13. VII – 14. VIII. 1982. Venice: Ikona Photo Gallery, 1982. Eighteen-page exhibition catalogue, ed. Živa Kraus, text by Ljerka Mifka. • Rosalind Solomon: India: An exhibition of photographs. New Delhi: M. Pistor for the United States Information Service, 1983. Sixteen-page exhibition catalogue, text by Will Stapp. • Rosalind Solomon. Earthrites: Photographs from inside the Third World. San Diego, CA: Museum of Photographic Arts, 1986. Twelve-page exhibition catalogue, text by Arthur Ollman. • Rosalind Solomon. Portraits in the Time of AIDS. New York: Grey Art Gallery & Studio Center, New York University, 1988.. Exhibition catalogue, text by Thomas Sokolowski. • Rosalind Solomon: Photographs, 1976–1987. Tucson, Arizona: Etherton Gallery, 1988. Thirty-two-page exhibition catalogue. With an essay by Arthur Ollman. • Rosalind Solomon: El Perú y Otros Lugares = Peru and Other Places. Lima: Museo de Arte de Lima, 1996. Exhibition catalogue. With an introductory essay by Natalia Majluf and Jorge Villacorta; text in Spanish and English. • Rosalind Solomon. Chapalingas. Göttingen: Steidl, 2003.. Photographs and texts by Solomon, catalogue essays by Susanne Lange, Ingrid Sischy and Gabriel Conrath-Scholl. Text in German, English and French. Published to accompany an exhibition at Die Photographische Sammlung/SK Stiftung Kultur, Cologne. • Rosalind Solomon. Polish Shadow. Göttingen: Steidl, 2006.. • Rosalind Fox Solomon. Them. London: Mack, 2014.. • Rosalind Fox Solomon. Got to Go. London: Mack, 2016.. • Rosalind Fox Solomon. Liberty Theater. London: Mack, 2018.. With an essay, "The Play of Freedoms", by Stanley Wolukau-Wanambwa. • Rosalind Fox Solomon. The Forgotten. London: Mack, 2021.. • Rosalind Fox Solomon. A Woman I Once Knew. London: Mack, 2024..

• John Szarkowski. Mirrors and Windows: American Photography Since 1960. Catalog of exhibition held at the Museum of Modern Art, 1978, and elsewhere, 1978–1980.,. • Susan Kismaric. American Children: Photographs from the Collection of the Museum of Modern Art. New York: Museum of Modern Art, 1980.,. • Keith F Davis, ed. Wanderlust: Work by eight contemporary photographers from the Hallmark photographic collection. Kansas City, MO: Hallmark Cards. Distribution: Albuquerque, New Mexico: University of New Mexico Press, 1987.. • Susan Kismaric. American Politicians: Photographs from 1843 to 1993. New York: Museum of Modern Art, 1994.,. • Vincent Gerard and Cedric Laty. Eggleston on Film. 85 minutes. 2005 • Amerika: die soziale Landschaft 1940 bis 2006: Meisterwerke amerikanischer Fotografie America: The social landscape from 1940 until 2006: Masterpieces of American photography. Bologna, Italy: Damiani; Vienna: Kunsthalle Wien, 2006.. Catalogue of an exhibition held at Kunsthalle Wien. • Charlotte Cotton, ed. This Place. London: Mack, 2014.. Photographs of Israel and the West Bank by Frédéric Brenner, Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Gilles Peress, Fazal Sheikh, Stephen Shore, Solomon, Thomas Struth, Jeff Wall and Nick Waplington. • Gabriele Conrath-Scholl and Stephan Berg, eds. Mit anderen Augen. Das Porträt in der zeitgenössischen Fotografie = With Different Eyes: The Portrait in Contemporary Photography. Cologne: Snoeck, 2016.. Catalogue of the 2016 exhibition.

