Rolando Chaparro
Rolando Chaparro (born August 2, 1965) is a Paraguayan musician.
Rolando Chaparro
- Name
- Rolando Chaparro
- Birth Name
- Rolando Chaparro Benítez
- Born
- August 2, 1965
- Birthplace
- Asunción, Paraguay
- Known for
- Musician, Composer, Guitarist
- Nationality
- Paraguay
- Occupation
- guitarist · composer
- Teachers
- Kucky Rey
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Rolando Chaparro (born August 2, 1965) is a Paraguayan musician.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
No house-authored Note is published until its assertions and sources pass the VALÉORINE evidence contract. The documentary article remains available in full while that enrichment is being consolidated.
Documentary enrichment in progress · no unsupported statement published
Reference Check
Propose documentary evidence for Rolando Chaparro. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Evidence Panel
not yet certified
- Identity
- unresolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
In this article
Key facts
Key facts
• Name — Rolando Chaparro • Birth Name — Rolando Chaparro Benítez • Born — August 2, 1965 • Birthplace — Asunción, Paraguay • Known for — Musician, Composer, Guitarist • Notable Works — Polcarera de los lobos (1989, Un misil en mi ventana (1991) • Website — http: www.rolandochaparro.com/
Early life
Early life
Chaparro was born on August 2, 1965 in Asunción. He is son of Rolando Chaparro (professional photographer) and Celia María Benítez (actress). He was very interested in music since an early age and at the age of 9 he made of the guitar his main instrument. He studied with Kuki Rey and initiated in the jazz studying by 4 years with Carlos Schvartzman. He formed later with Carlos Schvartzman, Remigio Pereira and Mario Rodríguez an experimental musical quartet with jazzy tendencies.
Career
Career
In 1984 he grouped with Berta Rojas and Carlos Noguera. in 1985 he joined to “Síntesis” (Synthesis), a jazz-fusion and folkloric projection group, performing in many places of Asunción. Between 1987 and 1991 worked with Ñamandu (the duet of Alejandrino “Chondi” Paredes and Ricardo Flecha), forming a folkloric tendency trio, touring and recording in many Latin American countries. In 1991 joined back to Síntesis, this time with new people. Parallelly, he also joined the jazz-fusion and folkloric projection band of the saxophonist William "Palito" Miranda, performing in the international festivals of Posadas, Argentina; Viña del Mar, Chile and São Paulo, Brazil. In May 1994 he performed with Síntesis in the Memorial of Latin America of São Paulo and in Buenos Aires. Later that year he definitively left Síntesis to form a new band “Krhizya”, with rock tendency. With Krhizya he records an album in which could be found a classic in the Paraguayan folkloric music, "Reservista Purahéi", but in a blues version, something never done before. This way, Rolando Chaparro marked a hit referring to rock covers of Paraguayan folkloric music. As a composer he's one of the most outstanding. His production is of about a thousand pieces including jazz-fusion, folkloric projection, music for theater plays, commercial jingles, music for TV shows, among others. He also developed soloist projects, like “Guitarreros”, with Efrén Echeverría, Juan Cancio Barreto and Barni Chaparro, performing in various theaters of Paraguay. He played in a concert with the harpist César Cataldo, obtaining very positive critics from the press. He performed many times with the Symphonic Orchestra of the City of Asunción in very important concerts, recording two discs due to the amazing success of them. He participated in the soundtrack of the Paraguayan film “Miramenometokéi” with a song of his own “Espinas del alma” and with a version of the Paraguayan popular music “Soy algo fácil de olvidar” (I'm something easy to forget). He was awarded many times by the radio show The Lost Flare.
Selected work
Selected work
• Year || Work • 1985 — Simple canción urbana • 1986 — Perfil anatómico de un especialista en judo • 1988 — Lo que somos • 1988 — Krizia • 1989 — Polcaza • 1989 — Polcarera de los lobos • 1991 — Un misil en mi ventana • 1991 — Ojavea • 1991 — Una historia mas de amor • 1991 — Así nomás • 1992 — Hagali • 1992 — Avísame • 1992 — Poco antes • 1992 — Este es para vos • 1993 — Conexión • 1993 — Sin vos • 1994 — Como sabias • 1994 — Un poco de río, entre otras
Discography
• Year || Discography • 1988 — Polcaza (Ñamandu) • 1991 — Lo que somos (Ñamandu) • 1991 — Un misil en mi ventana (Ñamandu) • 1992 — Hagali (Síntesis) • 1993 — Conexión (Síntesis) • 1994 — Polca Blues (con el grupo de Palito Miranda) • 1997 — Pasaje al mas acá (Krhizya) Rolando Chaparro performed in countries like Mexico, Peru, Uruguay, Chile, Brazil, Argentina, among others, many times and with different styles. He's teaching at the National Conservatory of Asunción. He might be considered as the most diverse instrumentalist in the new generation of Paraguayan musicians.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 27 September 2026.
Elsewhere in Music memorabilia
42,375 published records in this field, each with its sources named.
- Roland WhitePerson
- Roland WilsonPerson
- Roland-ManuelPerson
- Rolande FalcinelliPerson
- Role ModelPerson
- Rolf Alexander WilhelmPerson
- Rolf Arvind GuptaPerson
- Rolf EllmerPerson
Best supported in this field
For owners
Own a work by Rolando Chaparro?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.