Robert Vernay
Illustration — Robert Vernay in 1972 Robert Vernay (May 30, 1907 in Paris – October 17, 1979 in Paris) was a French director and screenwriter.
Robert Vernay
SoUndAnders · CC BY-SA 4.0
- Full name
- Robert Georges Viandon.
- Born
- 1907. · 14th arrondissement of Paris.
- Died
- 1979. · 15th arrondissement of Paris.
- Nationality
- France.
- Occupation
- screenwriter and film director.
- Languages
- French.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q3436477 · wikipedia · Robert Vernay
In this article
Career
Career
In 1937, Vernay worked as assistant director to Julien Duvivier on Pépé le Moko. In 1944, Vernay directed an adaptation of Balzac's Père Goriot, starring Pierre Renoir. It was released in 1945. In the late 1950s, he directed a "tacky comedy" called Madame et son auto. It was a favourite film of René Magritte.
Selected filmography
Selected filmography
• Prince of the Six Days (1936) • Pépé le Moko (1937) as assistant director • The Woman I Loved Most (1942) • Arlette and Love (1943) • The Count of Monte Cristo (1943) • Father Goriot (1945) • The Captain (1946) • Emile the African (1949) • Fantomas Against Fantomas (1949) • Véronique (1950) • Andalusia (1951) • The Dream of Andalusia (1951) • Love in the Vineyard (1952) • Double or Quits (1953) • The Count of Monte Cristo (1954) • Let's Be Daring, Madame (1957) • Madame et son auto (1958) • Monsieur Suzuki (1960)
Life and career
Dated record
Life and career
The full dated record · 1 entries
1979
Robert Vernay died at 15th arrondissement of Paris.
Places
Named by the record
Places
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14th arrondissement of Paris.
Birth place
15th arrondissement of Paris.
Death place
References ==== External links
References ==== External links
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Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Robert Vernay, revision 1294094628 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Crisp, Colin. French Cinema—A Critical Filmography: Volume 1, 1929–1939. Indiana University Press. 29 June 2015. 978-0-253-01703-1.
- 2.Heathcote, Owen. The Cambridge Companion to Balzac. Cambridge University Press. 2 February 2017. 978-1-107-06647-2.
- 3.Levy, Silvano. Surrealism: Surrealist Visuality. NYU Press. July 1997. 978-0-8147-5127-5.
- 4.Gaycken, Oliver. Devices of Curiosity: Early Cinema and Popular Science. Oxford University Press. 2015. 978-0-19-986070-8.
- 5.McDonald, Tamar Jeffers. Star Attractions: Twentieth-century Movie Magazines and Global Fandom. University of Iowa Press. 2019. 978-1-60938-673-3.
References
Citations
References
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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