Later Solomon became the Southern Regional Director of the Experiment in International Living. In this capacity, she visited communities throughout the Southern United States, recruiting families to host international guests and interact with other cultures in a personal way. In August 1963, Solomon traveled to Washington, D.C. for an interview with the Equal Employment Department of the United States Agency for International Development (USAID), which was then establishing a program for part-time recruiter–consultants in various regions of the United States. Solomon and a group of USAID staff including Roger Wilkins (nephew of Roy Wilkins) joined the March on Washington for Jobs and Freedom, during which Martin Luther King Jr. delivered his famous "I Have a Dream" speech. Subsequently, in her work for USAID, Solomon traveled to historically black colleges in Alabama, Georgia, Mississippi, and Tennessee where she spoke to students and faculty about overseas employment opportunities.

In 1968, Solomon's volunteer work with the Experiment in International Living brought her to Japan where she stayed with a family near Tokyo. There, at age 38, Solomon began to use an Instamatic camera to communicate her feelings and thoughts. This was the starting point for her photography practice, which also includes prose related to her life experiences. Upon her return to the United States, Solomon photographed regularly. She purchased a Nikkormat in 1969 and in the garden shed she processed 35 mm black and white film and printed her first pictures. In 1971, she began intermittent studies with Lisette Model during visits to New York City (which continued until 1977). By 1974, she was using a medium format camera. Dolls, children, and manikins were some of her first subjects, along with portraits and rituals. She worked with black and white film exclusively. In 1975, Solomon began photographing at the Baroness Erlanger Hospital in Chattanooga, Tennessee. She photographed people recovering from operations, wounds, and illness. In early 1977, Solomon photographed William Eggleston, his family and friends in Tennessee and Mississippi. She moved to Washington where she photographed artists and politicians for the series "Outside the White House" in 1977 and 1978. In 1978 and 1979, she also photographed in the Guatemalan Highlands. Her interest in how people cope with adversity, led her to witness a shaman's rites and a funeral and made photographs in Easter processions. In 1980, Solomon began her work in Ancash, Peru where she returned intermittently for over 20 years. She made photographs in cemeteries where damage from the 1970 Ancash earthquake was still apparent. She continued photographing shamans, cemeteries, funerals and other rituals. She also photographed people of a subsistence economy surviving the extremes of life through Catholic, Evangelist, and Indigenous rites. With a fellowship from the American Institute of Indian Studies, in 1981 Solomon began photographing festival rites in India. She found an expression of female energy and power in the forms of the goddess figures created in the sculptors' communities of Kolkata (Calcutta). In 1982 and 1983, she continued this work. While there, she photographed artists, including the painter, Ganesh Pyne and the filmmaker, Satyagit Ray. She also made portraits of the Dalai Lama and photographed Prime Minister Indira Gandhi. In 1987 and 1988, Solomon photographed people with AIDS alone, with their families, and with their lovers. The project resulted in the exhibition, Portraits in the Time of AIDS at the Grey Gallery of Art of New York University in 1988. In 1988, with concerns about the rise of ethnic violence in the world, she made her first trip to Poland. In 2003, she returned to work again in Poland. Also in 1988, Solomon's interest in race relations and ethnic violence, took her to Northern Ireland, Zimbabwe and South Africa. She continued the project in 1989 and 1990 in Northern Ireland and South Africa. In the 1990s, she visited hospitals in Yugoslavia and rehabilitation centers for victims of mines in Cambodia, and photographed victims of the American/Vietnam War near Hanoi. Solomon photographed in Israel and the West Bank for five months during 2010 and 2011, part of This Place. She made portraits of people in Israel and the West Bank. She was photographing Palestinians in Jenin, and happened to be only a few minutes away when Israeli–Palestinian actor and director of The Freedom Theatre, Juliano Mer-Khamis, was gunned down in April 2011.

In 2007, the University of Arizona's Center for Creative Photography acquired Solomon's archive, which includes her photographic archive, books and video work. • Center for Creative Photography, University of Arizona, Tucson, Arizona. • Museum of Modern Art. "57 works online". • Bibliothèque nationale de France, Paris. Over 90 prints. • Victoria and Albert Museum, London. 27 prints. • Die Photographische Sammlung/SK Stiftung Kultur. About 50 works.